Lines by DIBAKAR DAS - solo show - NIPPON

 

Lines by 

DIBAKAR DAS

- solo show -

Preview Date: 

12 / 08 / 2022       

Time: 5.30 pm to 8.30pm ( Open to all @RSVP)  

Date: 

13 to 18 / 08/ 2022       

Time - 3 to 8pm (Appointment only)

Sale & More details: Tel: 022 66333997. M: 9820510599 

R.S.V.P  "Please respond." M:9820510599, E: info@nippongallery.com 

NIPPON

30/32, 2nd Floor, Deval Chambers,

Nanabhai Lane, Flora Fountain, Fort,

Mumbai – 400 001, India Tel: 022 66333997.

Shri D.V. Halbhavi started an Art school in Dharwad in 1935, which was the first Art school in Karnataka.

The work of a veteran artist of the past era from Dharwad, Karnataka, Late D.V. Halbhavi has been showcased in a solo art exhibition at Jehangir Art Gallery, M. G. Road, Kala Ghoda, Mumbai 400 001 from 9^th to 15^th August 2022 between 11 am to 7pm. 

This show has been organized by his son Suresh Halbhavi.

This work mostly in oil on canvas, water colours on paper, stumping powder on paper and pen & Ink on paper will exemplify subtle nuances of the varieties of artwork made by him during his art journey.

This show was inaugurated at Jehangir Art Gallery, on 9^th August 2022 by Chief Guest – Prof. Vishwanath Sable,   Director (I/C) Directorate of Art, Mumbai in the Presence of Honorable Guests Shri. Suhas Bahulkar – Eminent Artist and Writer, Shri.Chandrakant G. Bellad – Chitrakala Shilpi Shri D.V. Halbhavi Rashtriya Smaraka Trust, Dharwad and Shri Suresh D. Halbhavi – Eminent Artist.

Water colour on paper

D.V. Halbhavi hailed from Dharwad, Karnataka. He had a strong desire to study and propagate visual fine arts and drawings in future from his young age. Coming from a well-known family of Dharwad, he had his art education at sir J.J. School of Arts Mumbai. Then he participated in many professional activities related to arts in contemporary field and displayed his art works in solo art exhibitions at Hubli, Dharwad, Honawar, Bijapur, Karwar, Dandeli etc. He worked as Judge for many drawing grade examinations and art exhibitions at State and National Levels. He wrote 2 books on arts and was a proud recipient of several awards and appreciation from the recognized institutions of good reputation. A proud recipient of honours from Rashtrapati Bhavan for his work on dome there, he was a judge for several exhibitions of State level and Lalit Kala Akademi. Shri D.V. Halbhavi started an Art school in Dharwad in 1935, which was the first Art school in Karnataka, which was considered to be a model for other Art schools started in other places much later. He established School of Art in 1935 and impacted training and art education to several aspirants till this day. He has worked on the advisory board of Federation of Art Institutions Mumbai, Davangere School of Arts & Crafts and many more. His works are in proud collection of many art collectors of national and international reputation all of globe.

(Oil colour on canvas)

The present exhibition has displayed several works made by him in his art career. The most significant amongst his presentations in this show include landscapes, portraits, life studies in realistic style, Antique studies, religious works etc. The portraits are noteworthy for their anatomical studies and textural finesses and relevant details. Other works like landscapes and life studies showcase the relevant details and seasonal particulars. Antique studies and religious works illustrate the historical and spiritual fervours and nuances of the traditional heritage and other details. One can clearly notice the command of the artist over the medium and techniques used for the aesthetic and artistic adornment of the work with the apt hues in the relevant perspectives of visual arts. 

From: 9^th to 15^th August 2022

Solo Exhibition of Paintings & Drawings

By

Veteran artist Late D.V. Halbhavi

 

VENUE:

Jehangir Art Gallery

161-B, M.G. Road.

