Wednesday 5 January 2022

“A show manifesting the compound of classical and traditional methods with contemporary and modern ideas.” -Moumita Sarkar



Art has consistently succoured to decipher the internal sentiments, insights for the happenings around and the unspoken thoughts, summing it with classical approaches, makes it pleasing to consider and delightful to acquire. 

Kolkata, a land brimming with intellectuality, traditions and classical art has a long erudite, artistic and architectural custom. It Inevitably has mesmerized every cerebral with its blend of colonial remnants and new-age creative energy. With a tremendous number of artistic ideas and notions coming from Kolkata, it has influenced many generations with its history, praxis and style. The exhibition itself showcases an amalgamation of classical and contemporary vitality. 

Featuring fourteen virtuosos and artists from different regions of India, the show beholds meritorious skills infused with new ideas and classical modus operandi. Despite the pandemic situations, several Lockdowns and worldwide agony, these artists remain associated with their underlying foundations and commemorated their thoughts on canvases and sheets. The exhibition celebrates their zeal for art and artistic mores, while unveiling their drawings, paintings, compositions and prints. 

The participating artists, Dr Somava Dutta from Assam, Pallavi Saxena and Dibakar Das from Mumbai, Aparajita Gopal from Hyderabad, Sudipta Swarnaker from Bangladesh, Tanushree Das, Arup Roy, Priyanka Sinha, Deepsikha Das, Debjyoti Saha, Priti Shaw, Nupur Mitra, Ipsit Roy, Ishita Dasgupta, Souvik Roy, Aparajita Gopal and Moumita Mosan from West Bengal has adeptly shown their contemplations and validated that whatever may the circumstance be, art can’t be disaffiliated from the artist. 

Artist: Dibakar Das

“Being an artist, I believe that artwork speaks for itself, it has its own language, one can feel the visual aspirations then describing it in words.” Quotes Dibakar Das, whose works entrenches around spaces, articles, nature and subliminal thoughts. The artist is roused by the perception of shape and cyclical change where only appearance matters as it represents an inner actuality that gets significance from its relationship to the cosmos. He usually builds his works in layers to create a structural and visual dilemma. 

Artist: Nupur Mitra

The works of artist Nupur Mitra demonstrates her life as a whole. she involves her lives' episodes into creative compositions, the encounters she faced and the experiences she goes through. she procures the calibre to exemplify the goods and bads of daily happenings while suffusing her perceptions towards them. Born and bought up in West Bengal, Mitra completed her graduation in fine arts from Burdwan College of Art and Design and pursued Masters in Fine arts from the University of Kalyani. 
Presently the artist works with various mediums giving prime importance to Oil paints on canvases. The works manifest the brilliance of her skills, mastery of drawings and expertise in capturing versatile forms at a time. Mitra makes herself the subject of the concepts of her compositions.  She reveals that her life is an abstract hypothesis which constantly provokes her consciousness that she structures onto the canvases. Executing sensible and realistic embodiments, her works assemble as a visual journal of her escapades, emotions and notions. “I nourish my art with deep vehemence, desires and subconscious feelings.” Says artist.  

Dr Somava Dutta, an arising artist, whose works are based on the affiliation between humans and the environment depicted by deploying a variety of mediums, including tapestry, paintings, cloth works, drawings and many a time with ink. She manoeuvres her works by infusing the thoughts about how humans are impacting the sublime nature and what furthermore receiving consequently. The notions of Dutta occur from preset day circumstances that are being introduced in customary styles. 

Another Debjyoti Saha artist from the group affirms that his works are a combination of mythically ancient attributes with new and modern concepts. He utilizes naturally gathered things namely leaves in works, uses traditional approaches and displays them with innovative visualisation. “Where I reside and what I see has given an extraordinary effect on my works. Things, materials and mediums I utilized are some way or another associated with my encounters.” Saha states. 

Artist: Tanushree Das

Tanushree Das, a visual artist from Bengal delightfully passes on her contemplations and thoughts into her compositions. She is a graduate in fine arts from the College of Visual Arts, Kolkata and what's more at a young age, she has figured out how to infuse the clouded verge of social traits with captative artistic paintings.

Using dark and earthy temperaments, her canvases portray the realities of her vision. The surrealistic style she blends with sensible figures gives her works more profundity and depth. 

