Friday 31 March 2023

CONFLUENCE” An Exhibition of Paintings By Well-known artists Vishnu N. Sonavane & Jyotsna V. Sonavane


 


VISHNU SONAVANE  

When we engage in the arts, we dip into our souls to discover deep pools of wonder, breath-taking gifts of beauty, and quiet revelation. As we create, we are invited into playfulness, poignancy, and surprise-energies that renew us and revitalise our sense of purpose.

Overlapping geometric floating planes have always been my preoccupation. After establishing my signature style-rhythmic waves of floating figures and forms merging into one another in a harmonic symphony, I felt an urge to explore a new vocabulary. As such, change, transition and revisiting one's core are an indispensable part of an artist's journey and also integral to my artistic endeavour. 

Through my recent suit of works I seek to explore the realms of mythology, folklore, innocence and the vibrancy in beauty that are present all around us. These ephemeral images engage the viewer in a silent discourse into the dimension of transcendent reality. The past, present and future emerge as a flux of transitory shapes caught in overlapping layers of experience.

Rich tapestry of symbolic forms have been weaved in these paintings. Shri Dattatreya, the Indian god with three heads. appear as the central figure in my works. However, rather than exploring his divine aspect I focus on representing the god as the transient quality of human mind, the tender, the preserving and tough. Similarly, cows and birds are the constant recurring motifs in my works. Cows, indicate the creative and nurturing aspect of nature, whereas birds indicate the fleeting quality of the human mind. 

In a mix of figurative and abstract renderings, my paintings project delightful dramas with undertones a sublime ambience. I carefully create layers to build astonishing tones and textures that give these works a peculiar radiance. I employ a palette dominated by the blue of the mountain sky, ochre and crimson complemented by the muted shades of the midnight grey, the spring green and the muddy brown and highlight them with sharp, percussive strokes of mellow, placid hues.

In total, these images create multi-layered crystalline narratives that present luminous tales, mesmerise the viewer, touch their hearts and stir their souls.  



JYOTSNA SONAVANE  

As an artist, my best work comes from the deepest place inside of me which fulfils the need to create. Painting thus becomes an inward journey for outward expressions I have always considered painting as a discrete language, not of words but of perception, feelings and beliefs. My paintings are impressions of the internal aspects of my life. These images of internal struggles of life. In essence, I am finding myself.

Living in an artistic family. I was exposed to art conversations every day. However, it was only until a few years ago that I developed the courage to express my thoughts, dreams, memories and aspirations through art. Art has the power to heal and transform. When I discovered just that, I knew I had to dedicate my life to making others feel "something" when in the presence of my art.

I like to work with the abstract language of lines and colours because the compositions continuously evolve and acquire new meaning as time passes and the perspective of the viewer changes. My inspiration comes from the colours and forms found in nature. I employ a variety of self-discovered techniques to create abstract paintings that mimic things we see in nature like stone, petrified wood, flowing rain water. My work is alive with emotion through the movement of the brushwork and the luscious layered colours. Much like memories, each painting is filled with layer upon layer of paint, building a rich history into each piece.

Being a self-taught artist, I devote a lot of time on observing, perfecting my skill with practice and continuous learning. I create through intuitive responses while engaged with the work. The process is completely organic and spontaneous. However, irrespective of what I feel at the time of painting, my constant pursuit is that the viewer experiences sheer delight in the presence of my works.

Sometimes, a rainbow of colours emerges from the onyx, whereas at times, an epoch passes by in the golden light and every time, hope wins over despair, I am aspired to start all over again. Where words and ideas end, my creative process begins, my internal landscape comes forward, I work intuitively, drawing from this vast boundless space from inside as well as outside.



Press Release

From:4th to 10th April 2023

“CONFLUENCE”

An Exhibition of Paintings

By

Well-known artists 

Vishnu N.  Sonavane & Jyotsna V. Sonavane

 

VENUE:

Jehangir Art Gallery

Auditorium Hall,

161-B, M.G. Road,

Kala Ghoda, Mumbai 400 001

Timing: 11am to 7pm.

