Thursday, 7 October 2021

Shankar Palsikar (1916-1984) - “A Centenary year of Artist’s Birth” National Gallery of Modern Art, Mumbai

Shankar Palsikar (1916-1984) - “A Centenary year of Artist’s Birth

National Gallery of Modern Art, Mumbai, Ministry of Culture and Government of India in association with Shankar Palsikar Art Foundation and The Raza Foundation, New Delhi presents Shankar Palsikar (1916-1984) - “A Centenary year of Artist’s Birth”, a major exhibition of a visionary who shaped the course of modern painting. 

Prof. Shankar Palsikar a teacher of par excellence for generations of students, he evolved original interpretations to the traditional and rich art of this sub-continent by giving it a harmonious turn, a subtle twist there, thus creating a new contemporary world of Indian art. Palsikar Sir, besides being a great orator, was a sensitive writer in Marathi and English. He was born in Sakoli Village in Vidarbha. After his matriculation he studied in Sir J. J. School of Art, Mumbai (1942-1947). He was awarded several prizes including the most coveted one- the Meyo Medal- for his first class scholastic career in 1947 at Sir J.J. School of Art, the First Cultural Scholarship in Fine Art, by Govt. of India(1949), Gold Medal of Bombay Art Society(1950), Gold Medal by Fine Art Society of Calcutta(1950).



He was also honoured with Gold Medal and Life Membership by the Art Academy of Italy for his outstanding services in the field of Art and Art-Education. Beside the major honours mentioned above, he was awarded Silver and Bronze Medals on many art events in India and was nominated as one of the nine eminent artists of India by Lalit Kala Akademi, New Delhi. In 1965, he represented India in International Plastic Art Conference held in England. He was appointed as Dean of the Sir J. J. School of Art in 1968 and retired in 1975. As an art educationist, he was invited by Govt. of Sri Lanka to plan the academic programme for the art institutions in that country. He was nominated as one of the nine eminent artists of India by Lalit Kla Akademi, New Delhi and a member of advisory committees of various universities in India. 



The Indian Art fraternity that consists of both artists and art connoisseurs alike is aware that, like the master painters S.H. Raza, M. F. Hussain, V. Gaitonde and K. K. Hebbar, Prof. Palsikar had deeply contributed to the evolution of Indian Art, but unlike them, had always preferred to remain a devoted teacher to his adoring students. Being a pedagogue, unwilling to be in the artistic limelight, he never deigned to have a public viewing of his works, but a posthumous retrospective, during the year of his passing, was organised by Prof. Vasant Parab, then Dean Sir J. J. School of Art in coordination with the Govt. of Maharashtra at the Jehangir Art Gallery Mumbai in 1984. It would be great privilege to artists and art lover to view his paintings at the centenary Exhibition at NGMA from 23rd Dec. 2016 – 31st Jan. 2017. 



It is a major exhibition of a visionary who shaped the course of modern painting. The exhibition is curated and designed by Arvind Hate. During the tenure of this exhibition, special art and cultural programmed such as musical evenings, book launches, dance and lectures would be organized at National Gallery of Modern Art, Mumbai. These programmed have been designed in respond to Prof. Palshikar's persuasive conviction about inter-relationship of all art forms. He always used to remind us that artists from various art-practices must reciprocally react to each other and sense the common goal that creates fundamental understanding of art and aesthetic that strengthens the cultural growth of an individual in particular and society in general.

Convenor: Prabhakar Kolte
Venue: National Gallery of Modern Art, Sir Cowasji Jehangir Hall, Mumbai
Inauguration: 23rd December , 2016, 6:00 PM
Open for Public from 24th December, 2016 till 31st January, 2017
Timing: 11:00 AM- 6:00 PM (Closed on Monday & Public Holidays)

Tuesday, 5 October 2021

BFA MFA - APPLY CALL


BFA

MFA


APPLY CALL

We are looking for artworks, drawing, creative painting, digital art, installation, photography

and more. Online / Offline Solo will be arranged for selected artist.

For more details contact- Moumita: +91 7439119228 / Heena:   +91 98810 10953

Deadline: 6th to 24th Oct - 2021 / View form on - Upload file - www.nippongallery.com


#bfamfa #jjschoolofart #barodaschoolofart #govtschoolofartkolktata #delhiartcollege #bharatbhavan #mumbai #sahantiniketan #kolkata



Friday, 1 October 2021

Ways of seeing..._* organized by NAF at NIV Art Gallery, New Delhi on 25th Sept, 2021.

