Romartika Art Decoded is back with its signature group shows of paintings by emerging artists At Malaka Art Gallery, Koregaon Park, Pune. During the month of November, there will be two group shows back-to-back. The first phase of the show is being held between 4th to 15th November. The show has been inaugurated by Mr. Sanjeev Pawar, Director of Art Pune foundation.
Curated by Saikat Baksi, the exhibition offers a captivating blend of Indian Classical, realism, and abstract expression. Artist Mamta Prasad presents a blast of passion on her canvases. The hint of an emotional whirlwind swings in harmony with joy and sorrow in her paintings. Artist Nilima Gadling’s black and white pen and ink paintings beacon the viewers into a Zen like abstraction. Her canvases present an unusual blend of calligraphic strokes and natural rhythm. The realistic expressions by Artist Nisha Kshatriya border on impressionist style. The contrasting intensity of color in her portraits as well as landscapes stop the viewers on their track. Artist Preeti Shah presents a diverse mix of style and form, celebrating joy through her displayed oeuvre. Artist Anusha Singh’s seamless transition from poetry to abstract expression touches the heart of the art lovers. Her canvases hold a promise of a unique style unseen before.
Artist: Mamta Prasad
Overall, it is a remarkable visual experience unmissable for art lovers in the city.
This show will be inaugurated on 5th November 2024 at 5pm by Honorable Guests Dr. Uttam V. Jain (Patron Hindustan Chamber of Commerce),
Virendra Kumar
Shri. Rajendra Patil(Eminent Artist & Ex Teaching Faculty, Sir J.J. School of Art, Mumbai), Shri. Mahendra Kalantri(Director Acclaim Systems (I) Pvt. Ltd. ), Shri. Sanjay Nikam (Eminent Artist & Art Curator)
Virendra Kumar is an experimental and versatile Indian Painter who has graduated from Patna Arts and Crafts College, Patna University, India in 1997. Born in Bihiya Village, in Bhojpur District of Bihar, Virendra Kumar had a very happy childhood. His village like all villages in Bihar is very rich in the traditional folk arts. He drew inspiration from watching his mother, aunts and other family member painting and decorating their homes by painting on walls during festivals and weddings.
So Virendra was constantly surrounded by not only vibrant colours, celebrations of festivals with music and dance but was fortunate enough to get maximum encouragement from his own art-loving family. His father too was art oriented and strongly supported his decision to be an artist.
Love for Nature, curiosity, hard work, love and dedication for art are the qualities that motivated Virendraji to follow his creative quest with unusual commitment and passion.
His paintings today are magnificently serene, contemplative in spirit and rich in their depth. One can say that Virendra Kumar's paintings are exquisite creations of pure abstraction. In these paintings, we find an element of mystery and sense of musical rhythm. In other words, these are poetic configurations of abstract forms, all passionately rendered, which emerge like dreamscapes bathed in shimmering or muted hues of overlapping contours of abstract lines and forms, vibrant colours all intricately worked out in richly textured, visual symphony.
Virendra Kumar navigates the spaces with consummate skill. There is a playful yet intense engagement with juxtaposition of forms and colours.
While dealing with spaces, the artist has very brilliantly escaped the constraints of 'traditional composition'. Spontaneity and mystic depths created through multilayered abstract forms, spaces are enlivened by vibrant colours like ultramarine blues, jade greens, ruby reds, topaz yellows, blues and Verdean greens and many more hues. These visuals also carry different space divisions and contours that hint at certain abstracted forms of landscape, city dwellings and many more interesting elements.
A discerning viewer is drawn deeper into these meditative paintings to discover worlds within worlds. These paintings linger on in the viewer's memory and touch the viewer's heart. Apart from family support, Virendra Kumar was also inspired by great masters like Vincent Van Gogh, Claude Monet, Jackson Pollock and Mark Rothko. Indian artists like Ram Kumar, Natvar Bhavsar, V.S. Gaitonde too have impressed his painterly mind.
Virendra believes when he says "the artist's space, as blank canvas invites many challenges" He describes how while traveling in a plane he has often discovered the magical optical illusion that takes place when "we look out of the window, at the earth below, the landscape transforms into a maze of tiny dots - he explains.
