- VS Gaitonde
- Ram Kumar
- Akbar Padamsee
- Amrita Sher-Gil
- Vanita Gupta
- Smita Kinkale
- Ratnadeep Adivrekar
- Tathi Premchand
- Nilesh Kinkale
- Prabhakar Kolte
- Chintan Upadhyay
- Prabhakar Barwe
- Shankar Palsikar
- Yashwant Deshmukh
- Prabhakar Kolte
- Sanchita Sharma
- Prakash Waghmare
- Ranjit Hoskote
- Premjish Achari
- Pankaja JK
- Contact
Tuesday, 23 January 2018
Sunday, 21 January 2018
Thursday, 4 January 2018
Monday, 1 January 2018
The principles in art which were once considered inapt have been completely eradicated with the course of time.
Progressive
understanding of art is ‘Rupayatan’. And hence the past rules do not remain valid
in the present. The aesthetic perspective of art has revolutionized throughout
the years. The process of creating and decoding modern art has changed with
growing peculiar interests of the populace. It has acted as a catalyst for the
growth in the change in the aesthetic perspective of art.
The current
creative tendency is not decisive; it is more likely to keep changing with the
change in the aesthetic perspective of the populace. The inspiration is taken
from the daily life and when presented through art is highly illusorily. The
organization of pre-requisite knowledge, shapes and construction of subjects is
primarily conveyed in visual presentations. The paintings then can have varying
effect on the human mind. This phenomenon has lasted from the time of ancient
art to the changed modern art.
The principles in art which were once
considered inapt have been completely eradicated with the course of time. The
pure and unique thoughts emerging from the artist’s subconscious mind are
accountable for it. The individualistic thoughts and the artist’s perspective
as an individual about the subject, both physical and deductive are the
particular reasons for the same.
The obsession of beauty and crave for
innovations comes from the natural thinking process based on the right morality
denying the façade, is the tradition of visual interpretation of unnamed and
unlabelled form. This accepts the space. Increase in the form of art through
the process of colors, lines and understanding and the maturity of an artist are
the things which enhance the value of the art.
The absence of clothes does not define
nudity; it is originally the raw and pure state of nature. It is also a social
state. The meaning of nudity for us is in the subconscious state and not in the
conscious state of mind. This is not an attempt to change the statements of the
critic. There is similarity in the imaginative state and the existing state
hence there is no hiding the truth, it gets amplified.
The artist and his art is like the eye and
vision. What is seen is not always helpful for creative presentation; even if
this is inspired by our lives it is highly fictitious. It is a blend of
imagination and pre-requisite knowledge. It is illusorily and an extract of our
vision. Hence nudity does not require a canopy; it is in an oblique state. This
exhibition of paintings and sculptures emphasizes on strengthening the natural
instinct. A painting is exclusively visual, which originates from the
indigenous thoughts. A painting is the very representation of our thought
process. We would like to convey this message through this exhibition.
Text translate Santosh Sawant
Edit by Vinit Lawande
Art Blogazine
Pankaja JK (Founder)
All copyright by Prajakta 2017
RUPAYATAN GROUP SHOW
SALE & EXHIBITION at Art Gate Gallery, Mumbai
All Art lovers are most invited on 5th Jan 2018
at the Inauguration Ceremony of Amazing Recent Group show Artworks at Art Gate Gallery, Churchgate Mumbai
5th Jan 5:30 to 8pm
6th Jan to 11th Jan 2018, time : 12am(afternoon to 8pm night)
RUPAYATAN GROUP SHOW
SALE & EXHIBITION at Art Gate Gallery, Mumbai
All Art lovers are most invited on 5th Jan 2018
at the Inauguration Ceremony of Amazing Recent Group show Artworks at Art Gate Gallery, Churchgate Mumbai
5th Jan 5:30 to 8pm
6th Jan to 11th Jan 2018, time : 12am(afternoon to 8pm night)
Subscribe to:
Posts (Atom)