When we perceive a piece of artwork, we not only try to dive into the scenarios of the visuals in front of us, but we also peep into the world of the mind of the creator. The mind of the artist can be as complex as a maze or as clear as transparent stream. The artist creates a work of art after experiencing various kinds of emotions and incidents. The emotions can as simple as happiness, anger, hatred, joyfulness, etc., but sometimes it transcends to an experience which goes beyond a definition of common emotions. The interconnectedness of contrasting emotions gives way to an idea which can be explained through art, and art only. With the addition of living in this busy world, we go through many physical incidents which brings trauma, anxiety, love, hope, etc., in our minds. Culminating all these emotions and experiences, an artist takes a respite in creating their work of art.

Painting by Heena Sk 


In this exhibition, aptly titled ‘Ways of Seeing’, the artists are trying to portray their thoughts and comments in the everyday human life through their artworks. Every painting or print is trying to open our perspective in some issues or incidents while tapping into the emotions that are already lying inside our minds. Many a times what we see or perceive, we are unable to express them. These artworks are carefully curated so as to ignite a conversation and help in communicating with the audience about the unsaid emotions and experiences.


The different visual elements helps in bringing out the various thought processes of the artists to the surface of the mind. And when these elements are gathered on canvas, we see new dimensions to the existing scenarios. What we see might not be what we perceive. The lines, colours, textures and spaces create a unique blend of visuals which helps us in breaking the abstract ideas into simpler forms. Sometimes it’s a different world altogether when we see it from somebody else’s perspective, and who could it be better than an artist?

-      AKASHDEEP BANERJEE



NAF in collaboration with Niv Art Centre presenting an exhibition of emerging artists ways of seeing 25th September 2021 to 28th September at Niv art center, 210 near IGNOU chowk, pocket E, Neb Sarai Sainik farm. New Delhi 110068

Here participants are Ajay Kumar, Ankit Kushwaha, Dhan prasad, Deepti Gaur, Debjyoti Saha, Heena Sk, Kartick chandra dinda, Nandkumar Pagare, Nooreen Fatma, Preeti Singh, Priyanshu Chaurasia, Moumita Sarkar, Rekha Gupta, Sandipa Mondal, Srishti Gupta, Sumon Bej, Sudatta Basu Roy Chowdhury, Swapan Roy. They all are from different cities. 

 Mr Avijit Roy senior artist of Niv Art Centre inaugurated the show on 25th September.


The art of each artist participating in ways of seeing is highly appreciated. The works of Santiniketan's artist Srishti Gupta, Hyderabad based artist Dhan Prasad, Maharashtra's Heena Sk and Delhi resident Preeti Singh are particularly interesting.

Shaji Methew and Aruna Anand Mathew the owner of Niv Art Centre and The Founder and Director of NAF Nandini Sarkar would like to thank all the artists for the way this 4 day show has come to an end in this pandemic time and for such a collaborative emerging artists, who helps lift the tie a lot.


    Text by Moumita Sarkar -Artist/ Kolkata 

@artblogazine.com


Ways of seeing..._* organized by NAF at NIV Art Gallery, New Delhi on 25th Sept, 2021.

The show will continue till 28th Sept, 2021, 11 am to 7 pm.
210, near IGNOU CHOWK, Pocket E, Neb Sarai, Sainik Farm, New Delhi, Delhi 110068

 

Thursday, 30 September 2021

Sexuality is a feeling. It has no visuals but it is a visual language. Visual art starts with nudity because it is the first stage of sexuality .


Nippon Gallery presents a solo show by Sandip Sen. We are glad to introduce his works that consists of German Expressions, erotic venting, striking and vivid Palate and bold themes .

Artist: Sandip Sen


Sandip Sen completed his BFA in painting from Kala Bhavana Santiniketan and pursued his MFA from college of Art and design, bardhawan  Sandip Sen is from Jalpaiguri , West Bengal, India.




Incorporating Kalighat Pata Painting style and themes notably Sexuality has been shown symbolically through objects. Such as balloon, Kettle orchid, leaves and sperms.

Further elements such as snake socks, grass, monkey cap, hand gestures, Electric plug, Nude female figures and copulating animals have also been assimilated in the intellectual paintings.

The idea of drawing has many complex processes in the initial stages, where not only drawing and painting but also thoughts are given a significant value. What the artist visually studies is then transferred to actual works incorporated with colour and attempt to present it in a conceptualized line. These paintings are anchored with pen, charcoal, ink, pastel, water colour, oil colour etc. These forms not only identify realism but also create another dimension.