Das's works esthetically reveal the gloomy side of society towards women, the unfair conduct she faces, and a blotch that remains on her consciousness throughout her life. she has dissected the social miss-happenings being done to females that might become agonizing encounters in later ages. The pressure of these episodes become more prominent than the joy of day-to-day existence, consequently, her artistic creations portray the deep, dark and traumatic phases of women experiencing suffocation because of it. “I want to convey through my painting the daily struggle of a woman” she quotes. 

Artist: Ishita Dasgupta

Artist from Kolkata, Ishita Dasgupta, began her artistic journey after a span of eight years in 2020 while being quarantined along with her sister in Mumbai when the pandemic hit humanity.  

Born and brought up in Kolkata, she currently works in Mumbai. She gathers her inspiration from nature being joined with its portrayal in existence and oscillation between macro and micro world. She frolics around with perspective and impression of time, dreams and notions to portray specific realities of life. Her works create special articulations while pulling the viewer to decipher the visual narrations. 

The artist proclaims “My works confluence of the elements serves as a tool to document mental health, preservation of nature and discord in the harmony between the current world, nature, the mind and the body.”Ishita's art constitutes painting along with traditional printmaking and steps towards the lane of contemporary abstraction. Using a variety of mediums, her works mainly specializes in Oil Pastels, Wood Cuts and Watercolors. “With only 9 watercolours, Two Acrylic paint bottles, and three brushes, I restarted painting depicting my thoughts and mind and feel unstoppable ever since.” Says the artist.


Moumita Sarkar

The show has been exhibited online and offline, benefitting a wide range of art enthusiasts to give a visit.


Text & Curated by

Moumita Sarkar

Press Release more details contact: + 91 9432 123 234   + 917439 119 228


Nippon Friday presents
Kolkata classic contemporary Art Show

You are cordially invited
- Moumita Sarkar
Artists:

Dr. Somava Dutta I Tanushree Das I Arup Roy I Priyanka Sinha Deepsikha Das I Pallavi Saxena Debjyoti Saha I Priti Shaw I Nupur Mitra I Ipsit Roy Dibakar Das I Ishita Dasgupta I Sudipta Swarnaker Souvik Roy I Aparajita Gopal I Moumita Mosan I

Curated by Moumita Sarkar

Inauguration ceremony 8th March 5pm Venue: 8th March to 12 th March 2022

Venue
Altamira Art Gallery
Address: 8a, Lake View Rd
Hemanta Mukherjee Sarani, lake Terrace
Ballygunge, Kolkata, West Bengal -700029

Sale Enquiry: 9432 123 234 / 7439 119 228
Nippon Gallery - 30/32, 2nd Floor, Deval Chambers, Nanabhai Lane, Flora Fountain, Fort, Mumbai – 400 001, India.

Sunday 2 January 2022

Kanika Gupta is an alumnus of the JJ School of Art, Mumbai and School of Visual Arts in New York.

 


I began with the hope of transforming tales from history and mythology into a modern style. However, it was not just the story, but the characters I was drawn to. Drawing in a modern style gives me the freedom to reimagine people, settings and conversation in a whole new panorama. Secondly, the rigorous nature of mythology – each with a moral takeaway elucidates the schisms that arise in contemporary society. It is this bridge that my art desires to cross. As characters evolve and express themselves, my artwork forms a narrative of their message. I primarily use monochromatic colours and palettes to heighten the narrative and draw out emotions rather than vistas. I use pen on paper mostly as my medium. I derive most of my inspiration from strong characters of history, saints and some abstract surrealism. Characters who may not be the protagonist or the most popular, but whose very presence unravels the relationships between the protagonists

Bio
Kanika Gupta is an alumnus of the JJ School of Art, Mumbai and School of Visual Arts in New York. Since 2009, Kanika has built iktaara into a design house offering both curated gift products made from her art and illustrations. Her works have been published by Bloomsbury India, Juggernaut among others. Kanika began the movement of adult colouring and doodling workshops– a great Sunday morning activity at Cubbon Park, Bangalore.
Notable Achievements:
• Named by Home Review Designquest as one among their 5 Young Indian Designers under 35,
• Awarded the Silver for best Wedding Invite Design at the GIW Awards.
• Invited to conduct doodling and art workshops at at TEDx events,Bangalore International Centre, Schools and more.
Art shows:
Indian Art festival 2018
Art Maadhyam, Bangalore






Solo Show by Kanika Gupta
Date: 2 nd to 8 th Jan - 2022
View on Link in to enter show
Moderator by Moumita Sarkar
For more details about the show please get in touch with Nippon Team
Sale inquiries at info@nippongallery.com

Saturday 1 January 2022

Mythical Nobel Peace - Solo Show by Kanika Gupta

 

You are cordially invited for Mythical; an ongoing show by Kanika Gupta.