My Art works are theme based, climate changes, environmental issues and the problematic human impacts to life on earth are all subjects, I creates new paintings, using the abstract expressionistic style to express modern social issues and raise awareness through his art. I am trying to show the beauty of nature in the beautiful valleys of the Himalayas. We see some cities situated in the mountains which look very beautiful but there our nature has also been hurt in some way or the other.
Virendra says "All my works are abstract. To reach this point or peak of abstraction I have to work hard, day and night."
Dividing these spaces or creating different planes for perception, in the available artist's space are handled by Virendra with masterly dexterity and artistic sensitivity. Virendraji's creative process centers around the battle, between chance and control from which his energetic yet meditative paintings are born, this phenomenon happens through a series of spontaneous reactions based on intuition.
Virendra's abstract techniques continuously evolve through extreme experimentation, using custom handmade tools, chemicals and textures.
The end results are magnificent paintings, richly sensuous and sublime at the same time. Virendra Kumar is not only a versatile and prolific painter, he has also organized several artist camps, both in India and abroad. Virendra, is a multidimensional Artist who has worked with many different mediums, such as sculpture, photography and installation art.
Recipient of several national and international awards, his works have been exhibited in both solo and group exhibitions in major Galleries in India, U.K., U.ae., Thailand, Indonesia, Nepal, Uganda, Mauritius, Burma, Kuwait, including Fame Art Gallery in Belgium, Gallery of Light Dubai, Gallery 76 Dubai, Wilesden Gallery in London, Nehru Center Gallery in London and many private collections around the world. Virendra was featured on the Indian television channel DD Bharati, and many television Channels and his work can be found in corporate collections throughout India as well as in private collections worldwide.
Renowned artist Bulbul Rai is set to unveil her latest solo exhibition, Shreekanthaya, at the prestigious Jehangir Art Gallery in Mumbai. This exhibition is an artistic exploration deeply rooted in the stories and teachings of Lord Shiva. From a young age, Bulbul Rai demonstrated a profound passion for art, refining her skills in drawing and painting since the age of five. After completing her education from Purvanchal University, she dedicated herself to the fine arts, focusing on religious and spiritual themes.
Artist - Bulbul Rai
Bulbul Rai, deeply devoted to Lord Shiva, draws her inspiration and passion for creativity from her spiritual connection, which has profoundly influenced her path. Her journey has been a meaningful exploration of expression, shaped by this devotion as well as her formal education in Ahmedabad. Over the years, Bulbul has showcased her work in numerous solo and group exhibitions at prominent galleries such as Kamalnayan Bajaj Gallery, Gallerie Leela, India Festival at Nehru Centre, Art Desh Gallery, and Prathamesh Gallery in Mumbai. She has also participated in notable camps and workshops, including the SCZCC Nagpur Annual Show, Hutheesing Gallery in Ahmedabad, and the Mysore Camp. Her contributions to initiatives like the Drawing Camp in Jaipur, workshops at Pratham Gallery, and exhibitions at the Mysore Museum have earned her recognition within the creative community.
Oil on canvas
The spiritual and religious narratives surrounding Lord Shiva inspire the Shreekanthaya show. Known for her vibrantly coloured and figurative style, Rai’s works vividly portray the deity’s life and teachings. Each artwork is an intimate reflection of Rai's deep reverence for Shiva, inviting viewers to engage with the religio-spiritual dimensions of his existence. Her canvases are imbued with layers of meaning and vibrant quality, encouraging motivation and personal reflection.
Bulbul Rai channels her devotion through her art, using bold colours and intricate figures to communicate the essence of the energy of Lord Shiva. Her works go beyond mere representation, offering a fusion of art and religion that allows viewers to connect with the metaphysical aspects of her subject.
Oil on canvas
Shreekanthaya promises to be a transformative experience for art lovers and spiritual seekers alike. Bulbul Rai invites audiences to journey into the depths of Lord Shiva’s timeless wisdom, forging a connection between the physical and metaphysical realms.
The exhibition will be on display at Jehangir Art Gallery, Mumbai, offering a unique opportunity to witness Bulbul Rai’s evocative and immersive works firsthand.