Contact: +91 86918 50376

 

‘VISCERAL REALMS’Solo Show of Paintings By Well-known artist Hina Bhatt


This show will be inaugurated on 4th April 2023 at 5pm by Chief Guest Mr. Ashish Shanker(Managing Director & CEO - Motilal Oswal Private Wealth), With Blessings from Shri. Sumant Shukla in the presence of Special Guests Prof. Anant Nikam(Eminent Artist), Prof. Vishwanath Sabale(Dean-Sir J.J. School of Art, Mumbai), Shri. Prakash Ghadge(Eminent Artist), Shri. Milind Mulick(Eminent Artist)

Artist Hina Bhatt

Stupendous Visceral Realms Exhibition Opens at Nehru Centre Art Gallery “Man expresses himself through art,” said Nobel laureate Rabindranath Tagore (1861–1941); nature is beautiful, but Tagore expounds that “beauty is simply reality seen with the eyes of love.” And it is this love that draws artist and viewer alike to HinaBhatt’s work. The tangible painting is the manifestation of this interactive experience.Bhatt’s solo exhibition, Visceral Realms is inspired by trees, and her renditions are distinctive because they are so visceral. The visceral realms are where Bhatt lives artistically and what she expresses through brush and paint on canvas.

The exhibition features a collection of oil paintings on canvas, as well as some of Bhatt’s pen drawings. Nature, the common theme, ties the variant together. This may seem a simple theme at first glance, but there is deeper research, deeper dissection of both modes, by the artist. The drawings appear to interrogate the roots—the strength—of the trees. Bhatt’s art is perhaps a quest to understand the metaphysics of these roots. Her pen drawings could be viewed as her self-portraits, in which she attempts to understand her internal roots and how they connect her to the universe. 



This exhibition is curated by Vilas Tonape, a U.S.-based Indian artist who is a professor at Methodist University. He knows the high quality of the art being presented. “Bhatt’s works resonate because of her sincere studio practice, and it is unequivocally her deepest interrogation of nature and trees that manifests on canvas,” states Tonape. Bhatt is astute and deeply philosophical, and her excellence is backed by a sound formal education—a diploma in Textile Designing from Mumbai’s well-known Nirmala Niketan, as well as a Bachelor of Fine Arts degree from the prestigious Stella Maris College of Fine Arts, Chennai.

Bhatt currently resides in Pune, the cultural capital of Maharashtra. The influence of the city’s richness is apparent in Bhatt and her affinity for culture, which permeates her art. Bhatt’s work has been recognized and celebrated in many important exhibitions throughout India, Dubai, Bangladesh, and Nepal. 

The exhibition is free and open to public. Gallery visiting hours are 11:00 a.m. to 7:00 p.m. daily from April 5-10, 2023. A formal reception will be held the evening of April 4 at Nehru Centre Art Gallery, Mumbai.



From: 4th to 10th April 2023

‘VISCERAL REALMS’Solo Show of Paintings By Well-known artist Hina Bhatt

VENUE:

Nehru Centre Art GalleryDiscovery of India BuildingDr. Annie Besant RoadWorli, Mumbai  400 018.

Timing: 11am to 7pm.Contact: +91 97669 27455www.hinabhatt.com


Tuesday 28 March 2023

New solo - Save Date Transformative Metaphor - SOLO SHOW by Pabitra Pal

 

New solo - Save Date

Transformative Metaphor - SOLO SHOW by Pabitra Pal



Preview 

4th April - 5pm to 8pm  - 

Open: 2nd April 2023 to 6th April 2023  - Time: 3 to 7pm

Curated by Moumita Sarkar

view at catalog on- www.nippongallery.com

RSVP: + 91 9820510599 / Nippon Gallery: on info@nippongallery.com


Nippon Gallery: 30/32, 2nd Floor, Deval Chambers, Nana Bhai Lane, Flora Fountain, Fort, Mumbai – 400 001, India.

