Saturday, 10 July 2021

Nude, an ungarmented body is the essence of nature, it shows the value of being alive...IN A STATE OF NATURE - N U D E

IN A STATE OF NATURE - N U D E

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Nude, another way to describe a bare body, a body exposed but having a warmth of skin, which starts in womb and gives sense of our existence.In a wider way if we visualise, we all are made up of same ingredients but the recipe is slightly distinctive. We all are an amalgamation of bones, muscles, flesh and so, with a huge sprinkle of emotions and desires. Having bare body as a base which is owned by every soul, some still feel apprehensive while glancing at one. Though for some, it is an instrument of self-realisations, self-expression and a profound source to enchant delicacy.


My work is an imagery of pop culture, erotic and socio-political issues as reflected in the interface between ethnic mythology and modern urban life of today. Fashion forms aquintessential part of my work. The models in my painting are fashionable, flamboyant and glamorous totem of the contemporary. In both attitude and attire they endorse the mordant truth of today’s generation, a fetish for modelling and fashion intrigued with age-old practice of tattooing. My works inspect youthful fantasies sold through media and fashion magazines. Cropping, fragmentation and intermixing of the colourful motifs within the images are a satire on the fleeting world dominated by media and advertisements.
- Dileep Sharma


Nudity took a form of art during greek epoch, the frames of nude body started to get appreciation. Which was carry forward by middle ages and became a central core in Renaissance. People commenced to perceive the nude bodies in more intellectual ways. It took a part in history paintings, including allegorical and religious arts, portraiture, or the decorative arts.

From very beginning of human civilisations, we have witnessed nude human figures, especially female idols, that happened to be considered as goddess of fertility, nature and well being.The temples of khajuraho in India, are the perfect examples to depict, how nude art played a part in religious chapters. It’s erotic sculptures seamlessly blends with the traditional and mythical characters.Slowly and steadily our eyes started to praise what is beneath the clothes, and many portraits, live drawings, sketches were drawn where nudity performed a gigantic role.



The photographs are the outcome of my self exploration process. I was in search of reconciliation within my own body. Our bodies are riddled with politics of gender, of colour, of size, of smoothness, of presentation and projection. Self portraits allowed me an objective lens to view myself through; helping in the process shed some of the self loathing, shame,
prejudices and expectations of my body that I had borrowed from society over the years. The ideas of womanhood, sexuality, the inherent sexualization that exists in this body unraveled to me. The idea that I am only a being, this is only a body, a body I nourished, a body that has taken care of me has started to emerge through this process.

Keerthi Chandana - Photographer


The Nude: a Study in Ideal Form by Lord kenneth clark, first published in 1956. The introductory chapter makes a distinction between the naked body and the nude. Clark states that to be naked is to be deprived of clothes, and implies embarrassment and shame, while a nude, as a work of art, has no such connotations. The era was initiated where a subtle line was marked between nude and naked. Now the depiction of human body was shown in more realistic and natural way rather than glorying it as of goddesses and nymphs. Pubic hair, marks were naturally shown.

The nude maja (1797) by Goya, 1815 drew the attention of the Spanish Inquisitions. Where in an elite society a female was shown nude and posing bare directly. Got alot of criticism in first place but was appreciated for it’s natural appeal later. Not just females but males have also been shown nude several times, the most appropriate example is the David by Michelangelo, 1504.



(b. 1977) loves to paint and has been drawing portraits since the age of nine. An IIT-Delhialumnus, he quit his rewarding career in IT in pursuit of his long-standing passion for Arts. His artistic yearnings took him to The Ryder Studio (USA), where he studied under master painter Anthony Ryder, withclassical realistic style of painting and life drawing as the focal points of his learning. His works have been selected at some of the most prestigious National and International Art Competitions, featuring amongst some of the best contemporary realists in the world.
His work is a synthesis of keen, careful observation and classical painting techniques; stemming from his beliefthat when you pay enough attention to something, it opens up to you. He likes to experiment with his style ashe moves on to becoming more in his artwork. Figurative works are his forte but he loves doing still life and landscapes as well. His works hang in private collections in India and the US.