From 28thOctober to 3rdNovember 2024
“Shreekanthaya”
Solo Show of Paintings by renowned artist Bulbul Rai
Renowned for his emotive watercolors, senior artist Pradip Maitra unveils his latest solo exhibition, ‘Illusion and Reality’, offering a profound meditation on the cultural and intellectual upheaval spurred by the COVID-19 pandemic. The exhibition is set to open at the Jehangir Art Gallery, Mumbai, from 29th October to 4th November 2024.
Artist: Pradip Maitra
Maitra’s new series was conceived during the 2019-2020 lockdown, marked by global isolation, anxiety, and uncertainty. Like countless others, Maitra found himself confined to his home, grappling with depression and confusion. The previously comforting books underwent a metamorphosis, unsettling him as they seemed to animate and encircle him in a stark embodiment of knowledge confined and remote.
While exploring his daughter's college library later, he chanced upon a secluded section where valuable manuscripts lay abandoned, their significance fading amidst the hustle and bustle of contemporary society. Maitra's 'Book and Lock' series is founded upon this discovery, exploring the vulnerability of cultural traditions and the increasing conflict between preservation and oblivion. Maitra's works explore technology’s dominance during the lockdown, using the lock as a subtle metaphor for barriers to ancestral knowledge.
Born in 1959 in West Bengal, Pradip Maitra earned his BFA from the Indian College of Art in 1984. A committed freelance artist, he has participated in numerous solo and group exhibitions, both in India and internationally. As a longstanding member of the Society of Contemporary Artists, Kolkata, since 1988, his work has been displayed at prestigious institutions such as the Jehangir Art Gallery in Mumbai, the Nehru Centre, and in global cities like Bangkok and Hong Kong. Maitra’s art is a part of prominent collections, including the National Gallery of Modern Art, New Delhi, and the Museum of Bengal Art, Kolkata.
‘Illusion and Reality' invites audiences to contemplate the delicate interplay between safeguarding our cultural legacies and the march of modernity.
From: 29th October to 4th November 2024
‘Illusion and Reality'
An Exhibition of Water colour Paintings
By Renowned artist Pradip Maitra
VENUE: Jehangir Art Gallery161-B, M.G. Road, Kala Ghoda,
Mumbai 400 001,Timing: 11am to 7pm,Contact: +91 9231678595
Amitabh Ashesh is an alumnus of Stanford University’s Art Dept. USA. He has been trained at Stanford University USA during 1988-1994 with Bay Area Figurative movement under Frank Lobdell and other stalwarts. He has been a creative Director at JWT and Saatchi. He is also an alumnus of IIT Bombay. He has made about 120 paintings since 2014 and about 40-45 works from that series will be displayed in this exhibition.
The present series showcases the original creative work of Amitabh Ashesh on ‘Yufism’ in oil on canvas and the pastel and charcoal on art paper. It provides a new class of imagery on the ‘Yufism’ compositional platform where scenic figurative and invisible elements share their attributes, the windows becomes blocks of light, the rain drops, trail of ornamental beads and ripping sea waves are worn as a skirt etc. Each painting is accompanied by a titular poem, elaborating its meaning and thereby arousing viewers with its parallel literary association.
He has used conceptual innovations of Yufism such as scenic elements in human figuration, anthropomorphic and recursive scenery, exploded objects and blended forms for artistic effect. A collective recollection of various scenery in quotidian Indian, life find a prominent place in his work such as Bangalore’s famed Brigade Road, home cooking specialities, street dogs feed by kind strangers etc. His work is innovative and eloquent and shares an instant dialogue with the viewers due to its clarity and lucidity.
Renowned artistAmitabh Asheshwill showcase his recent work in oil on canvas and pastel and charcoal on art paper in a solo art exhibition at Kamalnayan Bajaj Art Gallery, Bajaj Bhavan, Nariman Point, Mumbai 400021 from 27 to 31 Oct. 2024. It will be open there for free public viewing daily between 11 am to 7 pm.