#soloshow #PabitraPal #PabitraPalkolakta #artist #mumbaisolo

Sunday 19 March 2023

KHAYAAL( RUMINATION) An Exhibition of Drawings by artist Vaibhav Naik


 

Artist: Vaibhav Naik

Artist statement

I am a classically trained artist, working to explore an emotion of what exists in front of me at a given moment, using the technical and aesthetic experience I have gathered/garnered.

Over the years, I trained under the guidance of various mentors using different approaches. This has had a great impact on my artistic view and life experience.



With my work, I am trying to decipher the subject in an abstract way even though the final result is representational. In terms of my process, I like to rework areas and improvise till I am satisfied with the expression I am looking for. This allows me to constantly search for a design which is timeless and the artwork appeals to a wider audience whether they are an art connoisseur or not.

My roots are important to me and I believe that one can find answers in their roots. So, at present, I have chosen to experiment and express through drawing as a medium. With each project, I like to challenge myself so that I can keep growing as an artist. One such way is how can I harmonize various materials such as charcoal, graphite, white chalk, acrylics and pastels in my drawings.  This is why I have also chosen this medium for my current show ‘Khayal’



I don’t feel the need to follow trends in society, because I am looking to be honest to my practice and what I enjoy. And in the process if the viewer can connect with it, I think that’s when art happens.

Biography

Vaibhav Naik b.1992 native of Mumbai, India inspired by his older brother started his art education in 2010. He graduated from J.J School of Art with specialisation in illustration in 2015.

His major influences that made his interest shift to fine art were Prof. Vilas Tonape and eminent Artist Vijay Achrekar. He also served as an assistant to both artist for 5 years which taught him various approaches towards representative art. During this period, he exhibited in various shows across the country along with having 4 solo shows. He his various awards to his credit Most recently, he was awarded a Bronze Medal in 2021 Annual Competition, Art Society of India.

He is currently working as a principal instructor at Samsara Academy of Art, Hyderabad.

 

This exhibition will be inaugurated on 20th March, 2023 at 4 pm. At Kamalnayan Bajaj Art Gallery, Mumbai by Chief Guests – Gazal Nawaz Shri. Bhimrao Panchale &   Eminent Artist – Mr. Vijay Achrekar in presence of many art lovers, patrons etc.

Press Release

From: 20th to 26th March 2023

KHAYAAL(RUMINATION)                                                     

An Exhibition of Drawings by artist Vaibhav Naik

 

VENUE:

Kamalnayan Bajaj Art Gallery

Ground Floor,  Bajaj Bhavan,

226 Nariman Point, Mumbai – 400 021

Timing: 11am to 7pm.

Contact: 8879175969

www.vaibhavnaikfineart.com

An Exhibition of Photographs by Kabeer Ramesh “Frozen in Time” - Jehangir Art Gallery -From: 15th to 28th March 2023


 The field of photography, is a highly developed art form that has passed through various stages of development in its century long history determined by the technological transformation from film to digital formats and evolved through human effort and genius into the present form. Though one can feel and experience the beauty and joy of the art but it requires some expertise to venture into an informed appreciation.    
Kabeer Ramesh


 Kabeer’s Photography has a span of different locations, though historically important such as from Parise to Berlin, Shillong, Meghalaya, Assam, to Saputara in Gujarat and then in Mumbai Pune etc. 
To begin with your work is characterised by vividness and attention to diversity – of contexts, themes, time, moods, etc.  


 I am specifically charmed by the three photographs – of a child, an elderly woman and an old worker. Needless to say the context of them unambiguously and elegantly provide the cultural and social background - being urban, Maharastrian. The little girl looking up at the sky captures her innocent enchantment with something left to us to guess or imagine. The woman roasting corn on coals with details of container, corns and other vessels seeks to capture an important aspect of the urban life. The elderly worker who could be a dubbawala or hamal or porter presents a countenance that reflects the hard reality of a worker weather beaten as the wrinkles on his face bear witness to. The unity of art and life ought to form the centrality of any genuine art.  


