SAKSHI GALLERY
3rd Pasta Lane,
Colaba, Mumbai 400005
India.
Timings: 11am to 6pm (Mon - Sat)
Closed on Public Holidays
SAKSHI GALLERY
3rd Pasta Lane,
Colaba, Mumbai 400005
India.
Timings: 11am to 6pm (Mon - Sat)
Closed on Public Holidays
Non-objective art and the Avartana: the repetition… Non- objective art or abstract art in India has its followers; some as artists and many as collectors. Non-objective art is a visual language of forms, colours, textures and many a times it goes beyond. In case of Indian modern art it is difficult to identify the first Indian modern abstract painting.
As we all are aware that Prof. Sankar Palshik
Non Object Painter - Ganesh Tartare |
His experience of understanding of nonobjective art as an academician is reflected in his work.
I think that the paintings of the above mentioned maestro have a somewhat unique technique to apply the pigments on canvases. The technique of colour application is an unavoidable aspect of nonobjective art, at least in the case of Indian art. The colour application by using knife for impasto is common... Some are using printing rollers… some are using printing squeeze technique… some painters hit the colours with a mighty splash… some create effects by dropping dots from a distance on paint surface; In short, every artist has developed a method to apply colours on canvas. These techniques help artists to create signature visual formal language. Repetition of technique is considered as an important aspect of the artists’ style. Many artists usually repeat the techniques, like chanting mantra popularly called as ‘Avartana’; though colour pallets are changing. In this regard, another feature we can observe is the creative design pattern developed, created or adopted by non- objective artist.
The pattern becomes the signature of an artist. At the beginning of the artist’s career, he or she researches in visual possibilities, makes combinations, tries amalgamations. After a certain level, he or she achieves some known-unknown visual efforts and introduces the same as his work of art. After all types of success, the artist starts repetition of his visual discovery… the formal research. The experimentation and research becomes minor and the technical craft as well as production becomes major part of the artistic creation. I would like to raise a question that ‘whether these repetitions or ‘Avartana’ are fine for artists and art?’ The answer may not be in black and white… but the question is a reality.
Dr. Nitin Hadap
Art Open Talk Montosh Lall and Ganesh Tartare Link to Play https://youtu.be/a_Eu5FoCpXQ |
NON-OBJECTIVE ART
from
GANESH TARTARE
Solo show @dr_ganesh_tartare
Preview:
18th October 2022
Time: 4:00 pm - 8:30 pm
Exhibition on view Time: 3:00 pm - 8:30 pm
19th - 28th October 2022 ( Holidays @Sunday close)
RSVP: +91 9820510599 / Nippon Gallery
Also view sale catalog on www.nippongallery.com
NIPPON
30/32, 2nd Floor, Deval Chambers,Nanabhai Lane, Flora Fountain, Fort,
Mumbai – 400 001, India.
#ganeshtartare #soloshow #NONOBJECTIVEART #mumbaiartgallery #untittelworks
#contemporaryabstract #contemporaryart #abstractexpression #abstractarts #abstractsonfire #modernartist #abstract_art #abstracted #abstractartist #abstractexpressionism
.
NON-OBJECTIVE ART
from
GANESH TARTARE
Solo show
Preview: 18th October 2022
Time: 4:00 pm - 8:30 pm/ Exhibition on view Time: 3:00 pm - 8:30 pm
19th - 28th October 2022 ( Holidays @Sunday close)
RSVP: +91 9820510599 / Nippon Gallery
Also view sale catalog on www.nippongallery.com
NIPPON
30/32, 2ndFloor, Deval Chambers,Nanabhai Lane, Flora Fountain, Fort,
Mumbai – 400 001, India.