AANGIK Symbolises a narration from Bengali word meaning my style for expressing my expression in art. AANGIK – A Group of innovative artists from W. Bengal has organized group art exhibition of 7 artists known for their harmonizing styles narrating & unfolding various stories in Jehangir Art Gallery, Auditorium Hall, Kala Ghoda, Mumbai from 22nd to 28th October 2024. It will open there for free public viewing daily between 11am to 7pm. Participating artists in this exhibition are Ashok Adhikary, Chandan Mishra, Jayanta Debnath, Samir Paul, Sumanta Hutait and Swapan Bala who have graduated from Govt. Art and craft Kolkata in 1997. AANGIK is known for the individuality of its members, each one bringing their distinct style to the group over the years. The group also includes a self taught skilled sculptor Swakusa. AANGIK has gained recognition in the present art world through several solo and group art exhibitions in the reputed art galleries all over the country. The presentations by the participating artists in many art exhibitions have been widely acclaimed by the art fraternity and in turn the participants have been honoured with several awards and appreciations. The vivid works are in collection of numerous art lovers and collectors of national and international reputation all over the globe..
Ashok Adhikary
His works in acrylic colours on canvas reveals energy derived by the aspirant from iconic motifs such as Apple which in turn inspires and motivates him / her for achieve their goals in life. The work indicates positive mood and happy emotions which duly encourage a sensitive human being for becoming successful in life by overcoming all impediments.
Chandan Mishra
His works in Acrylic medium on canvas highlights the freshness and happy / joyful glow on the face of the lady. The good morning reflects a merry and exhilarating as well as pleasant environment through happiness on the face which shows contentment in her life. Her pose in a happy environment reflects the positive energy and waves of joy and happiness in relevant perspectives.
Jayanta Debnath
His work in watercolours on cotton paper reveals the panorama of the whispers of the horizon on a seashore. His works being lucid and eloquent always shares and instant dialogue with the viewers through good colours and stylish expression of the artist. His work is picturesque and indicated vivid subtle nuances of seashore through calm and quiet environment and tranquility. The creation is transparent and leads to appreciation and praise from all viewers / art lovers.
Samir Paul
His works in acrylic on canvas highlights the various religious sentiments and cultural vignettes associated with Varanasi – the religious above on this earth in apt perspectives. It focuses on various architectural highlights of temples / shrines / places of worship at Varanasi, ample relevance of the vivid boats chanting of hymns, prayers and sanctity of such pious environment in an artistic aesthetic manner.
Sumanta Hutait
His work in ink on paper reveals ALAAP-the introduction exemplifying the harmony of musical verses emanating from Sarangi, sometimes Sitar or other instruments elaborates the musical waves being spread in the surroundings and their omnipresent rhythm and harmony which duly enlightens one and all leading to their joy and contentment in life. The work is symbolic and indicate iconic motifs through peacocks who enjoy the divinity of The Natures Music in apt perspectives of environmental atmosphere.
Swakusa
His work in bronze reflects a thoughtful man totally engrossed in his thoughts by getting lost in the same. The work shows good textural surface finish and textural finesse through well achieved glow at strategic arena and perspectives of visual art.
Swapan Bala
His work Eternal in oil on canvas showcases relevance and sanctity of attachment and sentimental affinity between two sensitive lovers. The couple has been totally involve in their happy movement of life via togetherness and emotional attachments towards each work. Work is very attractive and thematically relevant.
Combat feminism with a mustache, because every woman is becoming a man more than herself. by Tathi Premchand
Drawing Books Andolan, a movement initiated to praise women and their ultimate strong persona, their paramount insight, and their superlative forbearance. Andolan steps forward to clamor against pseudo feminism, causing much defilement to women rather than hale. “Combating and competing has become so crucial to genders that they have lost their values and prominence. The woman is becoming more like a man, abandoning her vibrance. Feminine with a mustache.”-said Tathi premchand.
Drawing Book cover -Inside page 100Inside Book Page view -8.5 X10.5 inch
The aura created by Premchand’s vision stimulates every sense of living. His works have the capacity to raise questions as well as to make any person stunned by giving untold answers. The works laid on sheets are much of what comes from his subconscious rather than pre-planned methods. When asked how he configure and manage to create such depth in the paintings? He answered, “I observe, sketch twice a day, sense my expressions and then collaborate.”