 The remaining photographs capture the different sites and symbols of old and new. In this collection, the presence of Socrates is eminently relevant as Socratic vision premised on the centrality of ‘Reason’ and its primacy over emotions, ‘appetites’, desires presents hope  in the dystopian reality we find ourselves increasingly engulfed in. Socratic dialogic tradition of affirmation, contestation and resolution can help us in reasoning a way out of our predicaments, dilemmas and enigmas. Photography as an art form can be an important mode of argumentation and thereby engage us in positive dialogue.

 

Professor Srinivasulu Karli
University of Hyderabad


From: 15th to 28th March 2023
“Frozen in Time”
An Exhibition of Photographs by Kabeer Ramesh

 


VENUE:
Jehangir Art Gallery
Terrace Gallery
M.G. Road, Kala Ghoda
Mumbai 400 001
Timing: 11am to 7pm.
Contact: 9920072573
www.kabeerphotoart.com

 

This exhibition was inaugurated on 15th March 2023 by Adv. Jayant Gaikwad, IAS(Retired), in the presence of  Ms. Alexandra Mockel (Leipzig University, Germany) and many others.  

Saturday 4 March 2023

Press Release - Aakriti Art Gallery - Kolkata

The exhibition titled ‘Masterpieces’- 2023 showcases works that scrutinize the living art that speak from the depths of the soul and reaches out to us to a world of infinitely rich theatre of their soul; weave and re- weave a potent spell for all of who dare to share in the drama, a melody that lingers.



Aakriti Art Gallery feels the need to raise the most searching questions in these rare works of the Masters that produced our finest visual texts starting from Abanindranath Tagore. Abanindranath’s tempera on board shows the artist’s transition from the intricate design and workmanship of miniature painting to the emotive nuances of ‘wash’.From Hemen Mazumdar’s gouache and water colour on paper, 1937; a rare portrait to  M.F. Husain’s watercolours on paper, markers on tracing paper  exhibited in “Cinema Ghar” and acrylic on canvas from his “Gaja Gamini” series to S.H Raza’s Vintage, oil on canvas ,from 1970 the collection is eclectic and rare.

Jamini Roy’s tempera on board, Drawings mattered a great deal to him. Paritosh Sen’s , acrylic on canvas (2006), Shyamal Dutta Ray’s watercolours on paper (1990) and Acrylic on canvas titled “Visitor I”, 1991 ; Dutta Ray truly heralded a genre, appearing at a critical juncture of our art movements.

Also present in this collection are K. G. Subramanyan’s untitled watercolour (1988) and Ram Kumar, acrylic on paper, 1996, 2005 and ink and pastel on paper.



Bikash Bhattacharjee’s pencil and conte on paper, 1960 and Body Language , pastel on paper, 1960. Bikash had caught a kind of visual truth, at once sharply focused and evasively inward, that rarely showed itself in painting ever before.

Rabin Mondal’s acrylic on paper and board,2014,2016. Ganesh Pyne’s portrait in mixed media.

Jogen Chowdhury’s acrylic on canvas, 2018; P.R Narvekar’s oil on canvas, Lalu Prasad Shaw’ s conte on board, Achuthan Kuddalur’s acrylic on canvas done in 2008; Akhilesh’s Can You Go with Green When Needed, acrylic on canvas, 2011; Paresh Maity’s oil on canvas, 2015- Journey of Light, Sunil De’s acrylic on canvas, 2004, Amitava Dhar’s, acrylic on canvas, 2007 are showcased here as well.

