Wednesday, 1 May 2024

AstaGuru’s 100th auction sees 9 Modern Indian artists set world records


For its milestone 100th auction, AstaGuru showcased an exquisite array of rare works from different periods of modern art. From works by esteemed early modernists such as Jamini Roy, J P Gangooly, Amrita Sher-Gil, Sailoz Mookherjea, and N S Bendre, as well as stalwarts of the Progressive Artists’ Group including F N Souza, S H Raza, M F Husain, K H Ara, and others, the auction showcased works from several revered artists who shaped the narrative of Modern art in India in 20th. The auction was held on April 27-28, 2024. 

Siddanth Shetty, Chief Administrative Officer, AstaGuru Auction House, states that “We are thrilled to have reached this pivotal juncture in AstaGuru’s journey. The milestone auction is an important celebration and reflection on how over the years, AstaGuru has been at the forefront of fostering dialogue, appreciation, and acquisition of exceptional artworks. As it continues to evolve and innovate, AstaGuru reaffirms its position as a leading platform for collectors to acquire rare treasures from the oeuvre of Modern Indian Art. We hope to continue with our contribution in shaping the future trajectory of the art market within India and globally. Moreover, the landmark auction is a testament to the fact how works by Indian modernists are consistently sought after by collectors.”

The auction concluded with exceptional results and also created nine records. Here are some highlights of the world records created.

A work by British artist Benjamin Hudson was acquired by 71. 9 lakhs. The large scale painting is Hudson’s portrait of Rajah Pratap Chandra Sinha who belonged to the Sinha family of Paikpara.

A beautiful oil on canvas creation by artist J P Gangooly, was sold for 2.6 crores. A luminary of academic realism in Calcutta, artist Jamini Prakash Gangooly was a master painter known for his profoundly beautiful landscapes. Renowned for his exquisite portrayal of light and shade, Gangooly’s penchant for capturing the transient beauty of twilight hours set him apart. 

A work by one of India’s Navratna artists Sailoz Mookerjea, also created a world record after being acquired for 1.2 cores. An early pioneer of modern painting, Sailoz Mookherje though his thematic focus remained rooted in rural Indian life and landscapes. 

A beautiful painting depicting Krisha as a herdsman by K K Hebbar was acquired for a handsome value of 2.9 crores. Hebbar was first inspired by his father, who sculpted clay idols of Ganesha for festivities. His early introduction to traditional Indian painting and religious iconography folk art is evident in the presented lot, with his exploration of the iconic imagery of Krishna with his flute.

A work by artist A A Almelkar, lot no. 21,  was acquired for 37 lakhs. Almelkar’s artistic lineage was steeped in the rich tradition of stylized “Indian” paintings, characterised by intricate detailing and influences from the miniature art tradition.

A record was also created for a painting, from the ‘Pastoral’ series by artist Anjolie Ela Menon. The series is inspired by the studio she works out of in Nizammudin and the sights surrounding it. Her observations and reinterpretations of the scenes she sees translate into iconic imagery that is now synonymous with Menon. This work was acquired for 1.3 crores. 

A Neo-Tantric theme work by Biren De also achieved a world record after being sold for over 1 crore. Biren De’s ultimate goal throughout this exploration of consciousness was to arouse the psyche of not just himself but the viewers.

Another world record was achieved for a large scale creation, from Manu Parekh’s famous benares series which was sold for 2.3 crores.  This series of paintings that first began nearly 30 years ago are an expressionist take on Banaras. The artist concerns himself with energies and urges his viewers to observe the world through the lens of emotions present in his paintings.

A record was also made for artist Gurcharan Singh with his large-scale creation being sold for 37.6 lakhs. Singh’s work explores the intricate relationships between diverse elements that shape our world. Significantly, his paintings consistently feature a recurring theme of juxtaposing animals with prostitutes, serving as symbolic representations that unveil the primal nature inherent in humanity. 

The 100th auction also showcased works by several other artists, including Nicholas Roerich, Manjit Bawa, Akbar Padamsee, Bikash Bhattacharjee, Sakti Burman, Bhupen Khakhar, J Swaminathan, Ram Kumar, William Daniell, Paresh Maity, G R Santosh, B prabha, Ganesh Haloi, Satish Gujral, Bal Chhabda, Ganesh Pyne, K H Ara, and Rameshwar Broota amongst others. Please visit the AstaGuru to view the entire auction result.