Kala Ghoda, Mumbai 400 001

Timing: 11am to 7pm

Contact: 99016 45744

Creating Spaces

My art practice revolves around drawing and exhibiting in different ways.  I continuously seek to adopt new techniques and learn new skills to enhance my art-making process. The foundation of my drawings, audio-video, collages, and paintings is on the psychogeographical concept. Psychogeography is deeply rooted in illustrations and other subordinate mediums in mixed-media installations. During my Erasmus period at ABK, Stuttgart (September 2019 - March 2020).  I wished to have an exhibition, to make this opportunity worthwhile. Prof. Holger Bunk, a reputed German artist, suggested space in corridor walls, near the classroom, for the show. Using this space, I was permitted to curate an entire exhibition titled ‘Pop-Up Ausstellung’ which translates as ‘Pop-up Exhibition’. Transforming the empty corridor space was an enlightening process where I had a hands-on experience learning the nuances of curation and exhibition design. 

The Erasmus period at ABK, Stuttgart was an excellent chance to be a part of an exhibition which made my Erasmus period more substantial. ‘Pop-Up Ausstellung’ gave me the opportunity to execute the new challenges which provided imperative learnings and experiences. I tried something new and made it successful with the help of my colleagues, technicians and Prof. Bunk. In the ‘Pop-Up Ausstellung’ exhibition, I decided to draw on the wall, which was approximately 18ft high and 13ft wide. I pushed myself to draw something on a vast scale. The size of the wall gave me the freedom to execute as much detail as possible within that particular time. 

The ideology of psychogeography was deeply rooted in the drawings done on the wall of the corridor. The flatness and physicality of the maps are emphasised in the illustrative drawing done in black acrylic paint on the white wall. There existed a sense of uniformity in the application of monochrome and the usage of man-made structures for mark-making on a monumental scale. The city has a relation to my physical and mental behaviour. The act of walking, wandering and observing the city’s details, are automatically implemented in those acts in drawings. It’s representing a visual diary to the viewer. This work gave contingency to be more detailed precisely. 

 

Lefebvre’s texts from the ‘The Production of Space’ explain space from multi-dimensional perspectives. The space's physicality serves a purpose in diverse aspects. It depends on the human’s psychology and other external factors. In the lecture, Darling explains, “…we need to get rid of a bad habit thinking about the space is a per-exiting an unchanging container which people fill up and move in. For Lefebvre, space is produced by people, consequently, it is fundamentally social. How people built these spaces is highly contingent upon when they are producing it. Lefebvre was Marxist, and as you might guess, the term ‘production’ is not accidental!” (Lecture 2: The Production of Space, 2017). The space serves purposeful relationships in a multidisciplinary way with every aspect of the society’s collective element.

(The ‘transformation’ of the space)

The space has flexibility which can be achieved by having a sole purpose or the intention which leads to the production of the space. And as per our desire related to the space, that can be adaptative. According to Lefebvre in, The Production of Space, “(Social) space is a (social) product...Many people will find it hard to endorse the notion that space has taken on, within the present mode of production, within society as it is, a sort of reality of its own, a reality distinct from, yet much like...Many people, finding this claim paradoxical, will want proof. The more so because of the further claim that the space thus produced also serves as a tool of thought and action; that in addition to being a means of production it is also a means of control, and hence of dominance, of power.” (1991, p.26). The ‘Social’ constituent of the space is the essential aspect. Thus, the ‘Social’ constituent leads to producing space as a ‘production’ of space. The text concludes with the words ‘dominance of power’, which has assisted in defining the purpose and leading to the implementation of dominance over space.

As per the ideology of Lefebvre, there are conflicts in multifarious perspectives for understanding space and its sole objectives for an individual’s adoption. For me, the Lefebvre text explains that every desolate expanse and every mode of production produces a space which is its own space; it is probably not too difficult to imagine how societies do this in a materialistic format.

 

It is onerous to study space in one particular dimension for me. The creation of drawing in the common corridor of ABK, Stuttgart was a new interpretation of that particular space. There is a change in the psychology for understanding that particular space in the exhibition for a week, as can be noticed in the images. It was a production of space in my perspective and interpretations shared by the other artists and audience, who were also participating in that space, transformed into an exhibition corridor.

 

(For ‘Pop-Up Ausstellung, the common corridor space turns out to be an exhibition space for the period of time-based on the ideology of Lefebvre.)