He currently works out of his studio in New Delhi.

Amit Srivastava - Artist

Amit Srivastava

Apart from the nude enthusiasts, many had and are still hostile to it. During the baroque and renaissance eras, the nude sculptures were given a shade of leaf on the private genitals, as they were not accepted bare. Which is still continued by some in present generation. Indian artists could not reside away from the alluring beauty of nudes, they kept their thoughts foremost and drew some of the most influential paintings of era, F.N. Souza’s erotic and sexual art displays nudity as regime of living, giving it a modern aroma. While Raja ravi varma’s and Amrita shergill’s way to present nudes has subtle and realistic approach.


Being inclined to some kind of art form throughout my childhood and growing up years, I felt more drawn to the visual arts, and started developing my interest and passion in this field. I started as a digital illustrator, and that root of art budded is still growing into the more traditional approach. My works at the current moment involve a lot of figurative studies, working with live models and experimenting with various dry mediums. Art for me is of course a way of self expression, but I think I also strive to understand a higher meaning through it, a way of communicating, a way of capturing the unknown, and way of looking in the mirror of our own hearts and the deep unexplored forests of our own minds and discovering and sculpting something on paper or canvas that lies somewhere inside us but uses these mediums to come out of us, and maybe even surprise us in many ways. This series of work mostly focuses on the detailed and realist studies of Human figueres, and capturing the essence of the human on paper. Some surreal, some real.
-Akshita Monga- Artist

Studying Currently: BARCELONA ACADEMY OF ART, Barcelona, Spain

Akshita Monga


Akbar padamsee added another way to show nudes while playing with light and shadow and artists like Bhupen khakkar indulged nudes in contemporary and conceptual ways. In a state of nature, nude, is a way to acknowledge nature’s most significant formation, the body. Fifteen impressive artists are exhibiting their works to portray the aesthetic appeal, foundation of living and their wider vision of accepting being nude and visualising nudes.

Nude, an ungarmented body is the essence of nature, it shows the value of being alive, of being covered in a seamless skin. It has a power to feel, touch, cherish and excite. Nude is a way of appreciation and not apprehension.

by Sanchita Sharma








IN A STATE OF NATURE - N U D E
We are opening an online screen show on Sunday 4th to Saturday 10th July 2021
The online show will be scheduled for 7 days
Guest Artist
Dileep Sharma l Raj Bhandare l Hrusikesh Biswal
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Akshita Monga l Amit Srivastava l Augustus Lightwriter
Keerthi Chandana I Anand Mahajani
Nilisha Phad I Sudeshna Saha I Surabhi Gulwelkar I Shalaka Shende
Uma Dhanwatey I Vikrant Shitole I Rajeev Pandey
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Moderator by Tathi Premchand
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Evaluated by Nippon Team
Credits: Heena Sk I Sanchita Sharma





Sales Enquiry : info@nippongallery.com

Sunday 4th to Saturday 10th July 2021

facebook Event link: https://fb.me/e/1uXrDbN7n



Thursday, 1 July 2021

IN A STATE OF NATURE - N U D E


 IN A STATE OF NATURE - N U D E

We are opening an online screen show on Sunday 4th to Saturday 10th July 2021
The online show will be scheduled for 7 days
Guest Artist
Dileep Sharma l Raj Bhandare l Hrusikesh Biswal
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Akshita Monga l Amit Srivastava l Augustus Lightwriter
Keerthi Chandana I Anand Mahajani
Nilisha Phad I Sudeshna Saha I Surabhi Gulwelkar I Shalaka Shende
Uma Dhanwatey I Vikrant Shitole I Rajeev Pandey
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Sales Enquiry : info@nippongallery.com
Sunday 4th to Saturday 10th July 2021
facebook Event link: https://fb.me/e/1uXrDbN7n