For more details about the show, please get in touch with Komal Jaiswal at artshop@aakritiartgallery.com / +91 9830411116. The show can also be viewed at www.aakritiartgallery.com


13th March – 31st March, 2023

11 am – 7 pm

Preview on 11th March,2023 @5.30 pm

Aakriti Art Gallery, Orbit Enclave, 1st Floor12/3A, Hungerford Street

Kolkata – 700 017Phone: +91 33 22893027/5041

( Sunday Closed )

Saturday 25 February 2023

थूक लगाना मना है - Miniature postage stamp masterpieces

 

ARKA Art Trust

Presents 

We are invite you for- थूक लगाना मना है  - Miniature postage stamp masterpieces

World artists create there artworks on Post ticket 

Curator:  Nilesh Kinkale 

at Nippon Gallery -Mumbai


Tuesday 14 February 2023

‘The Caves’ at Jehangir Art Gallery, Kala Ghoda, Mumbai from 15th to 21st February 2023.


The show will be inaugurated on 15th February 2023 at 6pm by Shri. Rajeev Mishra (Director of Art, Govt. of Maharashtra Principal, Sir JJ College of Architecture, Mumbai), Dr. Santosh Kshirsagar(Dean Sir JJ Institute of Applied Art, Mumbai), Shri. Pankaj Kanal(Principal Architect Designous Build Solutions Pvt. Ltd. Mumbai.  

Artist: Santosh Kshirsagar


I belong to a family of artists and art lovers. I have been fortunate to have a successful career in architectural and design photography and many of the design stories photographed by me have been regularly covered in nationally and internationally renowned publications. I have been privileged to have exhibited my work in Pune on three occasions, once in association with one reputed architect firm and twice in collaboration with a media house. I have been interviewed and felicitated by a design forum. More than all these professional achievements, I believe my professiona has helped me find out the purpose of my life.

As a child, I remember visiting ‘Jehangir’ with my father to experience the art of many stalwarts. In those innocent days I could meet and see the work of masters like Bendre, B. Prabha, Hebbar and many more. The dream of having my own exhibition at Jehangir might have initiated there is my subconscious and is getting fulfilled after years of long waiting.



I am feeling very happy and blissful to share that I am having my first solo show titled  ‘The  Caves’ at Jehangir Art Gallery, Kala Ghoda, Mumbai from 15th to 21st February 2023. In this show I am going to exhibit some selected ‘ Stonescapes’, which I have captured in last decade. For me it was a spiritual journey from shooting an ‘object’ viewed through the lens to the ‘subject’ felt with the heart and soul. In short they are an extension of architectural photography and can be named as ‘soulful light paintings’ captured though my camera as ‘the’ tool.

In my journey of architectural photography, I came across many master architects and creative designers. World renowned architect Shri. Christopher Benninger sir is one of the most important amongst them all. He not only blessed me with the inauguration of my second exhibition in Pune, but also inspired me to set larger goals in life. Now, I sincerely wish to dedicate this exhibition ‘The Caves’ to him.

So, my humble wish and desire that you all join us at Jehangir on 15th February at 6pm for the inauguration ceremony to celebrate art, enjoy the unknown stories of our bygone era and  feel the life beyond life in ‘The Caves’.

The show will continue till 21st February 2023 between 11am to 7pm.

Press Release

From: 15th February to 21st February 2023

‘THE CAVES’

A Solo Show of Stonescapes…

By well-known Architectural Photographer Anand Diwadkar

 

VENUE

Jehangir Art Gallery

M.G. Road, Kala Ghoda, 

Mumbai 400 001                             

Timing: 11am to 7pm

Contact: 98230 80623

Email: diwadkar.anand@gmail.com

 

Press Release From: 14th to 20th February 2023 “Vasundhara” An Exhibition of Paintings By Well-known artist Arpitha Reddy

Artist: Arpitha Reddy


Arpitha Reddy, an accomplished artist from  Hyderabad, will be showcasing her recent paintings on "Vasundhara" the goddess of the earth at Gallery No:  2 Jehangir Art Gallery, Mumbai from 14th February 2023 to 20th February 2023.

This exhibition is a collection of large format paintings celebrating her beauty, her boon giving and nurturing ability. She also presented Lord Vishnu, god of love, benevolence and forgiveness in the form of " Varaha" protecting her for the preservation of the universe.