The vision of producing space in a visual format from my experience of the urban environment, where I travelled. I read urban spaces as knowledge, and action as a theory and analysis. Based on that I applied a methodological process of immersion and detachment for the creation of a bird’s eye view drawing of Stuttgart on the wall. There is an intersection of the different spaces for producing unitary space in the visual format for the audience. It was a representation in form my experience and observation. The viewer also similarly experiences travelling and commuting via space which I have created in the wall drawings.

The Lefebvre text also explains their vivid modes for production of space spatialization, from natural space to absolute space which plays a more complex role. It also has significance in community aspects and expanse produced as a social space. Every communal space has a historical note known by its dialectical use in everyday practices and perceptions of consumerism or urbanism.  In my case, there is a process of metamorphosis regarding the common corridor space into an exhibition space.  This change of space is temporary and also creates a moment in the history of transformation in terms of capacity.  The wall drawing and corridor space have a playful engagement in particular, which can be accidental because of the abstract quality of the drawing. Similarly, there is an engagement between the corridor space’s elements, the wall drawing and the viewer. This playfulness is creating a critical aspect to establishing a relationship between the viewer and the wall drawing. This metamorphosis gives an ability to think creatively about the transformed things in the minds of the audiences. 

The transformation of the corridor into an exhibition area was fundamentally an exercise in how people perceived the space. It shows that the space is highly contingent upon how they are producing the space by their physical participation. Therefore, Lefebvre says that every space, hence every mode of production delivers space as per the people's perception as they participated in that space. 

 (Title: Untiled / Medium: Acrylic on Wall / Physical Dimension: 18ft x 13ft) [Right side of the work.]

The space is not the passive locus of social relationships. It is embedded in three vital fundamentals: physical, mental and social relations. All three fundamentals are inseparable. Understanding the space by physically analysing and implementing our ideology. The mental construct of the space drives us to be present in the physicality of the space.  The social relation is excited in the space. It was my sincere efforts to change that space’s physicality into an exhibition space for a short period and established the mental and social relations of the audience associated with it.

In the transformation of the corridor into an exhibition area; I perceived the whole process as the ‘Creating Space’.  Establish the relationship between the space and participating audience in the space.  Excerpt from the ‘PARTICIPATION SPACES’ by Taylor-Smith E., “Invented spaces are bottom-up in origin, while invited spaces are top-down: citizens are invited to participate in a space opened by an authority or institution. This often-cited conceptualisation encompasses issues around the initiation and control of participation. Further, participants’ perceptions of the space may form or inhibit their behaviour: [...]” (online, 2012) The text from the ‘PARTICIPATION SPACES’ justifies my situation. The corridor space was invented. As the citizens are invited to participate in a space; Similarly, I invited the art liking audience in the space, participated audience-initiated perception of the space as per my perseverance of the space; inhibit the behaviour and control the space. 

Artist: Rohit S Kale

Coverley M., 2018, Psychogeography. Harpenden, Harts, Oldcastle Books, pp. 120-121.

Debord G., 1983, Society of the Spectacle. Detroit, USA, Black and Red.

Emma Office Site, 2020, Celebrate Power of Ten 10/10/10 [online]. Available at: https://www.eamesoffice.com/blog/celebrate-powers-of-ten-day-101010-video/. [Accessed on 20th July 2020].

Farr I., 2012, Memory, London, Co-published by Whitechapel Gallery and The MIT Press 

Fs Blog, 2013. fs.blog.com, Thought and Opinion The Art Of Observation: The Two Types Of Observations [online].Available at: https://fs.blog/2013/04/the-art-of-observation/. [Accessed on 17th July 2020].

Lefebvre H; 2018, Frogcast, Philosophy: Atheist philosophers Philosophy: Continental philosophers, Philosophy: Marxist humanists, Philosophy: Social philosophers, [YouTube]. Available at: https://www.youtube.com/watch?v=9-jp2Hr2d1M&t=63s. [Accessed on: 25th June 2020]

Lefebvre H., 1991, The Production of Space. Victoria, Australia, Blackwell Publishing.