Wednesday, 16 June 2021

Video Art

 




Deadline Extension.
Share who need.
Due to current Covid and uncertain lock down we are extending the registration period for video till June 22 2021.
Apply for Video art
Dateline: 22 June 2021
Send your recent 3 to 5 video link with CV with other details
Send email: info@nippongallery.com
Curator: Moumita Sarkar
More details: +91 7439119228
visit gallery

Saturday, 5 June 2021

Launch a new website as www.nipponfriday.com

 

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Dear Sir/Madam,
We from Nippon Team are presenting you the newsletter for the month of June 2021.
You can check out the shows (group/solo), open call and Nippon Friday on our website
We look forward to working with you. Your feedbacks are always welcomed.
1) Apply for Video art
Send your recent 3 to 5 video link with CV with other details
2) Launch a new website as www.nipponfriday.com
Nippon Friday being a curated platform is highly selective of its partners to showcase art. Our team shall be evaluating the portfolios based on original artistic consistency, technique and style of art works. With this platform artists can sell their works directly to art lovers, art buyers and collectors. 10 works will be displayed online for sale for 365 days with highlighted details of the artist (Contact number, email address and location studio.)
Moumita Sarkar
+91 7439119228 - NIPPON FRIDAY
Upcoming show - Nude -Portrait -Solo show after 15th June 2021 on onscreen show –


Saturday, 22 May 2021

MONSOON SHOW

 

Deadline Extension. share who need.
Due to current crisis cyclone Tauktae and Covid and uncertain lock down we are extending the registration period for Monsoon Show till June 20 2021.
APPLY: OPEN CALL
MONSOON SHOW
WATER COLOUR
Deadline: 20th May to 20th June - 2021
Still Life l Painting I Realistic l
Creative l Head Study l Life Study I Abstract I
Figurative l Landscape l Drawing
Curated by Vinit Lawande
Apply:
Visit website www.nippongallery.com and
click “upload file”
Registration: Donate Ticket : Rs 500/- $ 5 charged
towards artworks & portfolio evaluation
Gallery will not take any commission
on sale of event.
Click to upload work now


Saturday, 15 May 2021

Raj More 67th National Film Awarded ‘Khisa’ to be screened at 21st New York Indian Film Festival

Raj More


Khisa is among 58 feature films, documentaries and short films in 15 languages from across India that have been selected for NYIFF 2021.

Marathi short film Khisa (Pocket),Its debut directed by Raj Pritam More, has been selected to be screened at the 21st New York Indian Film Festival (NYIFF). Because of the COVID-19 pandemic, the film festival will be held virtually from June 4 to 15 2021.

Raj Pritam More has won the 67th National Film Award for Best Directorial Debut for his short film Khisa. which is considered among the most prestigious awards of  India.



More told  that he was delighted about winning the coveted award. "Every filmmaker wishes to win a National Award," he said. This is his second National award, he already win 54th National Academy Award by Lalit Kala Academy New Delhi and Best Asia Art Award from Asia. Korea..He from JJ School of Art Mumbai.

The filmmaker, a respected contemporary visual artist, said the award has given him a lot of confidence. "This was my first film and I had invested the past two years in it. It had won many awards at various international festivals but after it got selected for the International Film Festival of India this year, I realized that there was a chance that we could win the National Award. I can't contain my happiness. I would also like to thank my team, especially my writer, DOP and the editor for having full faith in my vision.

“The whole story revolves around the shirt. The child is proud of his pocket. It sets him apart from others his age, whose pockets are not only smaller but also ordinary and similar to each other. The little boy does not understand the politics of symbolism that adults engage in, and his pocket soon becomes a point of contention amongst elders in the village. This story of a loss of innocence and coming-of-age of a young boy, is ironically, symbolic of the times we live in,” said More.

The filmmaker added that he was planning to work on a different film and had called Kailash Waghmare for casting. “He told me that in his village there had been an incident of a child who had attempted to stand out from the crowd by wearing a shirt with an unusually large pocket. I realised that this was the story I wanted to tell and Waghmare wrote it,” said the director. Waghmare plays the father of the child in the film.