“ Her Vasundhara is a robust bright eyed beauty born of the expression of all that is beautiful, resonant, complete in both devotion as well as dedication to the idea of the eternal tree of life and Vasundhara as an avatar and consort of Lord Vishnu,” says art critic Uma Nair who has authored the sumptuous catalogue.

 Nair a renowned and eminent art critic,  has been writing for several prominent artists all over world more than three decades, has expressed that Arpitha's felicity with contour and colour is filled with simple means, and creates an inspirational impact. Nair’s authorship comes this month also at Centre Pompidou to celebrate Sayed Haider Raza at 100 years in a catalogue that is translated into French and carries her interview with Raza on Gandhi.

About the artist :

Arpitha an  alumnus of JNFAU College of Fine Arts,  trained in the temple mural style at Guruvayoor Institute of Mural Paintings. She has experience in numerous traditional art forms including Pata Chitra, Phad, Thangal, Cherial, Tanjore, Kalamkari, and has almost two decades of experience in practicing the murals. Now her works are an adaptation of the Kerala murals after she has given herself freedom to assimilate different traditional art forms into her paintings.

 She has several awards and honors to her credit. She has exhibited her paintings in major cities of India and Abroad. Recently She represented India in a symposium at Samarkand during the Shanghai cooperative organization summit in September 2022, organized by the ministry of tourism and cultural heritage Uzbekistan.

International and Indian collectors

Her works belong to prestigious collections over the world. Various prestigious institutions and art collectors around the globe like MOSA- Museum of spiritual Art, Belgium, Venkateshwara College, New Delhi, Indira Nooyi, Chairperson and chief executive officer of Pepsico all have her works in their collection.

The exhibition will be graced by the brilliant abstractionist Prabhakar Kolte, Krishnakumar the Principal, at Guruvayur Devaswom Institute of Mural Painting from Trivandrum Kerala, Mrs Menon artist’s most respected guide and patron, as well as author and critic Uma Nair who will address the guests.

The show will be inaugurated on 14th February 2023 at 5pm by Chief Guest Eminent artist Shri. Prabhaker Kolte,  Special Guest of honour Shri. KU Krishna Kumar, Principal of Institute of Mural painting established by the Guruvayur Devaswom, Kerala, Mrs. Menon, The Secretary  Jehangir Art Gallery Mumbai - the Honoured guest  will be present at the inauguration of “ Vasundhara” . Proceeding of the evening will be done by Ms. Uma Nair, renowned art critic, who works and lives in Delhi.



Press Release

From: 14th to 20th February 2023

“Vasundhara”

An Exhibition of Paintings

By

Well-known artist Arpitha Reddy

 

VENUE:

Jehangir Art Gallery

161-B, M.G. Road

Kala Ghoda, Mumbai 400 001

Timing: 11am to 7pm

Contact: +91 95828 31664

art.vasundharajag@gmail.com

Wednesday 1 February 2023

The Mystery Cult


These new paintings by Sachin Sagare, like his previous body of work, arrives in a headlong rush of invention festooned upon a canny theme, in this case the female body in nature. He places groups of rural women worshippers; he names them as nymphs, dryads and goddesses into clearings in deep, dark background, thus activating irresistible tropes of an Indian painting tradition meant for royals. A more occult art comes to mind in these unkempt, unruly wildernesses, one which begins with the temple women.


Artist: Sachin Sagare


The large acrylic paintings in the exhibition swirl chorus of graphically insistent folk women, white blossoms and filigreed stalks that recalls the backyard raptures of rural India. Sagare’s glades are uninhabited; their everyday ecstatic includes luminous beings, spirits of the feminine whose spare, archaic profiles float among the flowers. Faces, flowers, oil lamps and puja-thalis  are painted with a kind of folk-art zeal while the cerulean temple walls behind, solidly modeled then dematerialized by dancing layers of sprayed pigment, is appealingly contrary in color, scale and attack.