Lecture 1: The Urban Revolutions, 2017, Darling E. J., [YouTube]. Available at: https://www.youtube.com/watch?v=9Aph_ThRVfU. [Accessed on: 25th June 2020]

Lecture 2: The Production of Space, 2017, Darling E. J., [YouTube]. Available at: https://www.youtube.com/watch?v=-WnQYqtETKw, [Accessed on: 25th June 2020]

Taylor-Smith E; 2012, PARTICIPATION SPACES, Participation Space Studies, The 7th 2016 International Conference, Fourth international conference on eParticipation (ePart 2012). Kristiansand, Norway, September 2012, [online], Available at: https://www.researchgate.net/publication/304918858_Non-public_eParticipation_in_Social_Media_Spaces, [Accessed on: 8th Aug  2022]

The Production od Space: Henri Lefebvre| Ani Meryl Paul | Department of Sociology, 2020, Paul M. A., [YouTube]. Available at: https://www.youtube.com/watch?v=BH-p9H43AiA, [Accessed on: 24 July 2022]

Rohit S. Kale

Instagram Link: https://www.instagram.com/_rohit.kale/

@ARTBLOGAZINE._2022

Art blogazine_Team _Delhi

The exhibition curated by senior art critic and curator Uma Nair presents 30 artworks of indigenous art of the Gonds.

 Press Release

1^st August – 20^th August, 2022

11am – 7 pm

 

AAKRITI ART GALLERY PRESENTS VAN KATHA

PADMA SHRI BHAJJU SHYAM 

Curator Uma Nair 

 

Aakriti Art Gallery presents a solo show Van Katha, of prolific Gond artist, Padma Shri Bhajju Shyam who initially worked as a watchman before becoming an apprentice to his uncle, the artist Jangarh Singh Shyam. Shyam nurtured his artistic talents by filling in the figures and patterns on his uncle’s canvases until he was ready to create his own works. These works have been created exclusively for this show at Aakriti Art Gallery in Kolkata.

Ref No. C1068  - Kaaga - Arylic on paper - 30 x 22 in  - 2017

The exhibition curated by senior art critic and curator Uma Nair presents 30 artworks of  indigenous art of the Gonds. Bhajju is an artist with an exceptional talent for unique narrative experimentation with forms and creates a definite statement of installing  traditional Gond art into a contemporary platform. The exhibition also features Gond art, in a series of stories that throb within the creatures of the forest. The 20 paintings on canvas and 10 works on paper displayed are unique expressions of Bhajju's mind and imagination and encapsulate the history and contemporary times of the regions. The artworks are significant for their historic and academic relevance as well as for their aesthetic value.

 

Curator Uma Nair says: "Bhajju's world of forest tales stems from traditionally-inspired narratives that have been passed through the ages, transforming simple subjects into sacred beings. Themes of tradition and simple beliefs… are clearly comprehended in all the works and sketches displayed. But through it all we glimpse a love of trees and nature. Bhajju is important for the many stories he tells as well as his finesse with creating Darwinian dialogues in Indian indigenous intuition. The birds, the horses, the swine, the elephant all throb in the rhythms of the forest. The show in many ways extols the truth of the great Hermann Hesse when he said: ' Trees are sanctuaries.'

 

The genre in this suite goes back to century old traditional knowledge which has been passed down generations. Requiring a distinct approach and understanding, often varying from the modern sensibility, indigenous art speaks a language that invites exploration and discovery in the simplicity of beliefs of the life cycle. The visual representation presents a refreshing lexicon of motifs, compositions and styles. The show opens on 30th July 2022 and runs till August 20th 2022.

Award winning artist Shyam’s work has been exhibited at galleries and museums around the world, including the Musée des Arts Décoratifs, Paris, Galleria Arteutopia, Milan and the Museum of London, London. Shyam has also published several books including the award winning book The London Jungle Book which was published in 2004 and translated into Italian, Dutch, French, Korean and Portuguese. Shyam was the first Gond artist to work with the St+art India Foundation, painting a mural in the Lodhi Art District, New Delhi. In 2018, Shyam was awarded the Padma Shri for his contributions to art.

