AANGIK Symbolises a narration from Bengali word meaning my style for expressing my expression in art. AANGIK – A Group of innovative artists from W. Bengal has organized group art exhibition of 7 artists known for their harmonizing styles narrating & unfolding various stories in Jehangir Art Gallery, Auditorium Hall, Kala Ghoda, Mumbai from 22nd to 28th October 2024. It will open there for free public viewing daily between 11am to 7pm. Participating artists in this exhibition are Ashok Adhikary, Chandan Mishra, Jayanta Debnath, Samir Paul, Sumanta Hutait and Swapan Bala who have graduated from Govt. Art and craft Kolkata in 1997. AANGIK is known for the individuality of its members, each one bringing their distinct style to the group over the years. The group also includes a self taught skilled sculptor Swakusa. AANGIK has gained recognition in the present art world through several solo and group art exhibitions in the reputed art galleries all over the country. The presentations by the participating artists in many art exhibitions have been widely acclaimed by the art fraternity and in turn the participants have been honoured with several awards and appreciations. The vivid works are in collection of numerous art lovers and collectors of national and international reputation all over the globe..
Ashok Adhikary
His works in acrylic colours on canvas reveals energy derived by the aspirant from iconic motifs such as Apple which in turn inspires and motivates him / her for achieve their goals in life. The work indicates positive mood and happy emotions which duly encourage a sensitive human being for becoming successful in life by overcoming all impediments.
Chandan Mishra
His works in Acrylic medium on canvas highlights the freshness and happy / joyful glow on the face of the lady. The good morning reflects a merry and exhilarating as well as pleasant environment through happiness on the face which shows contentment in her life. Her pose in a happy environment reflects the positive energy and waves of joy and happiness in relevant perspectives.
Jayanta Debnath
His work in watercolours on cotton paper reveals the panorama of the whispers of the horizon on a seashore. His works being lucid and eloquent always shares and instant dialogue with the viewers through good colours and stylish expression of the artist. His work is picturesque and indicated vivid subtle nuances of seashore through calm and quiet environment and tranquility. The creation is transparent and leads to appreciation and praise from all viewers / art lovers.
Samir Paul
His works in acrylic on canvas highlights the various religious sentiments and cultural vignettes associated with Varanasi – the religious above on this earth in apt perspectives. It focuses on various architectural highlights of temples / shrines / places of worship at Varanasi, ample relevance of the vivid boats chanting of hymns, prayers and sanctity of such pious environment in an artistic aesthetic manner.
Sumanta Hutait
His work in ink on paper reveals ALAAP-the introduction exemplifying the harmony of musical verses emanating from Sarangi, sometimes Sitar or other instruments elaborates the musical waves being spread in the surroundings and their omnipresent rhythm and harmony which duly enlightens one and all leading to their joy and contentment in life. The work is symbolic and indicate iconic motifs through peacocks who enjoy the divinity of The Natures Music in apt perspectives of environmental atmosphere.
Swakusa
His work in bronze reflects a thoughtful man totally engrossed in his thoughts by getting lost in the same. The work shows good textural surface finish and textural finesse through well achieved glow at strategic arena and perspectives of visual art.
Swapan Bala
His work Eternal in oil on canvas showcases relevance and sanctity of attachment and sentimental affinity between two sensitive lovers. The couple has been totally involve in their happy movement of life via togetherness and emotional attachments towards each work. Work is very attractive and thematically relevant.
Combat feminism with a mustache, because every woman is becoming a man more than herself. by Tathi Premchand
Drawing Books Andolan, a movement initiated to praise women and their ultimate strong persona, their paramount insight, and their superlative forbearance. Andolan steps forward to clamor against pseudo feminism, causing much defilement to women rather than hale. “Combating and competing has become so crucial to genders that they have lost their values and prominence. The woman is becoming more like a man, abandoning her vibrance. Feminine with a mustache.”-said Tathi premchand.
Drawing Book cover -Inside page 100Inside Book Page view -8.5 X10.5 inch
The aura created by Premchand’s vision stimulates every sense of living. His works have the capacity to raise questions as well as to make any person stunned by giving untold answers. The works laid on sheets are much of what comes from his subconscious rather than pre-planned methods. When asked how he configure and manage to create such depth in the paintings? He answered, “I observe, sketch twice a day, sense my expressions and then collaborate.”
Tathi Premchand’s works hold variance according to the dissemination of his dialect. He invests all that is necessary to display the deliberation. From forms to figures, erotic to static, moods to moments the paintings are a combination of what we come across every day. Inspired by his town city and people living there, the drawings are more often black and white,” I’ve always been curious how we see colors through our lens but dreams and visuals going in the mind are inevitably black and white, on the contrary I want people to fill up colors according to their moods and diurnal experiences” he says. The paintings and sketches hold discernment of human life, struggles, desires and dualities of wit that we behold inside. The series of 70 works being processed since 2013 drives our attention towards the way how humans have progressed and are raveled in their own aspirations, sovereignty and aesthetics. How the animals dwelling inside each of us is silently waiting for their prey. “we all are animals inside, always craving for more. Whether it is food, sexual eagerness, or wants to excel over others, we always expect for more.” The artist affirms.