Sagare’s experimental approach to mark-making thick or thin, macro or micro, tight or loose, brushed, sprayed or sponged goes for both background and figures. In one his paintings a lone woman in a classical pose is incised in green against the mottled background like a fading figure on a krater. Also cut from traditional lines, in this case black, are five hollow women in mystery cult, who seem to be lost, while by contrast, in the other work the three women protagonists are entangled in a single libidinous squiggle of green and yellow paint that, like flesh to verges on the repulsive. Changing tactics again, Sagare gives the golden apparitions to the three women with an earthy substance. They gesture with a narrative refinement that suggests, along with their warm, coppery tarnish, the microcosmos of an old temple pillar. Sagare, however, putting the brakes on such skillful seduction according to his restless temperament, encloses this exquisite scene in a dark, seething carving on temple panels and walls as brut as the figures are delicate.




Gender critique aside, the painting’s are busy, stop-motion scenography seems like an attempt to do the uncannily naturalistic, his figures form a certain logic to the way followed. The paintings in the show, for that matter, are distinctly re-engineered for function the small paintings marvelously contain their own charm. A large work rages a preposterously scumbled orange-green, barely contained by the jutting blue and purple forms of super-cooled, super-flat conifers. As in all the paintings, however experimental, internal typology is firmly organized motifs, motifs, figures and oil lamps. In this second large, ravishing version of the theme, clamorous day has turned to mysterious night. The precisionist symbolism echoes in Sagare’s crisp and fluorescent canvases, scintillating against a nocturne of blue-violet and black. Yet rogue textures icky drips and thorny bumps interrupting the most beautiful passages remind us of art concoction.

The paintings of Sachin Sagare display an overwhelming elasticity to them. Visceral grit, orchestrated by a network of collaged material, weaves its way into more traditional painting language. Elegance is replaced with subtlety of intrusion and the tenderness of seamless collision. His figures are painted with skins that seem vividly translucent, allowing us to gaze through the stratified layers of paint. Their luminescence seems both coy and purposeful, often serving as the only rational light source.

Sagare manages to excise gender performances from his paintings almost entirely In this intentional defamiliarization of space, he begins to deflate the omnipresence of normative social structures that forcefully define how and where conventionally feminine bodies are supposed to function. In this way, he prevents us from hijacking the agency of these figures forcing us to read their bodies as texts. Denying conventional legibility and insist upon the opacity of their own historical narratives.

What I find most intriguing about this work is the way Sagare leans into this obscurity instead of privileging clarity. This playful and at times spectacular irresolution plays a significant role in his work.  Bodies are refigured as complex ensembles, brilliantly synthesizing the facility of his line, his deft paint handling, and a color sensibility.  A collection of hieroglyphic hands, heads, with an elastic relationship to one another and to the spaces they occupy, these robust and curvaceous figures at times aggressively push the limits of the picture plane and at other times are jettisoned into the constellation of body parts strewn about the canvas.

With a firm and confrontational pose, torso twisted around and eyes focused back onto us and with a full view of his bare behind, the figure entices viewers toward this conceptual edge of the painting, reminding us that our polite curiosity is not to be trusted.

We do not miss the clarity of representational narratives in these paintings. Instead Sagare presents us with a curious proposition. What if we affirm the unconventional complexity in the bodies of the women folk? What happens to gender if we decenter masculinity and femininity and consider other modes of selfexpression, displacing history to freely probe and repurpose the sources of our identity construction?  There is no rush to answer these questions here. He instead forces us to sit, wholly attentive and present with every painting. This is encouraging.

- Abhijeet Gondkar





 Press Release

31st January to 6th February 2023

“The Mystery Cult”

An Exhibition of Paintings by contemporary artist Sachin Sagare

 

VENUE:

Jehangir Art Gallery

161-B, M.G. Road,

Kala Ghoda , Mumbai  - 400 001

Timing: 11am to 7pm

Contact: +91 9011251869

www.sachinsagare.com