Artist: Sandip Sen 


Line charges a crucial impact in Sen’s works, where it not only displays a celerity of his thoughts but also connects objects being laid on the sheets.

Black, red, pink, orange, green colors began to dominate the painting in a symbolic way. Next comes the use of gold, silver and fluorescent colors. At the same time small particles are observed, sensuousness, eroticism, clippings of ads, human figures, and antiquities are imposed more practically. 19th century popular folk culture of kalighat patta, wood block etc. can be observed in his work that are indulged with contemporary hoardings in cities that started producing college works explaining his thoughts.

Artist says, “my art is to talk about sensuality. “More to say that sexuality doesn’t mean nudity or vice-versa and nudity doesn’t demand only representation of the bare body. Sexuality is a feeling. It has no visuals but it is a visual language. Visual art starts with nudity because it is the first stage of sexuality.

From the beginning of his youth, the artist began to notice the pubic sign that changed his genitals, growth of pubic hair, and the beard, hair in armpit and abdomen and changes in hormones. The idea of sex gave him a completely different languages from where some biological changes became the subject or his work.

To enrich the visual language he used multiple layers including the digital on graphic quality at some place, to bring about theatrical effect in the picture cutouts are applied. He has started to use quotations from sexually related books.

Recent works by Sandip Sen


Sen’s works not only examine the inner desires of humans but also give them a unique look by combining various figures and forms that indirectly are related to the themes.

His bold use of colors and subjects continuously attracts human consciousness while making our minds contemplate human biological developments.

Nippon always has and will appreciate unique thoughts and works of contemporary minds and in this respect we exhibit Sandip Sen's art works.


-Art Blogazine 

We invite you all to visit the on view exhibition.

Cover Story - Solo show by Sandip Sen

Date : 22nd Sep to 5th Oct - 2021

Enter also online show:

https://nippongallery.com/product-category/cover-story-nippon-solo-by-sandip-sen/

Moderator by Moumita Sarkar – Kolkata

R.S.V.P: info@nippongallery.com

30/32, 2nd Floor, Deval Chambers, Nanabhai Lane, Flora Fountain, Fort, Mumbai – 400 001, India.

Nippon is India’s leading online contemporary art space

 

 

Wednesday, 29 September 2021

She is multidisciplinary and performance Artist

We are ecstatic to introduce our very own Ginseng artist Pratibha Sarkar, the woman behind Charcoal Foundation Bongora. Strong women are the real influencers for the youth.

 

Artist: Pratibha Sakar

A charcoal woman, herself, who loves to romance the canvas, a dedicated lover, happy with her soulful and lust less love; an affair which gives her a Divine feeling and enlightens her in all possible ways. She feels empowered and proud of her courtship and can relate herself to MEERA and her love for the Divine. But the four walls of life (box of life) tend to confine her and rob her of all her happiness, her dreams get locked in the box, but now no more ... It is time to be free from all shackles and breathe in the free fresh air…

 


She is multidisciplinary and performance Artist  

Pratibha Sarkar from paradise land of  India( Andaman  and  Nicobar  Islands),born  in Port Blair, has  completed  her BFA and MFA from  KALA BHAVAN (dept of fine arts and crafts),  Visva  Bharati University, Shantiniketan , West Bengal, and achieved master’s degree  in education(education management )from IGNOU Delhi followed by her bachelor’s  degree in education  from Bhopal ,India. She has exhibited her art works in Lalit kala Academy Delhi, Bharat  Bhavan (7th international Biennale) Bhopal ,Birla Academy of fine art Kolkata, show at Art Gate Mumbai, solo exhibition  at  Taj Gateway Damdama lake, All  India woman Artist   Exhibition, Artscape, Chandigarh, india etc, Insul Art Exhibition, MGI Gallery and La  woman International  Art Exhibitions, Mauritius .etc.

Group exhibition in India Habitat Centre Delhi, Group exhibition Gallery Arpana-Delhi,NIV Delhi,

 


Pratibha Sarkar actively participating in workshops with various medium (charcoal, paper making, dogra  casting, live  mask making etc),she has been participated in International  Island Artists  workshop, Mauritius in 2007.

 

She is also interested  in conducting workshops on stress distress management through art(spiritual art, art therapy,) like mask making and charcoal drawing for kids and adults and also for special children’s from rehabilitation centers in India.


- Art Blogazine

Mumbai

 


Charcoal Foundation Bongora is feeling exceedingly happy to announce a unique International Live Performance Art Show, ‘ Ginseng’!