Mythical Nobel Peace

Solo Show by Kanika Gupta

Date: 2 nd to 8 th Jan - 2022

 View on Link in to enter show

https://nippongallery.com/product-category/mythical-nobel-peace/

Moderator by Moumita Sarkar

For more details about the show please get in touch with Nippon Team

Sale inquiries at info@nippongallery.com

The show can also be viewed at www.nippongallery.com

#kanikagupta #artgallery #blackwhitework #linedrawing #nipponsolo #artmumbai #mumbaiartweekent #kalaghoda #nippongallerymumbai


Friday 31 December 2021

AAINA - A mirror placed before you to envision yourself - Heena Sk

 AAINA, a reflector has the vigour to proclaim the paramount insight of humans, their perceptions and subliminal notions. It beholds the magnificent course of delineating the lives’ locomotion into a static impression and skillfully witnessing it. kindred as a mirror, Visual arts additionally assumes a comparable part in expressing the inner vehemence. 

Uttam Sajane, Mukta Pusalkar & Chatan Shetti at Jehangir Art Gallery-2021

The artworks being displayed in the exhibition by three young and adept artists communicates the significance and annotation of episodes they lived concatenated with compositions they created. They bought the moulding of life turmoil and experiences into the idioms of art. Notwithstanding the creation of images from the concepts of society onto the canvases, they have shown the connotations of life in their particular manners. The unique aspect of the body of art created by the artists is their focal on the techniques and articulation of thought.

Breaking the conventional standards of the art sphere, these artists have fearlessly and boldly put their personalities in the form of visual expressions before the world. A genuine artist doesn’t restrict his emotions and thoughts to one channel outlet, instead, they let it flow on canvases in the forms of philosophies and symphonies. 

 UTTAM SAJANE

Head - Pastel on paper 8x60 in

The works of Uttam Sajane unfurl the dramatics of Human psychology. He began painting accepting face as the structure, reshaping the old representations and acquiring alterations in the conduct of looks. In his verdicts, Humans are the assemblage of multifaceted tendencies, even a single mortal contains varied inclinations, searching for so is artistic proficiency and a form of rest.  Utilizing energetic tones and intense strokes, Sajane attempts to recognize the equivocal nature of humans. “These paintings and forms help me to find myself and discern the sufferings around me” proclaims Sajane. 

MUKTA PUSALKAR

Acrylic on canvas |7"x 7"

Footing on the second mark of the triangle is Mukta Pusalkar, whose works pinnacles in sentiments and feelings rather than musings and hunts. Implementing sensible and realistic epitomes, her works assemble as a visual journal. Happening a mother, her works usually incorporates silhouette and gestures of toddlers and juvenile. Brimming with sophisticated but radiant tones, Pusalkar proffers her paintings ardour, vivacity and intimacy altogether that threads the viewer with the stands of emotions, temperaments and enunciation of presence. Celebrating the depth of motherhood, she fabulously infuses the motifs and essence of her two-year-old daughter into the spaces she evokes, to which she affirms “being a mother, there’s an imperceptible, yet astonishing focal motherhood present in the recent works. Whether it is my child’s observation of an unknown world or her agility, the more I paint my daughter, the more I understand that it is me who learns to see the world through her eyes, more than the vice-versa.”

