PIN POSTER: SINGAPORE

SAKSHI GALLERY

 

TARQ: Phallocratic Heterotopia.Memory, botany and ecology play key roles in Makanji’s artistic idiom.

Apnavi Makanji

About the Artist

Apnavi Makanji's body of work spans the mediums of drawing, installation and video. Their preoccupations center around displacement, ecology with an emphasis on botany, explorations of memory and the idea of home. The interaction of this synthesis with the construct of urban spaces and the socio-economic structure of our times, lies at the core of their work.

Their last solo show was Soil as Witness | Memory as Wound, TARQ, Mumbai, 2019.Their other solo shows include Travails of the Wandering Memory Seed, Galerie Félix Frachon, Brussels, 2016, Domus Vulgus, Art Asia Miami (with support from The Guild NY) Miami 2010; Domus Vulgus, The Guild NY, New York 2010.

Makanji recently participated in the Dhaka Art Summit (February 2020). They have taken part in several group shows including CLAUSTROPHOBIA ALPINA II – Subliminal Illuminations & the Shadows of Flight, curated by Varun Kumar, Forde Geneva, 2022; NATURE YOU ARE, Theatre Benno Besson, Yverdon Les Bain, 2022; HEAT, Espace Labo, Geneva, 2022; (ME)(MORY) curated by Dipti Anand, Vadehra Art Gallery, New Delhi, 2021; I LOVE #ArtistesDici a public intervention facilitated by the Fonds Municipal d’Art Contemporain, Geneva, 2020; Narrow Road to the Interior, Vadehra Art Gallery, New Delhi, 2019; Remembering the Present, Vadehra Art Gallery, New Delhi, 2018; Carnets, Halle Nord, Geneva, 2017; Raving Disco Dolly on a Rock ‘n’ Roll Trolley, Envoy Enterprises, New York, 2014; Considering Collage, Jhaveri Contemporary, Bombay, 2013.

Makanji lives and works in Geneva.

Artist Photo Credit: Stephanie Hügli

About the Exhibition

Apnavi Makanji’s second solo exhibition at TARQ, PSYCHOPOMP, comes at a pivotal time in the artist’s life and practice. Featuring their drawings, collages, mixed media sculptures and a video, the works in the show are about post-colonial extractivist histories, queering the future, human connection and navigating the current 

Phallocratic Heterotopia.Memory, botany and ecology play key roles in Makanji’s artistic idiom. In this show, Makanji’s artworks merge visuals of biological species with images of extractivism, 

highlighting how removed our idea of nature is from the truth of our actions towards it. An example of this is Styx, an installation of found objects and blueprints of crude oil extraction sites in West Africa belonging to the French Elf petroleum company, which portray the artist’s concerns on subjects of neo-colonialism, slave labour, and extractivism. 

Juxtaposed with this bleak reality of the world, a portion of this body of work explores what is termed by the artist as, “the possibilities of a post anthropocentric world through a queer lens”. Here, Makanji views being queer as the ability to adapt, as well as the ability to be kind, compassionate and soft. As described by the artist, “PSYCHOPOMP guides us toward but also embodies this proposition of a Queertopia that stems from a collective, intersectional awareness that is not exclusive to our species but extends itself to every other species including the botanical and mineral worlds.” 

F35/36, Dhanraj Mahal, C.S.M. Marg, Apollo Bunder, Colaba, Mumbai 400 001

+91 22 6615 0424 | info@tarq.in | www.tarq.in

OPEN CALL APPLY Absolute Abstraction Group Show -0.1

 

OPEN CALL

APPLY

Absolute

Abstraction

Group Show -0.1

Curated by

Heena Sk @heena_sk_artist

Deadline: 15 Jan 2023

Contact: Heena: +91 98810 10953

ONLY for 6 Artists, Limited display

Send six image of works and CV last 5year with Subject open with details: info@nippongallery.com

RSVP: +91 9820510599 / Nippon Gallery: on info@nippongallery.com

RSVP: Nippon Gallery:

on info@nippongallery.com

NIPPON

30/32, 2nd Floor, Deval Chambers,

Nanabhai Lane, Flora Fountain, Fort,

Mumbai – 400 001, India.

@nippongallery @tathipremchandstudio

#KOLKATAGALLERY #KOLKATAART #OPENCALL #APPLY #sndtartcollege #Abstraction #Abstractpainting

#santiniketan #jjschoolofart #delhiartcolleage #indianwomenartist @tathipremchandlife @nippongallery

SAVE DATE: 27th 2023 at Nippon Gallery

 

OPEN STUDIO 

Sincerely from 2005 + Drawing Book

            -Tathi Premchand

Preview Night: 27th Jan 2023, Time: 6 t0 10pm 

7 th to 27 th Jan 2023   Visitors by appointment only

NIPPON

30/32, 2nd Floor, Deval Chambers,

Nanabhai Lane, Flora Fountain, Fort,

Mumbai – 400 001, India.