You are cordially invited to experience the live performances from  across the globe, virtually as well as physically -

On 2nd & 3rd October 2021,
From 11 AM to 6PM (IST),
At Zorba-The Buddha, Delhi.

PLEASE READ THE FOLLOWING PARAGRAPH REPLACING THE WORD - ‘GINSENG’, WITH THE WORD - ‘PERFORMANCE’, FOR YOUR BETTER UNDERSTANDING OF THE SHOW -




Experiencing performance art is like consuming Ginseng for various health purposes. Ginseng is a herb - a slow-growing plant with fleshy roots with antiviral properties, which may restore and enhance well-being. People take Ginseng to heal various medical conditions. Ginseng has the power to improve thinking processes and cognition. Ginseng has anti-inflammatory effects and can reduce oxidative stress. Ginseng has the power to treat impotence as well as many other physical and mental health conditions such as blood sugar and influenza etc. Ginseng may help stimulate physical and mental activity in people who feel weak and tired, however, scientists and health professionals often question the medicinal properties of Ginseng and no evidence, but the real-time consumption, which can conclude about its true effectiveness. Although Ginseng is safe to consume, people have reported the following side effects such as headache, sleep issues, digestive problems, changes to blood pressure & blood sugar, diarrhoea, rapid heartbeat, skin reactions and so on, therefore, there always has been an uncertainty, an irony, a paradox and a juxtaposition.

The show title, ‘Ginseng’, actually represents the perception and the reception of Performance Art’ in general, while the show embodies the content and the flavours of Ginseng virtually. The idea of this unusual show originated from looking at the current scenario of Performance Art in India itself, especially at the times of COVID-19 where the gathering of the audience has been restricted, where the live performance artists had to adopt to do performance on virtual platforms which is quite challenging since live performance is incomplete without the presence of the physical audience and their participation to a great extend.

As Ginseng is the herb for energy and healing, performance art is the herb to experience the Ginseng effects; pleasant or unpleasant, soothing or disturbing, both, for the performance artists, as well as for the audience!

- Pratibha Sarkar
   Artist - Delhi

Saturday, 11 September 2021

PORTRAIT AND SELF-PORTRAIT" - Nippon Gallery

The Nippon art gallery presents a group show "PORTRAIT AND SELF-PORTRAIT" which is Curated by Tathi Premchand and Assistant Curator Anjali Dutt. 




Recent work video art by Sourav Haldar 


Thirteen artists are participating in this art exhibition. Their names are:-

Mon Ross, Lucia Giri, Shanthi Kasi, Vijay Bhandare, Sourav Haldar, Uttam Sajane, Arindam Sinha, Avijit Mukharjee, Ciby Samuel, Pallavi Shelokar Bate, Purshottam Pawar, Sanika.V.Desai, and Mahesh Soundatte.

Recent drawing Ciby Samuel


The show is based on upcoming the young contemporary artists, who they present through their artworks from different perspectives with various mediums such as water colours, oils, mixed media and etc.

Portrait and self-portrait is an expression; it can be self- portrait or other artistic representation of a person also. It is portrayed of someone's character or describes someone. It can be present by painting, photography, graphic art, video art, performance art etc.


Recent work Shanthi Kasi


Portrait often gives deep insight, and offers an analysis that goes far beyond the superficial. Mostly depicted by facial expressions it is described you and your personality. It can be direct or indirect. Portrait or self-portrait reflects the human expressions and feelings. The self portrait is a projection of the self. It is a reflective physical appearance.

Self- portrait delve deep into psyche, complex personality, strong emotions, a chronicle of circumstances through life. Artists captured people’s inner and outer expression which comes out through their facial expressions. Mostly artists gazed into the mirrors and attempted to grasp their identities.

In general, there are three ways to tell the difference between a portrait and a self-portrait. One of the best ways to understand a self-portrait is through its title. Artists will often identify their self-portraits as such. Another strategy is to notice what type of action is being depicted. Both self-portraits and portraits often depict a figure gazing in the direction of the artist.

A self-portrait will often depict the artist at work in the process of painting their own image. The third way is to view the picture in the context of the artist's other works. The artist's subject matter can convey to the viewer the identity and character of his or her own image. For example, American artist Norman Rockwell's Triple Self-Portrait shows the first and second of these principles.