 CHETAN SHETTI

Acrylic on canvas| 48"x 108"

Chatan Shetti, a seeker and explorer of his inner persona, is in the diligent journey of scrutinizing for the reactions within himself. With the abstract dialect, Shetti deals with dynamic intellectual and hypotheses of life. The discerning selection of pigment and colors indulged with abstract applications and smearing of mediums appends like notions of existence in the plain sphere. His works are an amalgamation of apprehensions, intuitions and a pursue for denotation of self-consciousness. Inner intensities, quarrels and agonies are personated in his art, he yields structure to metaphysical-ties of life. For an artist, it becomes vital to perfume the emotions and cavernous senses onto the colors poured. In shetti’s quotations “I paint the feel of uneasiness in my wit and mind, I try to express my thoughts and subconscious through lines, colors, textures while exploring wide mediums. I never limit my inner self to display my intra and extra murals.” What discrete his work is that it dispenses his spectators with a feeling of liberty to decipher his work in however they need to. With no desire to limit people, thoughts and feelings, his work takes you on an excursion of your decision.

Cherished with the eminent psyche, these artists provoke the viewer to consider the novel perceptions, to not ration their feelings, taking the musings on a way that has been neglected, where implications and preconceived notions are cipher. They courageously ask them to dive deep and to examine the inner self, scavenge for the meaning of life, and when they realise, that the only meaning of life is freedom and self-realization, they will find the art in every possible situation. 

With their distinctive artistic lingos, thoughts and compositions, their insights and vision for, self and life are homogenous. 

They see the life like a reflection and their paintings like an AAINA. 

FROM THE CURATOR’S DESK

“I'm placing a mirror before you, for you to envision yourself.”

‘AAINA’, an exhibition manifesting three young artists whose paintings are at liberty from subjects and concepts but ignite a sense of rawness and purity. 

It is always stimulating to get connected to the crude thoughts that are narrated in visual forms, thoughts that reveal the nexus between the artists and their experiences. The three artists notwithstanding their young talent have depicted the works in such an honest form that I call them ‘pure as nude’. In the belief of Picasso, the more it is personal the more it escalates to the world, finding it true I perceive that these works hold a reflection of lives like a mirror, a mirror that has witnessed every natural detail and has been a silent watcher. 

Uttam Sajane’s works unfold the realities of humans, their behaviours and emotions. He seeks that human is as deep as a black hole and have varied forms of conduct. Incorporating facial forms, he divulges and unmasks the demeanours of living and the ambiguous nature of mortals. Retaining himself as a base, he configures the ongoing developments and evolution happening inside the mind and body. In my expressions, I comprehend the bare verities of people around me through his paintings.   

Mukta Pusalkar, being a mother is anchored to the sentimental embodiments. During her pregnancy she went through episodes of emotions, some may term it as fluctuating moods but she transfigured it into a daily visual diary. We can see the soft vision in her realistic and tender works. For me, the diurnal experiences she had or having has given her and her paintings a fervent aura. 


With a self-contained and reserved essence, Chetan Shetty subsume intense expressions in his abstract paintings. Amalgamating questions and hunt for the inner self, intellect and psyche of life, Shetty is in the persistent course of searching for the responses within himself. It sometimes becomes complex to unveil the experiences and interrogations of life onto the canvas, yet his works effortlessly delineate his thoughts. I discover his works full of profound revelations of life, self, rest and connections altogether.


Divergent in their artistic dialects, contemplations and methods of presentation, these three artists share a trait in common and that is the way to discern and show life. The understanding they gather with enormous emotions adjoin is what makes them proficient. The bold way to apply colours, braveness in brush strokes and confidence in displaying their notions, tug us towards their works. I identify the importance of life through their artworks. 

Collectively, the exhibition tends to the significance and gaucheness of existence and inner visions, self-proclamations and articulating the subconscious, laying them on Canvases is constantly associated with individual reasons and unuttered musings, it turns out all the more vigorous when feelings and sentiments are added to it. 

To perceive your internal inspirations and insights I’m placing an “AAINA” before you.

Curated by HEENA SK

---------

AAINA - Group show - An Exhibition 

MUKTA PUSALKAR   I   CHETAN SHETTI    I   UTTAM SAJANE

Jehangir Art Gallery, Mumbai     28 Dec.2021 to 3 Jan. 2022

Wednesday 29 December 2021

The artists in this exhibition are thrown into the middle of whole process of art making - a critique of stasis. - Aakriti Art Gallery- Kolkata

On the whole, the surmounted space, in a concealed manner bring about two kinds of subject positions in the Indian art world. First the confrontational and the heroic- outsider to the mainstream and its institutions who upheld a subversive revolutionary identity, and the second that verge on the self absorbed, whose reclusive symptoms manifest often through a disquieting expressionism by using the mode of abstractionist formalism.