In most of Tathi Premchand’s presentation women plays a vital role. He anticipates women as a preserver, a collector while a male as a ravager. Though both contributes equal to society, women many a times have to undergo a bulldoze pressure of mimicking the image of male as well. He repudiates the thought of women being frail but consider her powerful, a soul who is the creator, creator of human, house, love, affection and rejoice.
From eternity man has forged a sphere where women are wielded according to his comfort, and in retribution women is shaping herself like male, vying him to be self-sustained which eventually compressing her by carrying all the responsibilities on her supple shoulders. “I feel women is a combination of energies, she is synergy, but in order to beat man, that too due to his own vile practices, she is being misused.” The artist said.
Not being a hoax feminist, Tathi Premchand always believes in equality of genders, but as in reality and norms set by masculine dominant society women have to encounter challenges and pronouncements. If she becomes competitive enough to face them, she’s being condemned. Her efforts and endeavours are never appreciated, but always judged and doubted. “I admire and acknowledge how courageously women compete the foul boundations set by men.” Added Premchand.
The physiological and psychological characteristics of man and woman created by extramundane powers holds their own purposes and motives. Both contribute well towards living, competing each other or penetrating into other’s sphere of traits may create indecent and foul results. Hence, respecting other’s freedom and persona will bring a vital change in further future.
Man and woman together fabricate the world, which invokes the sense of living. Women being much sensual, men are considered more attractive and alluring according to Tathi Premchand, adding on examples like Lion, Peacock, Cock etc. Accepting male’s delightful appeal women always get fascinated, which provokes her to embellish and adorn the ways she looks. Male of the contrary need no such extra enhancements for his appeal.
Lust is what every human craves for and in many of the paintings that libido can be seen in form of animals and their hunger. Animals do not care about moral sense when it comes to fulfil their starvation. Likewise, humans are a cluster of their unrevealed desires. They are not much concerned about matters and morals when it comes to attain their wishes. Andolan, a gesture started to untangle the dubiety of stubborn society with minimal drawings that are gratifying to view and provoke us to think down from the top surface. The artist profess that his paintings and works are not just to be glance and to be showcased but to disclose his real nous, that may compel the living to revitalize.
As we get conscious about the paintings and understand them, we figure out that every painting has its own value and sense of representation. The artist is making us aware of dark side by depicting them in different temperaments. Using ink as a medium, Premchand manifests that our lives are too like ink, dark, fluid but when used correctly every stroke laid can covey a significant knowledge.
“my paintings are better than sex.” A quotation remarked by Tathi premchand, signifies that his paintings are pleasure to experience, provides great impact on thinking and you will always be keen to encounter more. Nature, forms, colours and characters modifies him with every stroke laid. Observing the psyche and understanding how every soul’s desires are different yet have same aspirations.
I am Premchand. I am very happy to present my work though this small book of paintings. I cannot put my thoughts in words, but you can read my paintings like a novel. I have painted various aspects of thoughts and forms as and when they stimulated my mind. They are my views, observations and conclusions in visual form. Variation in human nature teaches me to view the world through different angles. My paintings may not always appeal to every individual psych, though an intuitive mind would read the thoughts behind every painting, I hope to bring in good energy and contentment through visual appeal. My work will meet its ultimate destiny only if it has a deep impact on our life.
Character, nature or simple colors symbolizing the psyche of a person, all find their way in my art. Being observant has helped me to add color to the feelings. Charged with the passion for painting. I feel myself grow with each and every work that I undertake. I wish to share to my feelings with the world, so I have brought my art into the arena where all art lovers could express their world by possessing the selected ones.
The sketches of the different aspects of the snail’s life are the metaphor of human life. In ‘Run from home’ a snail is seen leaving it shells. Just as the shell of a snail is the protective cover and a heaven for the tender and helpless life within, so also a fetus that starts growing in the womb of mother is safe and secure till it leaves the wombs. Thereafter life is full of struggle and dangers. Cautious steps and conscious efforts to be safe and secure slow down the pace of life. Most of the sketches representing the pattern of life are in black and white’ cause every individual adds color to life only through confrontation of various experiences. The life moves on, without being aware of its destination. The end is unavoidable and it’s different every individual. The only similarity among all is the purity at the time of birth untouched by character pollutant forward movement through high and lows and then, the attainment of eternity.