“I paint self-portraits because I am so often alone, because I am the person I know best”- FRIDA KAHLO

¬It would our pleasure to catch you all on this upcoming show.  Nippon art gallery will be highly obliged to welcome you all. Kindly visit our website and show your interest in magical artworks by young superb artists and make this show successful.

Visit website - www.nippongallery.com







By Anjali Dutt


Nippon- Portrait Artworks >
Self-portrait - Artist: Sanika Desai
Portrait - Best collection from Art World
Portrait &
Self-portrait
6th to 12th September 2021
Mon Ross
Lucia Giri
Shanthi Kasi
Vijay Bhandare
Sourav Haldar
Uttam Sajane
Arindam Sinha
Avijit Mukherjee
Ciby Samuel
Pallavi Shelokar Bate
Purshottam Pawar
Sanika .V. Desai
Mahesh Soundatte
Moderator by Tathi Premchand
Credits: Anjali Dutt / Heena Sk
Evaluated by Nippon Team

Monday, 6 September 2021

Portrait - Best collection from Art World Portrait & Self-portrait 6th to 12th September 2021

 

Portrait - Best collection from Art World
Portrait &
Self-portrait
6th to 12th September 2021
Mon Ross @monross
Lucia Giri @luciagiriphotography
Shanthi Kasi @shanthi.kasi
Vijay Bhandare @vijaybhandare
Sourav Haldar @powerkicker02i
Uttam Sajane @sajaneuttam
Arindam Sinha @arindam1300
Avijit Mukherjee @avijitmukerjee
Ciby Samuel @ciby_samuel
Pallavi Shelokar Bate @a.creative.bee
Purshottam Pawar @purshottam_pawar
Sanika .V. Desai @sanika.desai.9406
Mahesh Soundatte @soundattemahesh
Moderator by Tathi Premchand
Credits: Anjali Dutt / Heena Sk
Evaluated by Nippon Team


Monday, 2 August 2021

ABSTRACT EXPRESSIONISM - Water colour on paper - Solo show by Shirhari Dutta

 






ABSTRACT  EXPRESSIONISM - Water colour on paper

Solo show by Shirhari Dutta

Online l 6th to 12 th August 2021 

Below is the link to enter show 

https://nippongallery.com



Moderated by Moumita Sarkar

Sale Enquires: +91 74391 19228 / +91 9820510599   

Email: info@nippongallery.com 


Nippon Gallery

30/32, 2nd Floor, Deval Chambers, Nanabhai Lane, Flora Fountain, Fort, Mumbai – 400 001, India.

Nippon is India’s leading online contemporary art space, This art movement is for artists and by artists, donate your support

#SOLOSHOW #artkolkata #soloshowindianartist #nippongallery #kalaghoda  #kolkataartist #westbengal



Thursday, 22 July 2021

Nippon Gallery presents a solo show by Srotowsini Sinha

Nippon Gallery presents a solo show by Srotowsini Sinha, in the ongoing show on our virtual gallery. We are glad to introduce her work, which consists of contemporary concepts and visual art. Srotowsini Sinha puts her artistic vision onto the medium in a magnificent way, with the audience being intrigued throughout the time of experiencing the artwork.

Artist: Srotowsini Sinha


Srotowsini Sinha from Kolkata (India) presently pursuing her BFA from kalabhabana, santiniketan. She works through a variety of mediums such as charcoal, ink, acrylic, and digital media. Particularly she feels more like working in photo manipulation.

Srotowsini engages with her works every day by focusing on the very familiar elements that go unnoticed or ignored which has an impact on her state of mind. She chooses various elements from pre-existing compositions or photographs and arranges them in a way so as to create a whole new sense of being. 

Sinha's work is very real reporting. The scale of rhythmic influence in which she has manipulated the common elements by the spontaneous of her thought is highly commendable. This dynamic of her work will help to make it much more visual in the days to come. Our Nippon team is excited to stage the artworks of such a promising artist through her solo shows. 



Nippon Gallery is highly obliged to welcome you all to this show. Kindly visit our website and show your interest in magical artworks by young superb artists and make this show successful. Nippon is India’s leading online contemporary art space.

Kindly visit our website and show your interest in magical artworks by young superb artists and make this show successful.




BENDING WITH EYE LENS
SROTOSWINI SINHA
Solo Show
Online l Tuesday 20 th to 27th July 2021


Moderated by Moumita Sarkar
30/32, 2nd Floor, Deval Chambers, Nanabhai Lane, Flora Fountain, Fort, Mumbai – 400 001, India.
Nippon is India’s leading online contemporary art space, This art movement is for artists and by artists, donate your support