About AstaGuru

AstaGuru Auction House was conceptualised in the year 2008 with the sole purpose of creating a safe and secure platform to conduct online auctions for Contemporary & Modern Indian Art. Over the years, AstaGuru has curated auctions encompassing diverse categories, our portfolio includes art, jewellery, fine silver, timepieces, textiles, celebrity memorabilia, rare books, numismatic, philately and vintage cars. In 2018, AstaGuru became the first Indian auction house to present an exclusive

edition for vintage and classic cars. “AstaGuru has strived to successfully bridge the gap between prospective buyers and consignors by transcending the limitations of live auctions. AstaGuru imparts effortless transparency to the process of acquiring and selling art and rare collectibles. The online module offers bidders the opportunity to bid from the comfort of their houses or while they are on the go.

For more information, please log on to https://www.astaguru.com/

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Sankalp Art Fest Presents An Art Exhibition @ Namah Royal Banquet Hall

Sankalp Art Fest

A group art exhibition ‘Sankalp Art Fest’ showcasing the works of about 37 talented artists will be held at Namah Royal Banquet, Ganesh Temple, Gate No.3, Vajira, Borivali (West) (Opp. Don Bosco School), Mumbai on 4th and 5th May, 2024 from 10 am to 8 pm.  It will be open for free public viewing. The artworks created by the participating artists in different mediums and styles using their skilful techniques will be displayed in the exhibition. This show will be organized by Rupali Mistry who will present her own artwork along with others in this exhibition.

Rupali Mistry - Curator 

Vivid artworks to be presented in this exhibition include the beauty of nature in different seasons/ landscapes, realms of life, emotional mindscapes of young sensitive girls in conducive environments, urban and rural cityscapes, monuments and heritage religious shrines and places of worship along with the eternal atmosphere there and many more. These works will be in oil, water colours, Acrylic colours, Charcoal, pen and ink, itching and other mediums.  The various styles adopted by the artists for their work include realistic, semi-realistic and abstract etc.

The vivid participating artists in this show are:-Rupali Mistry – Rupali Arts, Uma Joshi – Malhar_arts, Hansa Asher, Beena Joshi, Parth Raulkar, Sarvesh Patil, Prachi Kotkar- Creatureeye, Uushma Udeashi – Jarukho Arrt, Amruta Gharat, Sangeeta Wagle, Shreya Chichbankar, Janvi Gudekar, Namrata Shah - Art_by_Namz, Shruti Poojary, Hemangi Sukhadiya – Yesha’s Creation, Meghana Akerkar - Meghnart, Meghna Gothiwala, Snehal Gupta, Payal Vishwakarma, Paridhi Vora, Priti Arte, Swati Nazare –Prizm Art, Aarti Harsora – Mehendi Artist, Nishit Shah - Meraki Tees, Shweta S. – Sanisha Creations, Jayashree Pawar, Zuleika Tatary, Yashvi Shroff – Sangaath Creations, Shweta Shah – Treats and Ties, Lubna Mohammad – Rachaita Handcrafted Jewellery, Prajakta Aajgaonkar, Rupa Haridas, Vivina Sheirin, Bhavana Mehta, Sayani Mujumdar, Sunil Goyal.

Press Release

From: 4th & 5th May 2024 / Sankalp Art Fest Presents, / An Art Exhibition


VENUE: Namah Royal Banquet, / Ganesh Temple, Gate 3,

Vajira, Opp. Don Bosco School, Borivali(West), Mumbai.

Timing: 10am to 8pm Contact: +91 9820252368

Tuesday, 30 April 2024

MID-NOON -News

 


Nature Morte Mumbai: LORENZO VITTURI: METAMORPHOSIS


Nature Morte is pleased to present a new body of work by the artist Lorenzo Vitturi.
This is our second show with the artist having presented his solo show in our New Delhi gallery in 2022.