Avadhesh Yadav    On the door    watercolour on paper    30 x 30 in    2021

To elucidate about distinct categorizations, we somewhat come upon some other kind of strain for any foreclosure to it as we have seen before has already proven disastrous and an incomplete study. an entire generation of gutsy, anxious and aspirational artists came into their own in a heroic attempt to find a language. We however account for the uncritical rather intent reading of the present, are we in urgent need of a critical apparatus, one capable of reinventing the possibility of a meaningful engagement with the irresolute and exciting works of the present. The artists in this exhibition are thrown into the middle of whole process of art making - a critique of stasis. They do not begin at the beginning or end at the end. Instead of drawing out the character this exhibition titled ‘An Intersection of The Timeless Moment’ mainly makes a selective attempt to re-embrace some of these artists that helped in producing a body of invigorating abstract- expressionistic language in Indian Contemporary Art.



For more details about the show, please get in touch with Komal Jaiswal at artshop@aakritiartgallery.com / The show can also be viewed at www.aakritiartgallery.com




Aakriti Art Gallery

Orbit Enclave, 1st Floor

12/3A, Hungerford Street

Kolkata – 700 017

Phone: +91 33 22893027/5041

( Sunday Closed )

Tuesday 28 December 2021

OPEN CALL -Dawing Art Show -Mumbai

 





Apply :Open Call
for DRAWING Art show ( A4 @A3)
Drawing: Creative / Watercolor / Sketching /
Untitled / Portrait / digital / drawing / Ink / canvas / paper / woodcut / Print /
30/32, 2nd Floor, Deval Chambers,
Nanabhai Lane, Flora Fountain, Fort,
Mumbai – 400 001, India.
Curator: Tathi Premchand
Venue: 1st Feb / 1st to7th FEB 2022
Link in Bio:
Last Date: 1st to 15th January 2022
All selected artists’ work will be displayed on online show
3 Artists will be awarded from the show
3 Awarded artists’ group show will be held in Feb 2022
at Nippon Gallery, Fort, Mumbai.
Nippon is India’s leading online contemporary art space
This art movement is for artists and by artists, donate your support

Saturday 25 December 2021

"Mumbai Billboard-Bus shelter project" in collaboration with MCGM, the Urban Heritage Committee of Rotary Club of Bombay (RCB) and Priyasri Art Gallery.


We are delighted to announce a public art initiative titled "Mumbai Billboard-Bus shelter project" in collaboration with MCGM, the Urban Heritage Committee of Rotary Club of Bombay (RCB) and Priyasri Art Gallery. The project envisages to revitalize the creative spirit of the city through the announcement of the prestigious designation bestowed upon Mumbai as the UNESCO Creative Film City. Bestowing Mumbai with a prestigious honour is indeed a big achievement! We did like to announce through a way that would receive an equally overwhelming response from our beloved Mumbaikars. After all, this award is a tribute to every Mumbaikar! Mumbaikars will experience 15 billboards on the buzzing street of South Mumbai from Mantralay to Worli sea-face to Nariman-Point, where 15 bus shelters will turn into 15 alternative art spaces, featuring works of 15 established and young artists whose lives have been carved in the city of Mumbai. Another exciting feature for this public art project will be a QR code, which will exist on the bus shelters, which the onlooker can scan and take the art home. Aim of ‘Mumbai Billboard-Bus shelter project’: This project shall not only announce this award but will also be an art installation that will acknowledge the poetic spirit present in every one of us—the spirit reconnects an otherwise divided world. The Exhibition is installed and ongoing on the streets of Mumbai.

 


History proves that art and culture have aided in restoring the peace and stability of society. And this public art installation, interacting with every Mumbaikar on the street, will hopefully reinforce their indestructible never giving up spirit. Mumbaikars have persevered through various trials, including the current pandemic, but they have never given up fighting for peace, harmony, and joy. In a way, the current calamity has indirectly buttressed the „many in body, one in mind‟ spirit of the city dwellers. Art in Mumbai has various formats ranging from commemorative sculptures to iconic murals on the façade of eminent buildings of the business district. Though the public engagements with art have enhanced in recent years, viewing, and experiencing art remains to be a niche affair for laymen. Making contemporary art accessible would be possible if the art is brought into the domain of daily commuters. The strength of Mumbai‟s industriousness lies in its working-class that remains to connect with art being immersed in their formidable duty of running the city tirelessly. 