Produced by Santosh Maithani and Raj Pritam More.Khisa is among 58 feature films, documentaries and short films in 15 languages from across India that have been selected for NYIFF, one of the most prestigious Indian film festivals globally.

India's Marathi short film''Khisa''(Pocket) is now making its way to International film festivals.

Khisa is a winner of 67th National Film Awards for Best Debut Director/Raj Pritam More/Khisa(Pocket)Short Film.

''Khisa''short film Official Selected in Indian Panorama for (IFIFI) 51st International film festival of India,Goa 2020. 

 From early this short ''Khisa'' won 2 Awards at the Istanbul Film Awards 2020.Best Film and Best Screenplay, 2 award international awards.

In India very prestigious Screenplay Awards at 10th Dada Saheb Phalke Film Festival,New Delhi .India -20 .

 


Short film also qualifies to compete for the prestigious Golden star Awards at the annual live screening gala of IFA,which will be held in Istanbul,Turkey in March 2021.

 

It's also Official Selection at  New York Indian Film Festival (NYIFF) 2021. 

Also got a nomination for Best international Short Film and Best Director at Dublin International short and music festival 2020.khisa also shown at world's premier online screening at (DISFMF) Dublin International short and music festival 20.

Now khisa  get  2 prestigious awards at  Mumbai International cult Film Festival.

BEST DEBUT DIRECTOR and BEST ACTOR IN SUPPORTING ROLE

''Khisa'' a short film its also selected at  Dharamshala International Film Festival  and set to world premiere at the prestigious Dharamshala International Film Festival .

KHISA winner of 2 awards at 13th Jaipur International Film Festival (JIFF) 2021 in International competition worldwood International Paronima-For Shorts in Short Fiction Category.1) BEST SHORT FICTION FILM 2) BEST SCRIPT

Khisa Short film win 3 Awards .......

1) Best Short Film 2) Best Director 3) Best Script at Ujjiani Short Film Festival 2021. it's Central India's biggest film festival.

Khisa win 2nd Best Short Film Award at 13th International Guwahati Film Festival presented by Guwahati Cine club 2021.

Khisa Win Best Short Film at 5th Indian World Film Festival ,Hyderdad 2021.

Short Film ''Khisa'' is Finalists for Filmfare Short Film Awards 2021.

And it's also Official selection at Montreal Independent Film Festival Canada 2020.

Its Official selection at 26th (KIFF) Kolkata International Film Festival 20.

Its Official Selection at Dioroma International film festival  2020.

It's also Official Selection at  Indie Shorts Awards Buenos Aires, Argentina 2020.

 

The film has been shot entirely in Akola ( Vidarbha) Maharastra

Khisa present by PP Cine Production Mumbai and Laaltippa Films.

Produced by Santosh Maithani and Raj Pritam More

Written-Kailash Waghmare ,editor -Santosh Maithani,Director of Photography- Simarjit Singh Suman,Music-Parijat Chakraborty,Sound recordist-Kushal Sarda.

Cast-Kailash Waghmare,Meenakshi Rathod,Shruti Madhydeep ,Dr Sheshpal Ganvir and Vedant Shrisagar (child actor)


@artblogazine

 

 

Saturday, 8 May 2021

Combat feminism with a mustache, because every woman is becoming a man more than herself. by Tathi Premchand

ANDOLAN, a movement initiated to praise women and their ultimate strong persona, their paramount insight, and their superlative forbearance. Andolan steps forward to clamor against pseudo feminism, causing much defilement to women rather than hale. “Combating and competing has become so crucial to genders that they have lost their values and prominence. The woman is becoming more like a man, abandoning her vibrance. Feminine with a mustache.”-said Tathi premchand.