The fog envelops the lagoon and the architecture in the distance. I walk along the canal with Lorenzo after leaving his studio in Murano. We pause for a moment to look around. In the cold mist, the edges – of land, buildings, thoughts – loosen up. A flock of birds interrupts the opaque sky, drawing an endless line, a space with no frontier. This all feels fleeting and, at the same time, eternal. “It is the substance of an image”, says Lorenzo, as if to frame this vision in time.


It is this felt presence of the image, its corporeal dimension, and the tension between what is material and impermanent that pervades Lorenzo’s oeuvre. Much of his photographic and sculptural work emerges from everyday interactions and dialogues with local communities and artisans. It also results from the careful study, manipulation, and combination of materials that he selects based on their provenance as well as their cultural and historical narratives. In particular, the selection presented for “Metamorphosis” at Nature Morte in Mumbai traces back to the artist’s biographical roots in Italy and Peru, while unveiling the result of collaborations with artisans in Murano, Italy, at the Jaipur Rug Foundation in India, and indigenous communities in Chinchero, Peru. To enter the landscapes embedded in these works is an act of balance and reframing. From gigantic soft sculptures floating from above, to small and delicate still-lifes containing fractal patterns and geometries, the works play on different scales. The oversized dimensions and softness of the pieces invite us to compare our bodies with other volumes, our material with that of the sculptures, while pointing to other, beyond-human forms.


Murano-fused glass, Peruvian yarns, fishing nets, Indian hand-made rugs, eucalyptus wood, cocaine leaves: the materials become the silent protagonists that tell multi-layered stories about lived experience. These experiences are not only those of Lorenzo and the artisans involved in making the work, but also of those who look at the forms and see parts of themselves in them. To accompany the viewer, the nature of the materials is discernible from the captions – list-like, almost inventorial – as if to create new combinations aimed at subverting canonical classifications. Lorenzo also powerfully re-employs the tradition and knowledge of glass and textile – adaptable mediums often labelled in ‘Western art’ as craft – to imagine new visual languages and encounters between cultures. In a way, these ‘handmade visions’ recall what scholar Gloria E. Anzaldúa defines as a borderland: an emotionally-charged space where two or more cultures meet, where different social classes encounter one other, where people of different heritages inhabit the same locales. In these suspended sculptures, shapes and materials encapsulate gestures, valleys, rivers, and entire regions, creating new geographical configurations and emotional maps. By embracing and abstracting the language of cartographies, Lorenzo questions borders but, above all, attempts to transcend them, to move beyond what separates ‘us’ from ‘them’. Instead, he questions how the fortuitous exchanges that emerge from encounters (of people and materials alike) might be sites for transformation and new routes. Where will they lead us?

Lorenzo Vitturi (b. 1980, Venice, Italy) works in photography, sculpture, and installation. Following his experience as a cinema set painter, Vitturi builds temporary sets and ephemeral sculptures, in-studio and on location, using both organic and fabricated materials. Starting from specific geographical locations and encounters with local communities, his work explores informal economies and the merging of different cultures, focusing on the movement of objects and people in a globalised world. His recent solo exhibitions include Money Must Be Made at Fondazione MAST, Bologna, Italy; Nulla è Puro at Centre Photographique Rouen Normandie, Italy; Materia Impura at FOAM Museum, Amsterdam, Netherlands; Dalston Anatomy at The Photographers’ Gallery, London, at Contact Gallery, Toronto, and at CNA, Luxembourg. Vitturi also participated to group exhibitions at MAXXI in Rome, at Centre Georges Pompidou in Paris, at Palazzo Reale and La Triennale in Milan, at BOZAR in Brussels, at K11 Art Museum in Shanghai, and at Barbican Centre in London. Vitturi’s latest book Money Must Be Made was published by SPBH Editions in September 2017. He currently lives between Venice, Italy and London, UK.
The project has been realised in collaboration with Jaipur Rugs Foundation.

Text by Giulia Civardi

This exhibition will take place in Nature Morte’s Mumbai gallery space at 3rd Floor, Dhanraj Mahal, Apollo Bunder, Mumbai.
The hours are Monday through Saturday from 11am to 7pm and the gallery is closed on Sundays.
For more information on the artist or the works in the exhibition
please visit our website at www.naturemorte.com or contact us at info@naturemorte.com.

PREVIEW: March 23, 6–8pm
March 23–April 27 2024
 

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