Saturday 15 March 2014

SURVIVOR'S STORY: Rising from the ashes - Avinash Godbole


Avinash Godbole knows the pain of being land locked when your heart dreams of flight. That is why he chose the metaphor to express his life after stroke in his paintings. His life changed 11 years ago; Godbole was the creative art director in an ad agency. One day while climbing the stairs of his home he felt his right leg going numb. He ignored the pain and called his family homoeopath in Pune, who prescribed a few drugs. He thought the sensation would ease like the last episode three months earlier. The numbness, however, worsened. “We kept telling him he needed to see a doctor, but he refused,” says his wife Ratan, an artist. “He had more faith in homoeopathy.” 

 (Avinash Godbole working in studio / Photo by Amey Mansabdar)


Finally, it was another homoeopath who saw him at home, who convinced him to see a doctor immediately. By then, it was already three days since his stroke. “We rushed to Lilavati Hospital in Mumbai, and doctors confirmed that is was a stroke. But they said they could not undo the damage done, only prevent further damage,” says Godbole. It seemed Godbole suffered from an ischemic stroke, but since he didn't reach the hospital in the four-and-a-half hour window period, doctors could not conduct any procedure on him.
He stayed in the hospital for 10 days, four of them in the intensive care unit. Godbole had graduated from J.J. School of Art and was an illustrator for a newspaper while working in the ad agency. He knew his life had changed when his right hand could not hold a pencil after a few days in the hospital.
For days after discharge, Godbole was prescribed physiotherapy yet there was little improvement, his right leg limped while his right hand remained lifeless. The doctors told him that all the progress that is to happen, would come in the first six months and Godbole was desperate for a miracle. “I tried everything¯ayurveda, homoeopathy, Kerala massage, Christian healing, folk remedies everything,” he recalls. “We even tried putting the blood of pigeon on the right hand; it is said to be warm and improves circulation,” says Ratan. His miracle did not come. Meanwhile Godbole went back to work a month after the stroke. Not being able to use his right hand was frustrating. “That's when we told him to start doing things with his left hand,” says Ratan. “Dr Shirish Hastak, his neurologist, kept telling us that stroke is not the end of the world,” says Ratan. “He told Avinash to do what he loves¯start painting again.”
( Avinash Godbole recent painting )

Godbole picked his pencil again, this time with his left hand. It was a slow start. It was like learning to paint all over again. He realised that his brain was still intact: it had ideas, creativity, a vision about beauty. It took three years to train his left arm to bring that vision to reality.

He started painting full time after he retired as an executive creative director. Three years ago, he came up with a series of 25 paintings describing his tryst with stroke. “I wanted to create awareness about stroke. I do not want someone to go through what I did,” says Godbole. His paintings articulate the regret of losing out on time due to stubbornness, his experiences with different alternative therapies and accepting that one side of his body may not be functional again.
While stroke has changed his life, his family has helped him achieve his dreams. His wife accompanies him when he needs to travel and his driver helps him with household chores. Godbole has his routine set now. He paints six to eight hours a day and has made about 500 paintings after stroke. “Everyone says my paintings are better than they used to be,” he says.

“For two years after his stroke, we were not clear about what it really was,” says Ratan, “We didn't fully understand that it is the brain that is affected and not the hand.” Godbole is an active member of the stroke support group in Kokilaben Dhirubhai Ambani Hospital and Rotary Club's initiatives on stroke.

He was also invited to exhibit his paintings at the World Stroke Association's conference in Brazil last year. Hope is the message he wishes to convey to stroke patients and their families. “Our brain is a wonderful thing, there are things we haven't tapped in our brain. In spite of the stroke, you can do what you love to do, become a poet or a writer.” Ratan, on the other hand, wants the caregivers to make the stroke patient independent. “When the stroke patient says he can't, encourage him to try," she says.

Report courtesy Published in The Week ( Health cover story)March 3, 2014 18:51 hrs IST

Friday 14 March 2014

You age is too small for the kind of artwork that you have created, it is a rare entity to find such thought in the youth of your age – S. H. RAZA


Right from the birth till being mature to give birth to a new life, I am blessed to experience every emotional feeling as a woman. At the very tender age itself, I realized that the Lord who created this Universe has scattered upon this earth diverse hues and forms and varied patterns, but maintained similarity in spirit of emotions that flow through these creations.  This is the only reason why we are able to simply colligate equally with the living and non-living objects of this earth. Sensing this minor yet mysterious knowledge has swayed me away into a very different thrilling and spirited world, the world, where everything is spiritual and very dear. It has a spell of magic from which I am not able to come out, or it would be apt to say that I willingly deny coming out.  With times, this affection has compelled me to develop a very different kind of world by giving forms and coloring these emotions. At the age of thirteen I was thrilled by my very own, first creation of this aura. It guided me to vent my creativity in an influential manner. I loved to work in Print etching style and the period from 1993-1998 is most cherished period for me. This is the period when all the dimensions that were necessary for my creativity, were unveiling before me and I happily ventured towards my creative world.

In 1999, I acquired lot of success in the field of Art, but for me the most valued thing was appreciation by S. H .Raza who praised my work and said, “You age is too small for the kind of  artwork that you have created, it is a rare entity to find such thought in the youth of your age. Your creative world is bright so let it flow continuously.”  These precious few words of appreciation made me realize that the surge of feelings in my creations is capable of binding the attention of beholders.   Thus, I was ready to bind the world into the magical spell of my creative world.