Artist: Tathi Premchand

The aura created by Premchand’s vision stimulates every sense of living. His works have the capacity to raise questions as well as to make any person stunned by giving untold answers. The works laid on sheets are much of what comes from his subconscious rather than pre-planned methods. When asked how he configure and manage to create such depth in the paintings? He answered, “I observe, sketch twice a day, sense my expressions and then collaborate.”

Tathi Premchand’s works hold variance according to the dissemination of his dialect. He invests all that is necessary to display the deliberation. From forms to figures, erotic to static, moods to moments the paintings are a combination of what we come across every day. Inspired by his town city and people living there, the drawings are more often black and white,” I’ve always been curious how we see colors through our lens but dreams and visuals going in the mind are inevitably black and white, on the contrary I want people to fill up colors according to their moods and diurnal experiences” he says. The paintings and sketches hold discernment of human life, struggles, desires and dualities of wit that we behold inside.

Drawing on graph paper -2012

The series of 70 works being processed since 2013 drives our attention towards the way how humans have progressed and are ravelled in their own aspirations, sovereignty and aesthetics. How the animals dwelling inside each of us is silently waiting for their prey. “we all are animals inside, always craving for more. Whether it is food, sexual eagerness, or wants to excel over others, we always expect for more.” The artist affirms.

In most of Tathi Premchand’s presentation women plays a vital role. He anticipates women as a preserver, a collector while a male as a ravager. Though both contributes equal to society, women many a times have to undergo a bulldoze pressure of mimicking the image of male as well. He repudiates the thought of women being frail but consider her powerful, a soul who is the creator, creator of human, house, love, affection and rejoice.

From eternity man has forged a sphere where women are wielded according to his comfort, and in retribution women is shaping herself like male, vying him to be self-sustained which eventually compressing her by carrying all the responsibilities on her supple shoulders. “I feel women is a combination of energies, she is synergy, but in order to beat man, that too due to his own vile practices, she is being misused.” The artist said.




Not being a hoax feminist, Tathi Premchand always believes in equality of genders, but as in reality and norms set by masculine dominant society women have to encounter challenges and pronouncements. If she becomes competitive enough to face them, she’s being condemned. Her efforts and endeavours are never appreciated, but always judged and doubted. “I admire and acknowledge how courageously women compete the foul boundations set by men.” Added Premchand.

The physiological and psychological characteristics of man and woman created by extramundane powers holds their own purposes and motives. Both contribute well towards living, competing each other or penetrating into other’s sphere of traits may create indecent and foul results. Hence, respecting other’s freedom and persona will bring a vital change in further future.

Man and woman together fabricate the world, which invokes the sense of living. Women being much sensual, men are considered more attractive and alluring according to Tathi Premchand, adding on examples like Lion, Peacock, Cock etc. Accepting male’s delightful appeal women always get fascinated, which provokes her to embellish and adorn the ways she looks. Male of the contrary need no such extra enhancements for his appeal.

Lust is what every human craves for and in many of the paintings that libido can be seen in form of animals and their hunger. Animals do not care about moral sense when it comes to fulfil their starvation. Likewise, humans are a cluster of their unrevealed desires. They are not much concerned about matters and morals when it comes to attain their wishes.

Andolan, a gesture started to untangle the dubiety of stubborn society with minimal drawings that are gratifying to view and provoke us to think down from the top surface. The artist profess that his paintings and works are not just to be glance and to be showcased but to disclose his real nous, that may compel the living to revitalize.

As we get conscious about the paintings and understand them, we figure out that every painting has its own value and sense of representation. The artist is making us aware of dark side by depicting them in different temperaments. Using ink as a medium, Premchand manifests that our lives are too like ink, dark, fluid but when used correctly every stroke laid can covey a significant knowledge.

“my paintings are better than sex.” A quotation remarked by Tathi premchand, signifies that his paintings are pleasure to experience, provides great impact on thinking and you will always be keen to encounter more. Nature, forms, colours and characters modifies him with every stroke laid. Observing the psyche and understanding how every soul’s desires are different yet have same aspirations.

 

by Sanchita Sharma

2021