Out of many characters, the one that forms the large part of his work is Woman. She presented in various facets. The books and physical presentation of these women project them as indomitable personalities. He discards of the view of the woman being weak and dependent. In nude paintings, she is not shy and awkward but proud, and confident who is well aware of her sensuality and power, also capable of handling people affectionately without scruple. ‘I am not nude’ is the attitude that oozes from every part of her body and gesture. ‘A woman with knife’ is an excellent work of her of her being sweet poison expressing most of her sexual whims for selfish motive.
Right from the birth bosom is inseparable from life itself, be they human beings or animals, it has a magical, soothing charm on young and old. The paintings are successful in electrifying and clearly portray various feelings such as motherly care, sensuality, pride confidence and so on. Premchand also presents the bleak side of woman’s nature. Her goals, aspirations, withes and desires all find way in his work. ‘Seven Desires’ portray a woman who always tries to find all those qualities in men, which she expects from her life partner. She fails to have that perfection in any man whom she meets. She has many friends, with a unique quality that she expects but the man of her dream always remain a myth. The prince on white horse represents that macho man whom she never meets in her lifetime. Her unfulfilled desire does not fight against her fate instead compromise with whatever she has. A woman is demanding cooperative and caring, Along with these traits she nurtures self-pride which can be clearly seen on the face of a pregnant woman. Motherhood is a very emotional and possessive period in life of everywoman blessed with the power to bring A life in this world. In ‘Me and Mother’ the adorable to-be mother is full of love and care for the unseen child, who comfortably grows in her womb. She caresses her unborn child. The thought of new life engulfs her with the sense of prosperity. Her apprehensive nature does not go unnoticed. The sudden changes in her mood, attitude towards life that change with circumstances are captures in paintings like ‘Cloud and Rain ‘and ‘First Rain.’ The posture of a girl depicts her longing and unspoken desires. The nature of a woman is always unpredictable still adorable in spite of all odds.
Man and woman together make the world. The union is a must for the cycle of the life to progress. This presentation is made through attractive figures and alluring colors. The contradictions and similarities are handled subtly. Throughout this series one observes that the male is more beautiful. Woman is sensuous. Premchand observes that male species is more attractive than their female counterparts, giving us the instances of the Peacock, Lion, Cock etc. The Peacock is a recurring image and color blue is associated with male image to add to the beauty of the concept. The simple strokes are deliberately used to avoid any unfathomable feelings. Nudity and simplicity are the soul of these paintings. Male’s tall, robust and attractive self and women’s sensuality, always seen attracting and repelling from each other, like two blades are separated they become useless, thus man and woman depend on each other thought out their life.
There is also an urge for superiority and domination over each other. The competition continues. As shown in ‘Imitation’ a woman and man are in the Shirhasan position. But as we observe, we find ourselves wondering at the posture of woman. It seems disturbing; everywhere a woman is expected to follow the rules set for her. If she tries to complete with man she faces lot of criticism. He progresses is never appreciated and her character is always doubted in the process. Premchand is totally against this system of thought. He is not a feminist but believes in equality of sex. But competition is not always fruitful. Nature has carved both man and woman with a particular purpose and any attempt to go against it has a vulgar and awkward result.
Cruel and Cruelty brings alive various experiences that are lavish, livid, dumb and sometimes horrifying, “Cruel and cruelty” is one each topic that he deals with frankness, without being biased about the facts. Some paintings depict lust in animal form. The brutality of human on weaker species of animals, the sacrifice of innocent animals is boldly painted. In ‘Human Conservation’ a man holds a rabbit in his hand to feed the partner. This painting was made when partners attacked human in residential zones. The partner’s attack on human beings was tacked by providing them live animals for food. This is a cruel act on the part of human beings. To save himself and his children, man very brutally sacrifices other innocent living beings. In this series we are confronted with innovative idea that taps our minds and we are bound to reconsider age-old notions. Not only the in the human act against the animals but even man’s atrocities against his fellow beings do not go unnoticed by the artist. An animal kills another animal only to fulfill its basic need, whereas man kills man for selfish motives and material gains. In historywe have the instance of well-known personalities being assassinated. Their thoughts to go against the set of rules stirred the minds of oppressors to such an extent that they were assassinated. Jesus too was no exception.