@nippongallery @tathipremchandstudio

#KOLKATAGALLERY #KOLKATAART #OPENCALL #APPLY #sndtartcollege #Abstraction #Abstractpainting

#santiniketan #jjschoolofart #delhiartcolleage #indianwomenartist @tathipremchandlife @nippongallery

BLACK SPACE WITHIN BLACK - I am immensely happy to meet Rajesh Rajbhar, who is a painter totally dedicated to visual art. - Prabhakar Kolte

 

Artist: Rajesh Rajbhar at Jehangir art gallery, 2022

Concept note

“Expression is an aliveness which can be only felt through experience.”   

I start with a blank canvas and a blank mind and then stories, and images emerge from a dialogue between the canvas and the mind. I indulge in painting with no subject matter but only expressions of endless queue, skyscrapers, movement of people, windows of the buildings, and queue at common water tap and then begin with full energy and feelings which comes out in form of expressions of life. Some expressions are unexplained, but expression is an expression in itself, which cannot be explained. We can see and feel it and thus it’s a visual expression. 

Using a stick as a medium to move the colour from one end of the canvas to the other my “Dripping – Style” technique highlights free and spontaneous subconscious feelings and emotions, which are suppressed for a longer time and with the flow of the colour, they too flow very naturally. I play with gestures of expressions in parts which then forms one whole expression.

With a smooth canvas as a surface, I prepare the base with a flat pigment and play with diverse set of materials. My repertoire includes materials such as acrylic, watercolour, ink, oil colors household paints and equally varied set of tools such as brushes, cloth, metal wires, rollers, tubes, socks, and bare hands too. Thus, these act as a cathartic release for my emotions and thoughts.

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BLACK

SPACE WITHIN BLACK

I am immensely happy to meet Rajesh Rajbhar, who is a painter totally dedicated to visual art. He is young and passionately involved in visual art and he is thoroughly associated with various aspects of this art since he has stepped into the world of visual communication.  He is totally devoted to the art and aesthetic in the field of visual communication. 

I have never taught him but when we started exchanging our views on art and life, we came closer to each other. It was our visual and reciprocal talk on art and life, agony and deep desire for knowledge in art that has kept us deeply connected. As a teacher, I never taught him any academics related to formal art but observed minutely that he wanted to discover a new way of expression. He follows his own way of experiences and communication through his unique way of expression with Black colour to which he is dedicated thoroughly with confidence and faith in himself. He has founded his curious thought process and his desire for contemporary world of art. He has developed an enthusiastic way of expression in the ‘Black colour’ which he started working on huge canvas as if he was trying to discover the hidden soul of black. He struggled a lot but never gave up discovering the breathing soul of black. 

Rajesh is deeply involved in his unique theory of expression in black colour. As a matter of fact, for him black is not a just a colour but his conceptual journey to find out the conscience and soul of black which does not remain a pigment but a medium of communication. It is an eternal journey of unknown discovery of the black which throbs constantly in his existence.    

I personally feel that he is trying to develop a new visual language in black which only he can understand today, but I am sure that his language will be noticed and read by sensitive connoisseurs in future. He is haunted by black and black is responding to this young artist as if the black is not just a colour but two sides of the living darkness, discovered by young artist called Rajesh Rajbhar. I wish him a great future; may God bless him and fulfil his desire of living with black. 

By 

Eminent Artist Dr. Prabhakar Kolte 

Prabhakar Kolte at Jehangir Art Gallery- Mumbai - 400 001

. 

National Gallery of Modern Art, Mumbai

National Gallery of Modern Art, Mumbai

National Gallery of Modern Art

Sir Cowasji Jehangir Public Hall

M. G Road, Fort Mumbai - 400032

 

Press Release - The upcoming exhibition at Aakriti Art Gallery on the concept of ‘Freedom’.

On the occasion of 75 years of Indian Independence Aakriti Art Gallery presents an exhibition titled ‘FREEDOM: FROM DESPAIR TO DREAM’. The show is curated by the Art Writer and Curator Mrinal Ghosh featuring the works of 12 painters and 7 sculptors. The participant painters are Partha Pratim Deb, P.R.Narvekar, Chittrovanu Mazumdar, Chhatrapati Dutta, Samir Aich, Jaya Ganguli, Chandra Bhattacharya, K.Muralidharan, Samindranath Majumdar, Pankaj Panwar, Debraj Goswami and Bholanath Rudra, and the sculptors Krishen Khanna, Bimal Kundu, Deabnjan Roy, Akhil Chandra Das, Subrata Biswas, Tapas Biswas and Mrinal Kanti Gayen. The show will start on 28 December 2022 and will continue till 28 January 2023 from 11 am to 7 Pm Monday to Saturday.