 

Participating Artists 

Al-Qawi Nanavati
2. Anant Joshi
3. Baiju Parthan
4. Bose Krishnamachari
5. Brinda Miller
6. Meera Devidayal
7. Nayanaa Kanodia
8. Nuru Karim
9. Priyanka D‟souza
10. Sooni Taraporevala
11. Sunil Padwal
12. T.V. Santhosh
13. Tanya Singh
14. Teja Gavankar
15. Vikram Bawa

 

Site of ‘Mumbai Billboard-Bus shelter project’: The buzzing south Bombay Bus Shelters- across 15 sites from Mantralay to Worli sea face to Nariman-Point. Collaborators for the ‘Mumbai Billboard-Bus shelter project’: The outreach is initiated by the Urban Heritage Committee of Rotary Club of Bombay (RCB) and supported by MCGM in collaboration with Priyasri Art Gallery. Timeline of the past Billboard Projects around the world: The first billboards were invented in the 1830s in Europe, to advertise circus acts. The 1860s saw a major shift in billboard advertising. In 1889, the Paris Expo revealed the first-ever twenty-four sheet billboard format, which became the standard format for billboards across the world. Today, Billboards showcase public art for a capitalist society that turns billboards into public art sites thus beautifying the urban and metro cities. In recent times in Los Angeles, many non-profit organisations have hosted a series of “open-air exhibitions” on LA‟s billboards. The goal is two-fold: To help emerging and underrepresented artists break through traditional career bottlenecks by raising their profile with the public and the arts community, and to bring art to city streets making it as accessible as the numerous billboards we view every day. Al fresco, making contemporary art is at its most accessible. This project thus questions the inquisitiveness of the laymen, standing in the circle of an air-locked space, viewing the floating artworks, divorced from the context of their making and the errors accumulated in their daily life.  






About Priyasri Art Gallery:
Founded in 2004, Priyasri Art Gallery has been extremely responsive to the evolving language of art and nurturing a gamut of artistic practices and expression. The gallery is dedicated to its role of exhibiting modern, contemporary and experimental artworks; besides focusing on showcasing young artists, we also represent more established artists like Akbar Padamsee and masters like Jogen Chaudhury. Priyasri Art Gallery also provides artists with a studio facility in the art hub of India – Baroda. Called AQ@Priyasri, the artist studio in Baroda has been providing studio space and housing for young artists since 2003, and has also launched a separate printmaking practice.

Writes Corry Bell, “Ok now (not tomorrow), we have again two versions on this business of Art. One says this: Art is creativity, curiosity, new things happening in your mind and life. It’s an emerging surprise, it’s even a shock; it's liberation. The danger it confronts is death by Museum, the imprisonment of the curators frame. To avoid it, it needs to keep on the move, nomadically in step with new resources and technologies. The other voice says: Creativity and Curiosity belong everywhere. But there is one strange thing with this species, and that is the way it can wrap its hands and heart and eyes around a piece of inert matter and coax it into life.” “Gallery Priyasri” seems to address both these voices through a voice of its own.

About the Gallery Space
In the bustling Mumbai midtown art space, Priyasri Art Gallery is a cozy 2500 sq. feet contemporary art gallery neatly nested on the seafront in Madhuli, Worli. Its 7x30 feet French windows look out onto a stunning view of the Arabian Sea that shapes the identity of the city.

About The Founder
Priyasri Patodia has a B.S.C in Textiles from Maharaja Sayajirao University in Baroda, Gujarat. She has a diploma in Hindustani vocal music from Kirana Gharana. She has completed training in sculpture under Jagannath Panda, M.S.U, Baroda, Gujarat. She has completed a certificate course in Philosophy and International Marketing at the Harvard Summer School in Cambridge, Boston. She has received a Certificate in Human Resources from the National Training Laboratory, in Washington, U.S.A. She has a Certificate in Marketing from Northwestern University in Chicago, U.S.A.