 

Curator Uma Nair

 

An art critic for 32 years and a curator for two decades, Uma Nair has a special connection with artists from the Bengal School. She discovered Paresh Maity, Sanjay Bhattacharya and Sudip Roy in the 1990s. She wrote the first book Paresh Maity at 25 years in 2005.She has curated a number of solo exhibitions of these artists.

Her major work with Bengal School artists has been select retrospectives of Gopal Ghose (2015 Kumar Gallery), Jamini Roy (2016 Dhoomimal Gallery), Prodosh Dasgupta ( 2020 Akar Prakar ). She curates solo show after following an artist for at least ten years. Her next show is Muzaffar Ali's 50 year retrospective at Bikaner house in Delhi January 2023.

 

For more details about the show, please get in touch with Komal Jaiswal at artshop@aakritiartgallery.com / +91 9830411116. The show can also be viewed at www.aakritiartgallery.com

Aakriti Art Gallery

Orbit Enclave, 1st Floor

12/3A, Hungerford Street

Kolkata – 700 017

Phone: +91 33 22893027/5041

( Sunday Closed )

Nippon Gallery is pleased to present Elsa Martini's solo exhibition "The Happinnes of the Others" 2.

Elsa Martini  Solo Exhibition

"The Happiness of the Others" is an ongoing series, divided into three parts.

The first and second one relate to the Second World War in Austria and Italy, where the focus is on women and children who did not actively participate in this war. However, they were family members of men who served as soldiers in the SS or in other positions. These two series are being shown at the Nippon Gallery.

Solo Exhibition: Elsa Martini – The Happiness of Others 2

Exhibition duration: 22. 07. –  25. 07. 2022 

Exhibition Opening: 22. 07. 2022, 5 p.m. – 9 p.m

Address and contact: 

Nippon Gallery 

30/32, second Floor, Deval Chambers,

Fort, Mumbai -400 001, India 

www.elsamartini.com

Elsa Martini – www.instagram.com/elsamartinistudio/

Artist: Elsa Martini

Elsa Martini graduated from the Academy of Arts in Tirana in 1996 in monumental painting class, then certified by the University of Applied Arts in Vienna in 2011 and Institut für Kulturkonzepte in 2012. 

Martini is a conceptual artist who has developed a complex artistic practice over the decades. She sought the approach to broaden the horizons of the works, which move between painting and multimedia, site-specific and performance. The artist deals with tensions between the individual, society and environment; examines and reflects on personal behavior and social trauma, questioning boundaries, space, environment, and gender issues. Elsa Martini is also passionate about exploring other cultures. At different times, we witness vernacular influences in her works.

Her works have been part of numerous solo and group exhibitions in galleries, museums, art festivals, biennials, and critical formats. Among them at Albanian Video Days Belvedere 2, Vienna 2019; XIII. Zwitschetmaschine Gallery 2018 and Nordgalerie 2007 Berlin, Biennale of Young European and Mediterranean Artists – Performance, 2008 Apulia IT; Furies Festival Châlons-en-Champagne, Festival Les Invites de Villeurbanne, Parc de la Villete Paris / performance with the theater company Cumulus, FR 2005; Nuovo Teatro_Nuovo, Action-Painting, Naples 2003.

Her work in India has been shown in Bangla Biennale, site-specific installation 2019, and various alternative projects with NM as: “Golden Thread”, video and site-specific installation Suri WB 2018, Gr exh. Pondicherry city Gallery 2018, “Mirroring”, site-specific installation Komdhara, WB 2017. 

She is the founder and curator of the international art collective NATA. Curatorial practices have always been part of her work.

THE HAPPINESS OF OTHERS -2 Elsa Martini (Artist: Vienna, Austria) Solo show Preview Date: 22 / 07 / 2022 / Time: 5pm to 8pm

 

.