It was quiet a different experience of migrating from city of  Bhopal, the city with abundant nature and working in the city like Delhi where human feelings were restricted and superficial. The feelings seemed nothing to do with tender and rich emotional attachments. It was like, - The more superficial, the better. Therefore it can be summed up that, the nature of city has more or less ability to alter the attitudes. And that is the reason why I was not able to live in that city for more than five years and I shifted to Mumbai, to know the nature of one more city! Mumbai is such a city where people of varied natures live and there are different shades of life, the spirit to live happily in any prevailing condition, the zealous attitude of moving on by ignoring hurdles and moving without halts and winning over failures, make its personality more impressive.

 Even after the calamities, people who value life, care for feelings and do not let emotions perish and nor make them superficial. I am constantly studying this city since 7 years and a lot can be created here. The knowledge and education in painting as well as the medium of Print that I studied at Bharat Bhavan, Bhopal prompted me to work in this medium in naturally abundant city like Bhopal and later on moved to the city like Delhi and finally came to Mumbai. Here I could experience a unique facet of life where there is a hidden beauty in the natural destructive forces and realized that it strengthens the purity of feelings and expressions. This is the only reason why my artworks created here are either destructive visuals or calm and serene. You can effortlessly hear and feel the spoken or silently expressed feelings. Even after the numerous blasts of emotions and tornados, a corner of your heart remains tranquil

Destruction heightens emotions and this happens innocently which is also a call of a new life. It is a special feeling for me to endow a character to the feelings of this city in my creations; it is as if, I am creating my own form. This cycle of tapping and knowing my soul calms me down

Poster Out : A Solo show of recent paintings by Kumar Vaidya


SUKSHM
A show of recent paintings by Kumar Vaidya on 22 to 29 march 2014.
11AM to 7PM (Open on Sunday)
Preview on 21st March 2014. 5PM to 9PM
At art gate gallery above Satyam collection, next to Eros Cinema, Churchgate, Mumbai 400020.

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Wednesday 12 March 2014

Missing Tuka Jadhav's from Art world ...

Einstein once said that the most incredible thing about the universe is that it is credible at all. There is chaos as well as order in it and after failing to find the Holy Grail of Science in his “Grand Unified Theory" Einstein took comfort in the peace and joy he found in the pursuit of art and music. It is a sad irony of our times that a sight impaired artist should embark on a guest to become the new visionary of the cosmic harmony that eluded Einstein himself. The art of painting can reflect reality like a mirror or distort it like a prism and it is but a magic alchemy of forms expressed in colour and texture in the manner of a shaman and sorcerer as Degas confessed. To give it an attribute of divine revelation is to rob the glory of creation from the creator himself. 
(Tuka Jadhav his studio :2014)
Tuka Jadhav's story is as tragic as it is thought provoking. His rise from humble origins to win the Bendre-Husain Award is an inspiration to others. His catastrophic loss of vision an eclipse at the zenith of his career. His attempts at a renaissance are exemplary and grandiose. We are all moved by the divine beauty of creation reflected in nature. A writer and poet try to express it in words, a musician by melody and a painter with colour. "Synergism” is the coming together ef such creative energies to bring about peace and harmony. The mood is created by the abstract "Buddha" installation using a bicycle wheel, seat and screw. The centre-piece of the show is a gigantic 110 x 200" work called "Cosmic Harmony". It evokes the timeless and eternal influence of the Sun and the Moon to make nature blossom on earth. Like the Yin and Yang of existence the artist's handprint above the red-black sun expresses the commingling of matter and spirit.

A series of six river paintings pay homage to the water element as the source and sustenance of the stream of life. This aspect of “Pravaah" the eternal ebb and flew ef thoughts, moods and feelings finds expression in myriad forms and colour schemes in Tuka's work. Like words and rhyme to a poet and melody and rhythm to a musician they are an integral part of his an of "Synergism". The two evocative works in swirling red, white end green celled "Flowing Ganges" end "Triveni Sangam" capture this essence end spirit. They were made on the spot et Assi Ghat end Rudra Prayag end inspired by their sacred piety. “Empty River” end "Niranjani" have green traces of haunting memories of a lost Iushness of his rustic youth. The massive 11O x 110" work "Tarang" is full of a buoyant and rippling spirit end recalls Tuka's eloquent verse in "Brush Blossoms". The "Song of the Waghori” gives e musical expression in colour to being free as a bird of paradise.

"Bhoomi Sparsha" in ethereal blue and white is e flight of fancy celebrating the meeting of the heavenly and earthly realms, "Prayer" shows e worshipful figure in William de Kooning's style, "Sonography" and "Bicycle" explore the formal aspects further, "Godhra Mother" and "26/11 War" are stark reminders of the terrors of our troubled times, the kite-shaped works "Heart & Soul" and "For Neal Armstrong" are soaring tributes to friend Shiveji Kale and Neel Armstrong the first men on the moon. The serene “Ahimsa" and "Life Fundamentals" with the embedded "Aum" of creation.
( some of rare works by Tuka Jadhav date are not available )


Complete the set with the vertical panel "Global Peace" which brings us beck to the show's sombre theme. Tuka's vision is grandiose. Whet it may Iack in exactitude he tries to make up with the exuberance end extravagance of his irrepressible spirit. Like e spark in the dark it rekindles e forlorn hope for a way to find some "Cosmic Harmony" in the darkness and despair of our times as we celebrate Diwali  Eid end Christmas as the festivals of light.

Like e Spark in the Dark
lonely firefly left his mark
In the darkness of the night
Like him I sought the Light!


( Report courtesy C. S. Nag. (Author & Filmmaker)