In 2003, she established an art center for painting and printmaking in Baroda called AQ@Priyasri. In 2004, Priyasri Patodia established Priyasri Art Gallery in Mumbai. A recent project in April 2019 that Priyasri was involved in was the Façade and Landscape Lighting project for the CSMVS Museum in Mumbai. This large-scale lighting project was initiated by the director general of the museum, Mr. Sabyasachi Mukherjee, and it was executed by The Rotary Club of Bombay (RCB) under suggestion of The Environment Committee which is chaired by Ms. Priyasri Patodia.

LOCKDOWN DIARIES
Priyasri Patodia was effectively able to support NGO's - WSD, AMTM, PAWS, IDA for feeding the strays because due to the lock down the strays were not able to find food and people were not able to go out and feed them. She will continue to do so until the lockdown ends. She got installed as a Chairperson for the Environment Committee 2020-2021 for the Rotary Club of Bombay.
She has undertaken to work for :
- Smile Foundation to support the contract sanitation workers who do the dirtiest of the works like picking up medical waste, going down the drains and picking up garbage from residential areas and hospitals.
- The second project she has taken up this year is for working with Chirag Rural Development Foundation which is a rural integrated programme aimed at lighting villages inIndia through Solar Power to make the

About Rotary Club Of Bombay:

Rotary is a global organization of business and professional men and women who provide humanitarian service, encourage high ethical standards in all vocations, and help build goodwill and peace in the world.

The Rotary Club of Bombay (RCB), which came into existence on 19th March 1929, is India's premiere Rotary Club and has been in the forefront of community service activities for over 90 years. Chartered with just 38 Members, today it has more than 320 Members and is among the oldest and largest Rotary clubs in Asia.

The late J.R.D Tata, Aditya Birla, Nani Palkhivala and Dhirubhai Ambani were Honorary members of RCB. Today, on its prestigious list of Honorary members, there are eminent personalities such as Adi Godrej, Ajay Piramal, Anand Mahindra, Deepak Parekh, Keshub Mahindra, Kumar Mangalam Birla, Laxmi Mittal, Mukesh Ambani, Ratan Tata, Mrs. Rajashree Birla, Rahul Bajaj and Uday Kotak.

RCB contributes substantially to the community by supporting a number of educational, medical, environmental and vocational activities that impact the lives of the underprivileged and disadvantaged people in and around Mumbai.

Since its inception, Rotary has been driven by its commitment to community service. RCB directly impacts men, women and children, every year, influencing thousands of lives, through more than 30 committees engaged in various avenues of service. Every rupee that RCB spends reaches the beneficiary multiplied several fold, as it leverages, in addition to the money, the value of time spent by the Rotarians and their partners in service.

RCB takes justifiable pride in the work done by its following flagship projects:

In Talwada, a rural hamlet about 130 kms from Mumbai :

the Pherozeshah R. Vakil Eye Centre which has been serving the community for more than 4 decades; and

The Ajit Deshpande Medical Centre (ADMC), which was established in 1999, has served over 750,000 patients since inception.  ADMC provides completely free healthcare in numerous specialties like tuberculosis, dental surgery and pathology to adivasis and farmers in Talwada and the Dahanu area.

the newly established maternal and child care ward.

the Anusaya Devi Taparia Junior College which is newly refurbished by RCB.

The path-breaking Bhavishya Yaan (BY) programme which is run by RCB in 6 municipal schools in Mumbai has even been replicated by some other clubs in the Rotary District. –as one of RCB’s most lauded and successful projects over the past 10 years, BY has benefited thousands of children.  Speak to any child in the various Municipal Schools across Mumbai and they will tell you the hope and joy this literacy program has brought them.  BY provides after school computer and English language skills to under-privileged children, dozens of who have gone on to postgraduate degrees.

Project Anand Yaan - bringing joy to over 120 senior citizens at 2 Anand Yaan centres, in Byculla and Dadar, RCB is dedicated to holistic eldercare centres, because we believe our elder population, on whose backs this country was built, deserves love, respect and a safety net.

Our Urban Heritage projects, in collaboration with The Asiatic Society of Mumbai, include the construction and renovation of two conservation laboratories, restoration and digitization of old and valuable books, manuscripts and maps. Art, musical and cultural performances are organised at the historical Durbar Hall.

Established an Integrated Village Development in Gumbadpada and Warghadpada, in Mokhada Taluka of Palghar District, Maharashtra, by setting up Solar Hub to pull water, store the same in tanks to serve the villages’ irrigation needs and provide safe drinking water as also solar power to light their homes and facilitate education.