VISIT THE GALLERY TODAY  

THE HAPPINESS OF OTHERS -2 

Elsa Martini

(Artist: Vienna, Austria)

Solo show

Preview Date: 22 / 07 / 2022  /  Time: 5pm to 8pm  

R.S.V.P  "Please respond."9820510599 

        NIPPON NIGHT

“PHOBIAS”An Art Exhibition by senior artist DINSHAW MOGRELIA

PHOBIAS

A senior artist, Dinshaw Mogrelia, will be showing his thematic work in a solo art show. It will be displayed at the Jehangir Art Gallery, Auditorium Hall, M.G. Road, Kala Ghoda, Mumbai 400 001, from 28th June to 4th July 2022 between 11 a.m. to 7 p.m. It is his first art show, at the ripe old age of 83 and though he has been a professional artist throughout his life, he has never ever exhibited his work at a gallery, earlier in life. His work dabbles in the mysterious world of phobias, and spans a range of mediums from water colours to pen and ink. These anxiety inducing fears in human beings, find a unique interpretation through his distinctive pictorial style.

Artist: Dinshaw Mogrelia 

This show is curated by Hetal Shukla

Dinshaw Mogrelia hails from Nashik where he was born on 21stJune 1939. He moved to Mumbai in 1947, after India became independent. He graduated from the Sir J.J. School of Arts, Mumbai, in 1964. He pursued art even in his professional life, finding work as an illustrator and designer. He has also been awarded for his work, by reputed institutions.

Dinshaw has had a first-hand experience of phobias, since himself suffered from a few, from an early age. His condition also stemmed from the turbulent times that he went through, during his professional life as well.

This deeply influenced his work and has also given him an unparalleled understanding of the phobias, and the way they affect the human mind. His thorough understanding of the human emotions and his ability to translate them into comprehensive pictorial representations has now become his sole passion. This is what finds an expression in his art, which spans over six decades.

A Phobia is an excessive and irrational reaction of the mind that is fuelled by fear. It is also called fear psychosis or a syndrome that is present within a human being. Whatever may be the cause of this fear, leading to the paralysing effect experienced by human beings, the manifestation of a phobia generally surfaces in the mind, leading to specific actions or reactions.

Teratophobia, Pen &  ink on paper, 9 x 12 inches

These reactions develop over time and continue to deeply influence the human mind, unless treated in proper time. The fears can be induced by a range of situations, objects, animals, or anything else that can strongly influence the general mental status of a human being. In Phobias, Dinshaw Mogrelia gives us a glimpse into over a hundred and twenty different phobias, in his distinctive style. With this series of pictorial representations, he also aims to make these conditions and their psychological effects relatable to a wider audience. This work has been compiled over sixty long years, illustrating his dedication and commitment to bringing phobias into the mainstream.

From: 28th June to 4th July 2022

“PHOBIAS”An Art Exhibition by senior artist DINSHAW MOGRELIA

VENUE: Jehangir Art Gallery; Auditorium Hall

161-B, M.G. Road, Kala Ghoda, Mumbai 400 001

Timing: 11am to 7pm

My New Journey Begins... artist Inderjeet Grover

A solo art exhibition showcasing the recent work of a well known artist, Inderjeet Grover will be held at Jehangir Art Gallery, M.G. Road, Kala Ghoda, Mumbai 400 001 from 21st to 27th June, 2022 between 11 am. To 7 pm.  It will exemplify subtle nuances of the vivid artworks created and presented by him in his typical style and techniques as well as the apt colour tones and their harmony in the relevant perspectives. 

Seeking the truth through Art…

Inderjeet Grover

Defined forms that overlap and emerge from one other, textured surface, busy brushstrokes and art that exuberates fullness are some of defining features of Inderjeet Grover’s paintings which will be on view in a Solo Exhibition at Jehangir Art Gallery, Mumbai from 21st to 27th June, 2022. 

All of Inderjeet’s art exhibitions have always been titled around the theme of journey, as he believes that art as well as life is a continuous journey, nothing is permanent, life is in a flux. Creativity demands ongoing highly conscious self-knowledge, a journey within. 

His paintings, rendered in impressionist style, employ thick pigmented strokes applied with great virtuosity, revealing a style that is at once free and highly constructed. These works showcase the countryside, its landscapes, the people, their daily lives, their emotions, joys and worries engaged in daily activities, such as an old man waiting near his door, an old lady engaged in cooking food, the cycle rickshaws outside the house, facial emotions of dancers during their dance, various musical instruments. 