Tathi Premchand’s works hold variance according to the dissemination of his dialect. He invests all that is necessary to display the deliberation. From forms to figures, erotic to static, moods to moments the paintings are a combination of what we come across every day. Inspired by his town city and people living there, the drawings are more often black and white,” I’ve always been curious how we see colors through our lens but dreams and visuals going in the mind are inevitably black and white, on the contrary I want people to fill up colors according to their moods and diurnal experiences” he says. The paintings and sketches hold discernment of human life, struggles, desires and dualities of wit that we behold inside. The series of 70 works being processed since 2013 drives our attention towards the way how humans have progressed and are raveled in their own aspirations, sovereignty and aesthetics. How the animals dwelling inside each of us is silently waiting for their prey. “we all are animals inside, always craving for more. Whether it is food, sexual eagerness, or wants to excel over others, we always expect for more.” The artist affirms.
In most of Tathi Premchand’s presentation women plays a vital role. He anticipates women as a preserver, a collector while a male as a ravager. Though both contributes equal to society, women many a times have to undergo a bulldoze pressure of mimicking the image of male as well. He repudiates the thought of women being frail but consider her powerful, a soul who is the creator, creator of human, house, love, affection and rejoice.
From eternity man has forged a sphere where women are wielded according to his comfort, and in retribution women is shaping herself like male, vying him to be self-sustained which eventually compressing her by carrying all the responsibilities on her supple shoulders. “I feel women is a combination of energies, she is synergy, but in order to beat man, that too due to his own vile practices, she is being misused.” The artist said.
Not being a hoax feminist, Tathi Premchand always believes in equality of genders, but as in reality and norms set by masculine dominant society women have to encounter challenges and pronouncements. If she becomes competitive enough to face them, she’s being condemned. Her efforts and endeavours are never appreciated, but always judged and doubted. “I admire and acknowledge how courageously women compete the foul boundations set by men.” Added Premchand.
The physiological and psychological characteristics of man and woman created by extramundane powers holds their own purposes and motives. Both contribute well towards living, competing each other or penetrating into other’s sphere of traits may create indecent and foul results. Hence, respecting other’s freedom and persona will bring a vital change in further future.
Man and woman together fabricate the world, which invokes the sense of living. Women being much sensual, men are considered more attractive and alluring according to Tathi Premchand, adding on examples like Lion, Peacock, Cock etc. Accepting male’s delightful appeal women always get fascinated, which provokes her to embellish and adorn the ways she looks. Male of the contrary need no such extra enhancements for his appeal.
Lust is what every human craves for and in many of the paintings that libido can be seen in form of animals and their hunger. Animals do not care about moral sense when it comes to fulfil their starvation. Likewise, humans are a cluster of their unrevealed desires. They are not much concerned about matters and morals when it comes to attain their wishes. Andolan, a gesture started to untangle the dubiety of stubborn society with minimal drawings that are gratifying to view and provoke us to think down from the top surface. The artist profess that his paintings and works are not just to be glance and to be showcased but to disclose his real nous, that may compel the living to revitalize.
As we get conscious about the paintings and understand them, we figure out that every painting has its own value and sense of representation. The artist is making us aware of dark side by depicting them in different temperaments. Using ink as a medium, Premchand manifests that our lives are too like ink, dark, fluid but when used correctly every stroke laid can covey a significant knowledge.
“my paintings are better than sex.” A quotation remarked by Tathi premchand, signifies that his paintings are pleasure to experience, provides great impact on thinking and you will always be keen to encounter more. Nature, forms, colours and characters modifies him with every stroke laid. Observing the psyche and understanding how every soul’s desires are different yet have same aspirations.
I am Premchand. I am very happy to present my work though this small book of paintings. I cannot put my thoughts in words, but you can read my paintings like a novel. I have painted various aspects of thoughts and forms as and when they stimulated my mind. They are my views, observations and conclusions in visual form. Variation in human nature teaches me to view the world through different angles. My paintings may not always appeal to every individual psych, though an intuitive mind would read the thoughts behind every painting, I hope to bring in good energy and contentment through visual appeal. My work will meet its ultimate destiny only if it has a deep impact on our life.
Character, nature or simple colors symbolizing the psyche of a person, all find their way in my art. Being observant has helped me to add color to the feelings. Charged with the passion for painting. I feel myself grow with each and every work that I undertake. I wish to share to my feelings with the world, so I have brought my art into the arena where all art lovers could express their world by possessing the selected ones.