Our other Projects include the Vocational Training Centers and the Night Study Centres in various parts of the city, providing employment opportunities and educational facilities to the underprivileged.

Also in continuous existence have been committees working towards Women Empowerment, Healthcare and Medical Services, improving the Environment and Water Resources, Solar Lighting, Animal Welfare and assistance to Cancer Patients.

RCB is proud to state that 100% of the donation amounts are utilised towards the cause, as all administrative expenses are borne by our Club members.

 

Priyasri Art Gallery Social Media Handles:
Facebook: Priyasri Art Gallery
Instagram: @priyasriartgallery
Twitter: @artgallery42
Linkedin: Priyasri Art Gallery
Hashtag : #priyasriartgallery


-Mrs. Priyasri Patodia
Founder, Priyasri Art Gallery, Worli, Mumbai
& AQ@ Priyasri - The Artist Studio, Vadodara
Chairperson, Urban Heritage Committee, Rotary Club of Bombay, Mumbai

 

“RAJASTHAN Through My Eyes” An Exhibition of Paintings By Well-known artist Bhim Singh Hada at Jehangir Art Gallery

Bhim Singh Hada popularly called Artist of the Maharajas is a reputed artist from Jaipur who has a mastery and skill in creating realistic work in oil and other mediums also. He is a self-taught artist but has been blessed with artistic talent and aesthetic instinct and command over the medium and techniques used for aesthetic adornment of his works with the expected visual effects at the strategic arenas.  He has so far showcased his works in many reputed art galleries at Mumbai, Manama, Jaipur, New Delhi in solo and group art exhibitions and has often received good public response and appreciation from the present art world at various venues and art galleries of national and international reputation.  He has been awarded for his outstanding contribution to visual arts by many reputed art promotional institutions at several venues.

The Woman at my Ancestral door, Oil on canvas

His works are in the proud collection of several reputed art collectors all over the globe, the noteworthy among them being the Royal family of Bahrain, Malaysia, Rajasthan and several eminent personalities of India.  The works are also in collection at Alsisar group of heritage hotels, Jaipur, Ranthambore, Shahpura Haveli and heritage house, Jaipur, Laxmi Vilas Palace, Bharatpur, Mandwa House, Deogarh and many other palace hotels. The high point of Hada’s career is painting a portrait of Queen Elizabeth of the United Kingdom with King Hamad of Bahrain, which was gifted by King Hamad to Queen on her 90th Birthday.



The present series showcases his latest works in oil on canvas in a realistic style that illustrates the true culture, heritage, music and architecture at several historical places in Rajasthan in his own style and technique.  The various works present Amber Palace, Jaipur, good picturesque view observed from Aravali range of mountains, Elephant Ride, Royal processions, various dresses/draperies and ornaments worn by ladies in that region, their emotional mindscapes and social lifestyles, old buildings, forts, various places of historical importance which gives a glimpse of royal heritage and traditions in vivid regions. Not limited to forts and palaces, Hada has painted vivid life of Rajasthan its wildlife, temples at Mandor, folk musicians etc.  He has not only depicted the royal culture of Rajasthan, but also its traditional heritage at strategic arenas in his works which are not only amazing and picturesque but also pleasant and visually mesmerizing.  He has truly presented a realistic kaleidoscope of Rajasthan via various vignettes of art, culture, traditional heritage, music, natural beauty at several places, architectural details of many old buildings, castles and forts of historical relevance and importance using his visual language of expression incorporating apt colour combinations, icons/motifs and several ingredients of thematic significance in proper perspectives of visual arts.


Bhim Singh Hada

Recent work of a well-known artist from Jaipur, Bhim Singh Hada in oil on canvas in a realistic style will be displayed in a solo art exhibition in AC Hall No.3, Jehangir art gallery, M.G. Road, Kala Ghoda, Mumbai 400 001 from 28th December, 2021 to 3rd January, 2022 between 11 am. To 7 pm.


From: 28th December 2021 to 3rd January 2022

“RAJASTHAN Through My Eyes”

An Exhibition of Paintings

By Well-known artist Bhim Singh Hada



VENUE:Jehangir Art Gallery

161-B, M.G.Road,

Kala Ghoda, Mumbai 400 001, 

Timing: 11am to 7pm