The show is likely to reveal how to our artists freedom appears both as despair and dream. The despair is the reality, whether dream will turn to be utopia is an enigma.

For more details about the show, please get in touch with Komal Jaiswal at artshop@aakritiartgallery.com / +91 9830411116. The show can also be viewed at www.aakritiartgallery.com

Aakriti Art Gallery

Orbit Enclave, 1st Floor12/3A, Hungerford Street, Kolkata – 700 017

Phone: +91 33 22893027/5041

( Sunday Closed )

Fax No : +91 33 22895042

Website : http://www.aakritiartgallery.com

Network : http://www.aakrititalkart.com

Facebook : http://goo.gl/faj4c

RITESH SHRIKANT BHOI Preview: Solo show / 20th November 2022

 

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DO COME- Nippon Community. - Wating 20th 

Solo show  -Bhoipir

by RITESH SHRIKANT BHOI

Preview: Solo show  / 20th November 2022

Time: 5:30 pm - 8:00 pm onwards / Exhibition Time: 3:00 pm - 7:00 pm

RSVP: +91 9820510599 / Nippon Gallery:

info@nippongallery.com

www.nippongallery.com 

NIPPON 30/32, 2nd Floor, Deval Chambers,Nanabhai Lane, Flora Fountain, Fort,Mumbai – 400 001, India.#soloshow #nipponsolo #mumbaiartweekent #tusedayopen  #APPLY #sndtartcollege #santiniketan #jjschoolofart #delhiartcolleage #indianwomenartist

Priyasri Art Gallery will be hosting a solo exhibition of Jogen Chowdhury towards MGW 2023 at Kathiwada City House (KCH), Mumbai.

 

We are delighted to inform you that Priyasri Art Gallery will be hosting a solo exhibition of Jogen Chowdhury towards MGW 2023 at Kathiwada City House (KCH), Mumbai.

"Artist-imaginaire of a tradition that brought craft, tradition and modernity in conversation with each other, Jogen Chowdhury evokes glimpses of folkloric time in his recent works". 

-Srajana Kaikini (Ideator)

Dr Srajana Kaikini works across philosophical, artistic and curatorial grounds. She is presently Assistant Professor of Philosophy at SIAS, Krea University.

Priyasri Patodia invites artist-philosopher Srajana Kaikini to respond to Jogen Chowdhury’s works in this new ensemble titled "The Night the Writing Fell Silent". 

Looking forward to hearing back from you for more information.

Have a wonderful week.

Regards,

Yogisha/Apurva

Priyasri Art Gallery

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P R I Y A S R I  A R T G A L L E R Y

42 Madhuli

4th Floor

Shiv Sagar Estate

Next to Poonam Chamber

Dr Annie Besant Road

Worli

Mumbai 400018

Tel/Fax 022 24947673

AQ@Priyasri-The Artist Studio

10th Floor, Ramakrishna Chambers,

Productivity Road, Alkapuri. Vadodara 390007.

“I remember you from tomorrow.” Ratnadeep Adivrekar’

Artist: Ratnadeep Adivrekar

‘’For the memories themselves are not important. Only when they have changed into our very blood, into glance and gesture, and are nameless, no longer to be distinguished from ourselves only then can it happen that in some very rare hour the first word of a poem arises in their midst and goes forth from them.”

-        Rainer Marie Rilke

A   thought is a function of time, a pattern of growth, and not the thing that the lens of the printed word seems to objectify. It is more like a cloud than a rock, although its effects can be just as long lasting as a block of stone, and its aging subject to the similar processes of destructive erosion and constructive edification. Duration is the medium that makes thought possible, therefore duration is to consciousness as light is to the eye.

From the medieval vantage point, the post-Brunelleschi optical painting seemed to be not all here, the illusion of someplace else compared to the concrete, immediate, nondescriptive existence of the icon image. The physical apparatus of the moving image necessitates its existence as primarily a mental phenomenon. The viewer sees only one image at a time in the case of the painting and more extreme, only the decay trace of a flipping page in the video. In either case, the whole does not exist and therefore can only reside in the mind of the person who has seen it, to be revived periodically through his or her memory.

Conceptual and physical movement becomes equal, experience becomes a language, and concreteness emerges from the highly abstract, metaphysical nature of Ratnadeep Adivrekar’s work. It is this concreteness of individual experience, the original impetus for the story –

“I remember you from tomorrow.”

 

Abhijeet Gondkar

(Abhijeet Gondkar is an independent writer and curator based in Mumbai. The above excerpts are from Ratnadeep Adivrekar’s solo show “I remember you from tomorrow.” at IFBE Space, Mumbai in November 2022)