The sketches of the different aspects of the snail’s life are the metaphor of human life. In ‘Run from home’ a snail is seen leaving it shells. Just as the shell of a snail is the protective cover and a heaven for the tender and helpless life within, so also a fetus that starts growing in the womb of mother is safe and secure till it leaves the wombs. Thereafter life is full of struggle and dangers. Cautious steps and conscious efforts to be safe and secure slow down the pace of life. Most of the sketches representing the pattern of life are in black and white’ cause every individual adds color to life only through confrontation of various experiences. The life moves on, without being aware of its destination. The end is unavoidable and it’s different every individual. The only similarity among all is the purity at the time of birth untouched by character pollutant forward movement through high and lows and then, the attainment of eternity.
Out of many characters, the one that forms the large part of his work is Woman. She presented in various facets. The books and physical presentation of these women project them as indomitable personalities. He discards of the view of the woman being weak and dependent. In nude paintings, she is not shy and awkward but proud, and confident who is well aware of her sensuality and power, also capable of handling people affectionately without scruple. ‘I am not nude’ is the attitude that oozes from every part of her body and gesture. ‘A woman with knife’ is an excellent work of her of her being sweet poison expressing most of her sexual whims for selfish motive.
Right from the birth bosom is inseparable from life itself, be they human beings or animals, it has a magical, soothing charm on young and old. The paintings are successful in electrifying and clearly portray various feelings such as motherly care, sensuality, pride confidence and so on. Premchand also presents the bleak side of woman’s nature. Her goals, aspirations, withes and desires all find way in his work. ‘Seven Desires’ portray a woman who always tries to find all those qualities in men, which she expects from her life partner. She fails to have that perfection in any man whom she meets. She has many friends, with a unique quality that she expects but the man of her dream always remain a myth. The prince on white horse represents that macho man whom she never meets in her lifetime. Her unfulfilled desire does not fight against her fate instead compromise with whatever she has. A woman is demanding cooperative and caring, Along with these traits she nurtures self-pride which can be clearly seen on the face of a pregnant woman. Motherhood is a very emotional and possessive period in life of everywoman blessed with the power to bring A life in this world. In ‘Me and Mother’ the adorable to-be mother is full of love and care for the unseen child, who comfortably grows in her womb. She caresses her unborn child. The thought of new life engulfs her with the sense of prosperity. Her apprehensive nature does not go unnoticed. The sudden changes in her mood, attitude towards life that change with circumstances are captures in paintings like ‘Cloud and Rain ‘and ‘First Rain.’ The posture of a girl depicts her longing and unspoken desires. The nature of a woman is always unpredictable still adorable in spite of all odds.
Man and woman together make the world. The union is a must for the cycle of the life to progress. This presentation is made through attractive figures and alluring colors. The contradictions and similarities are handled subtly. Throughout this series one observes that the male is more beautiful. Woman is sensuous. Premchand observes that male species is more attractive than their female counterparts, giving us the instances of the Peacock, Lion, Cock etc. The Peacock is a recurring image and color blue is associated with male image to add to the beauty of the concept. The simple strokes are deliberately used to avoid any unfathomable feelings. Nudity and simplicity are the soul of these paintings. Male’s tall, robust and attractive self and women’s sensuality, always seen attracting and repelling from each other, like two blades are separated they become useless, thus man and woman depend on each other thought out their life.
There is also an urge for superiority and domination over each other. The competition continues. As shown in ‘Imitation’ a woman and man are in the Shirhasan position. But as we observe, we find ourselves wondering at the posture of woman. It seems disturbing; everywhere a woman is expected to follow the rules set for her. If she tries to complete with man she faces lot of criticism. He progresses is never appreciated and her character is always doubted in the process. Premchand is totally against this system of thought. He is not a feminist but believes in equality of sex. But competition is not always fruitful. Nature has carved both man and woman with a particular purpose and any attempt to go against it has a vulgar and awkward result.