Inderjeet Grover has completed BFA in painting from College of Art, New Delhi followed by advanced courses leading to M.F.A. in Painting from College of Art, New Delhi. He has a rich professional experience as Director, North Central Zone Cultural Centre, Prayagraj, and also had additional charge of  Director  at South Central Zone, Cultural Zone, Nagpur,   both the autonomous bodies of ministry of culture Presently He is serving as Deputy Director (Gen.), Dept. of Education,  NDMC - New Delhi to name a few. 

He has participated in more than 100 solo and group art exhibitions till date. His works are in proud collection of many renowned art collectors like Ex-President APJ Abdul Kalam, Karnataka Chitrakala Parishad, Bangalore, Indian Council for Cultural Relation (ICCR), Prime Minister’s office, New Delhi, German Embassy, Camel Foundation, Mumbai, Minister of Culture Dr. Mahesh Sharma and also in USA, UK, Canada, Singapore, Australia, Dubai, Kenya, Hong Kong, England, Ireland, Germany Mauritius etc.

 

Press Release

From: 21st to 27th June 2022

“My New Journey Begins…

Solo show of Paintings

By Well-known artist Inderjeet Grover

VENUE: Jehangir Art Gallery

161-B, M.G. Road, Kala Ghoda, Mumbai 400001

Timing: 11am to 7pm

Rajesh Pardhe and Ravindra Mahale will display their recent work in an art exhibition at Nehru Centre art gallery,

THE JOURNEY

        Two contemporary artists from Pune, Rajesh Pardhe and Ravindra Mahale will display their recent work in an art exhibition at Nehru Centre art gallery, Dr. Annie Besant Road, Worli, Mumbai 400 018 from 7th June to 13th June 2022 between 11 am to 7 pm.  

It will present their work showing the beauty of Nature and Village life in rural environments in nearby areas alongwith the relevance and sanctity attached to spiritual fervour of Ganapati, Gautam Buddha etc.  This exhibition will be inaugurated at Nehru Centre by a renowned artist Mr.Gopal Pardeshi on 7th June 2022 at 11.30 am in presence of art lovers, art collectors and alike.

Artist: Ravindra Mahale

Ravindra Mahale – He hails from Pune. He had his art education at Dhule in Maharashtra. He displayed his work earlier in reputed art galleries at Bangalore, Mumbai, New Delhi, Shillong, Khajuraho and some on line art shows. He has won some prizes and appreciations from art promotional institutions of good reputation and has been actively participating in art camps, workshops etc. for some period.

Recent water colour by Ravindra Mahale

His work in this exhibition is in water colours on paper/canvas and reveals the hues of realism associated with the beauty of nature and its wonders in different seasons. He has been a lover of nature since young age. Due to keen observation and obsession with nature, he has artistically decorated his works with the relevant hues of realismin an aesthetic sense. Also, he has illustrated the spiritual fervour and religious sentiments associated with Ganapati and other relevant motifs. His works being lucid and eloquent, often share a dialogue with the viewers and art lovers

Artist: Rajesh Pardhe

Rajesh Pardhe-  He is a talented contemporary artist who had his art education upto B.F.A. at Govt. School of Arts, Aurangabad followed by further education leading to M.F.A. from Dr.Babasaheb Ambedkar Marathwada University, Aurangabad. He then completed a diploma course in Advance computing and graphic designing at Media Events, Aurangabad.  A proud recipient of many awards and prizes from leading art promotional institutions, he has actively participated in several social and art activities, art camps, workshops etc.  He had showcased his earlier work at Shrishti Art Gallery, Hotel Rama International, Aurangabad, Tapadiya Art Gallery, Aurangabad, Alaknanda Art Gallery, Aurangabad and Balgandharva art gallery, Pune. His work was widely acclaimed by the public in these presentations.