If women like sex, Men get free- Tathi Premchand-2024
‘You and us’ and ‘Any answer please!” speaks of recent war between America and Iraq and the brutality the followed. The false pride and cruel egos are responsible for havoc in the world, disturbing the peaceful existence. What is the perfect way to lead a life? If nothing is permanent then why is there a struggle for possession? Life is never like we want it to be. Premchand patronizes Buddha’s disciple Monk Ananda who is full of such queries, and presents the stories where lord Buddha fulfills his queries, and presents the stories where Lord Buddha fulfills his queries by using illustration from real life. Though of ‘possession’ and dignified ‘self’ is the reason for our suffering. It is absolutely necessary have freedom from the vices of longing, greed and possessions paintings sensualizes the spirit sensualize the spirituality. There are few elements and concentration is on the presentation of meditative effect. Brown, black and white are the basic colors used, symbolizing Nothingness. The state where every thought becomes blank and mind reaches eternity. The beauty and the depth of subject are intensified with the mystic style adopted specially for this series. The faces are blurred and use of flowing robes act as catalyst for thoughts ideology portrayed. In ‘Play of Shadow of the moon. Along with the moon’s shadow, only me monk’s shadow is seen. The other represents the attainment of eternity, thus the physical existence is lost, spiritually reign. Attachment of the life often hinders us from path of truth. The paintings with a nail and scissor represent the sharp edges of want and attachment, which refrainus from achieving the ultimate destination of Nirvana. Buddha had always cautioned his discipline against blindly following what he said. Following one’s mind crucial, since it’s the mind, this guides us in our action. In ‘The wall’, the wall is nothing but our ego, which has to be transcended for the freedom from materialistic existence and enter the world of eternity.
As confessed by the artist himself, his paintings are not just showpieces but are thoughts to ponder over. The simple forms and images of common things are pleasing to the eye yet speak of rebellion. As shown in ‘Mouth wide open’ three bowls of different size present the unborn. The technological and scientific development has made cloning possible. Isn’t it a challenge to nature?
Very often nature proves itself stronger than any other force. Our development and effort prove useless in case of changing seasons, earthquakes, tidal waves and volcanic eruptions. Mother Nature has its own way of showing it true force, for good or bad. As in “Think twice’, a vulture is shown as a messenger of peace. It is true that vulture does not kill, but consumes the dead body. Vultures wait patiently till the living beings die before consuming them. Thus it is neither harmful nor cruel. For the artist nothing is useless or unwanted in nature. It is wrong to categorize any natural creation as good or bad. Everything in nature works in harmony each other.
As we observe these paintings, we find variation in theme and style. Each painting is highly sensitive and meticulously presented. Some of them are painted in a grave and sarcastic manner and some are humorous too. This and that’ presents the need of water, for some water is a luxury and for others it fulfills the basic needs. While presenting the contradiction in life, the need for food is highlighted in ‘Food’ where a man pulls a cart, balancing the earthen pot on his head and a very rich and healthy man enjoys the ride in the concerned about the cart puller. The very existence of living being is nothing but an endless rebel to achieve the unachievable.
Tathi Premchand & Ganesh Haloi at Kolkata 2024
“It is not possible to step twice in the same river.” –Heraclitus. Throughout his career Tathi Premchand proves it time and gain. He refuses his work to be categorized in any particular “ism ‘but is a blend of different genres. There is variety in his style. His paintings is equal to a navel or a book full of thoughts, where it stirs the every core of one’s being. The end result is excellent visual forms with deep insight into the matter. Experimenting with different modes, styles and medium from mythology to modern science, from lust to love, from known to unknown, from fact to fiction, man and woman all are very well depicted in his paintings.
Purposiveness is never ephemeral; and momentariness attached to a visual is the continuous process through which the idea of ‘being’ is represented, which is also the objective of representation. Visuality, though, is a part of perceptual consciousness, however it is rooted in purposefulness, or hetudharma. The ontological existence of physical realities is expressed through many layers of consciousness.
Artist: Laxamn Ahire
The consciousness of senselessness is a larger phenomenon, where our sensorial world is directed by the structures of consciousness that are shaped by many presuppositions.The contemporary art practices, despite being diverse and varied, have objectives that are far removed from the ‘enlightened’ structure of consciousness.
In such a scenario, the objective of Laxamn Ahire’s art practice is to dismantle the deep rooted ideas of inequalities and hegemonic thinking, where the idea of ‘being’ never really transforms into "becoming." Interestingly, Ahire uses the “human brain” as a prominent visual metaphor to convey the structures of consciousness of senselessness. His pictorial world explores the real, relevant and relatable subjects, viz. preamble of the Constitution of India, issues of governance, and life and crises during lockdown, to name a few.
Recent works by Laxamn Ahire
It is no longer ephemeral but a physical reality of life that becomes part of everyday experience. The pictorial surface that he creates through his work is an invitation to peep into the concealed nature of subdued forms of human thinking and corruption of mind consciousness.
Dr. Y. S. Alone
Exhibition Note by Dr. Y. S. Alone, Professor in Visual Studies, School of Arts and Aesthetics, Jawaharlal Nehru University, New Delhi.
From:15th to 21st October 2024
“Objective Visuality: Perceptual Cautiousness”
Solo Show of Paintings by well-known artist Laxman Ahire
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