Cruel and Cruelty brings alive various experiences that are lavish, livid, dumb and sometimes horrifying, “Cruel and cruelty” is one each topic that he deals with frankness, without being biased about the facts. Some paintings depict lust in animal form. The brutality of human on weaker species of animals, the sacrifice of innocent animals is boldly painted. In ‘Human Conservation’ a man holds a rabbit in his hand to feed the partner. This painting was made when partners attacked human in residential zones. The partner’s attack on human beings was tacked by providing them live animals for food. This is a cruel act on the part of human beings. To save himself and his children, man very brutally sacrifices other innocent living beings. In this series we are confronted with innovative idea that taps our minds and we are bound to reconsider age-old notions. Not only the in the human act against the animals but even man’s atrocities against his fellow beings do not go unnoticed by the artist. An animal kills another animal only to fulfill its basic need, whereas man kills man for selfish motives and material gains. In historywe have the instance of well-known personalities being assassinated. Their thoughts to go against the set of rules stirred the minds of oppressors to such an extent that they were assassinated. Jesus too was no exception.
If women like sex, Men get free- Tathi Premchand-2024
‘You and us’ and ‘Any answer please!” speaks of recent war between America and Iraq and the brutality the followed. The false pride and cruel egos are responsible for havoc in the world, disturbing the peaceful existence. What is the perfect way to lead a life? If nothing is permanent then why is there a struggle for possession? Life is never like we want it to be. Premchand patronizes Buddha’s disciple Monk Ananda who is full of such queries, and presents the stories where lord Buddha fulfills his queries, and presents the stories where Lord Buddha fulfills his queries by using illustration from real life. Though of ‘possession’ and dignified ‘self’ is the reason for our suffering. It is absolutely necessary have freedom from the vices of longing, greed and possessions paintings sensualizes the spirit sensualize the spirituality. There are few elements and concentration is on the presentation of meditative effect. Brown, black and white are the basic colors used, symbolizing Nothingness. The state where every thought becomes blank and mind reaches eternity. The beauty and the depth of subject are intensified with the mystic style adopted specially for this series. The faces are blurred and use of flowing robes act as catalyst for thoughts ideology portrayed. In ‘Play of Shadow of the moon. Along with the moon’s shadow, only me monk’s shadow is seen. The other represents the attainment of eternity, thus the physical existence is lost, spiritually reign. Attachment of the life often hinders us from path of truth. The paintings with a nail and scissor represent the sharp edges of want and attachment, which refrainus from achieving the ultimate destination of Nirvana. Buddha had always cautioned his discipline against blindly following what he said. Following one’s mind crucial, since it’s the mind, this guides us in our action. In ‘The wall’, the wall is nothing but our ego, which has to be transcended for the freedom from materialistic existence and enter the world of eternity.
As confessed by the artist himself, his paintings are not just showpieces but are thoughts to ponder over. The simple forms and images of common things are pleasing to the eye yet speak of rebellion. As shown in ‘Mouth wide open’ three bowls of different size present the unborn. The technological and scientific development has made cloning possible. Isn’t it a challenge to nature?
Very often nature proves itself stronger than any other force. Our development and effort prove useless in case of changing seasons, earthquakes, tidal waves and volcanic eruptions. Mother Nature has its own way of showing it true force, for good or bad. As in “Think twice’, a vulture is shown as a messenger of peace. It is true that vulture does not kill, but consumes the dead body. Vultures wait patiently till the living beings die before consuming them. Thus it is neither harmful nor cruel. For the artist nothing is useless or unwanted in nature. It is wrong to categorize any natural creation as good or bad. Everything in nature works in harmony each other.
As we observe these paintings, we find variation in theme and style. Each painting is highly sensitive and meticulously presented. Some of them are painted in a grave and sarcastic manner and some are humorous too. This and that’ presents the need of water, for some water is a luxury and for others it fulfills the basic needs. While presenting the contradiction in life, the need for food is highlighted in ‘Food’ where a man pulls a cart, balancing the earthen pot on his head and a very rich and healthy man enjoys the ride in the concerned about the cart puller. The very existence of living being is nothing but an endless rebel to achieve the unachievable.
Tathi Premchand & Ganesh Haloi at Kolkata 2024
“It is not possible to step twice in the same river.” –Heraclitus. Throughout his career Tathi Premchand proves it time and gain. He refuses his work to be categorized in any particular “ism ‘but is a blend of different genres. There is variety in his style. His paintings is equal to a navel or a book full of thoughts, where it stirs the every core of one’s being. The end result is excellent visual forms with deep insight into the matter. Experimenting with different modes, styles and medium from mythology to modern science, from lust to love, from known to unknown, from fact to fiction, man and woman all are very well depicted in his paintings.
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