Artist: Rajesh Pardhe, Title: Buddha, Acrylic on canvas

    The present series depicts his illustration of various religious sentiments and hues associated with Gautam Buddha, his life and teachings, Buddhism and other divine sentiments. The works reveal vivid iconic motifs associated with the spirit of Gautam Buddha, Buddhism and his message of love, peace resilience and eternal divinity for the welfare of mankind.  He has adopted several prominent iconic motifs for the aesthetic adornment of his works using the relevant visual effects.   

Press Release

From: 7th to 13th June 2022

“The Journey”

An Exhibition of Paintings

By Pune based contemporary artists Rajesh Pardhe & Ravindra Mahale

VENUE

Nehru Centre Art Gallery

Discovery of India Building, Dr. Annie Besant Road,

Worli, Mumbai 400 018. Timing: 11am to 7pm

MANIFESTATION - An Art Exhibition by contemporary artist Sumana Dey

Artist: Sumana Dey

This show will be inaugurated on 7th June 2022 at 5pm by Chief Guest Dr. Indu Shahani( Founding President & Chancellor Atlas SkillTech University, Mumbai),  Guests of Honour Mr. Harish Bhat(Brand Custodian, Tata Sons),  Ajoykaant Ruia   (Chairman Allstate Group), Prof. Vishwanath D. Sabale (Director at Directorate of Art- Government of Maharshtra. Dean - Sir J.J. School of Art ), in the presence of Mr. Uttam Pacharne(Eminent Sculptor, Ex Chairman of Lalit Kala Akademi, New Delhi)

Manifestation 2022

Write up – Press Release

Sumana Dey is an artist from Pune, settled in Mumbai. Working in this field with full dedication and passion. Sharing her journey towards her world of creation and peace.

18. Manifestation-2, 84inches x 108inches, Acrylic on Canvas.

“My paintings manifest my beliefs. I am very grateful to Lord for giving me this body, life and freedom of expression through creativity. It’s like meditation for me. I manifest to make it all the best. Nature, humans and the whole universe are His creations. I have tried my best in bring my creations to its best - “Manifestation”. 

“My work is my identity”.    - Sumana

Sumana is from a religious family. Her mother Srimati Sandhya Nath, singer and father Guru Shri Sachin Nath, artist, would take their kids to Kalighat temple,Kolkata. These visits have left a spiritual impression in the mind. The love for the culture is evident in the paintings of Sumana. Her father was a senior artist from Pune. His works influenced Sumana and has manifested into her art forms. Longish and rhythmic figures are the core representation. Experimenting in various mediums.Dry pastels, acrylic, oil, Mix media, wood, clay, etc.

Sumana is a Figurative contemporary artist – “Manifestation” is the theme of the show. Meaning that whatever you focus on is what you are bringing into your reality. You may focus and manifest through meditation, visualization, or just via your conscious or subconscious.

While creating her drawing and painting, she likes to hear Bhagwat Gita and the teaching given by Lord Krishna.Thereby, manifesting her thoughts to positivity and meditation. She works with full dedication and gratitude, visualizing herself in all the living creatures.Simple relationship between friends, family, small room gathering, bonding and self are the topic which she depicts. Figures are simple dressed with no ornaments and jewellery, in natural form and appearance.

Last Supper, 68 inches X 55 inches, Dry Pastel on Paper.

In black and white series,figures arenude, wearing striped designer dress or a thin bordered saree. Graceful, sensuous, elegant and softness seen in the rendering of the textures all over every painting. Bringing unique style to the work. Sometimes beetle shaped leaves (auspiciously used in rituals) are also used in the works to give the aesthetic beauty to the overall composition.

Also, on display will be, a unique concept of 26 circular pata paintings on the epic, Mahabharata. Narrating the timeline episodes of Mahabharata, dating from the great grandfather of Pandeva’s, the great King Shantanu to the great battel at Kurukshetra. Depicting the whole saga of Mahabharat in a series, of narrative composition.

 From: 7th to 13th June 2022

MANIFESTATION

An Art Exhibition by contemporary artist Sumana Dey

VENUE: Jehangir Art Gallery

161-B, M.G. Road, Kala Ghoda, Mumbai 400001

Timing: 11am to 7pm,