Wednesday, 31 October 2018

Through his career as an artist, Sanjay has inspired a deeper understanding of the world and its wildlife


Sanjay Prajapati, is a contemporary Indian artist, lives and works in Baroda.
Sanjay Prajapati is a painter known nationally for his large, dramatic portrayals of iconic wildlife. He grew up in a village which is surrounded by jungles and wildlife in its natural habitat.  His deep passion, knowledge of wildlife and unwavering commitment to conservation continues to inspire.
Artist : Sanjay Prajapati


Through his career as an artist, Sanjay has inspired a deeper understanding of the world and its wildlife, encouraging successful conservation efforts and awareness of endangered species and their habitats. Travelling across the India, for his love of photography he seeks inspiration for his art work, Sanjay has utilized these opportunities to research wildlife and to learn about associated conservation challenges at the local, regional, and national levels. Through his career, in artwork  Sanjay has developed effective ways to implement and support conservation programs and is utilizing his imagery skills to promote a message of wildlife preservation and to initiate real change. 

 Today, Sanjay’s work is admired and collected by prominent politicians, entertainers, business leaders and art collectors. His work can be found in private collections, corporate offices, Art Galleries, & Hotels in India. Sanjay’s works are displayed in important museums, corporate and private collections and has appeared in numerous prestigious venues.




About the Works

Cultural Background is a phrase broadly discussed by E.H. Gombrich. He stated that an artist's artistic expression is greatly influenced by his cultural background and the environment he grew up as a child. If one looks at the paintings of Sanjay Prajapati he can find true connotation of Gombrich's idea. As a child he grew up in a village which is surrounded by jungle and wildlife.  His childhood brought him a prospect of close observation of the animal world, which developed love

and sympathy for the wild animals in him. Later he travelled in different forests in India and also volunteered anti poaching activities. His art practice also depicts intimate understanding and relation of the flora and fauna.


Today he has migrated from the village to an urban life but his village reminiscence works as a source of inspiration in the subject of his paintings. Sanjay is keen to bring out the beauty of nature and wild life on his canvas. His paintings carry a sense of photo realism because he believes that beauty should be represented as it is observed in nature. He painted wild animals in their natural habitat and mood. Wild animals are ferocious but they follow a natural law. They fight only for the

need of something either for food or for control over territories. The uncivilized world is more beautiful, peaceful and enjoyable than to get scared of.


This exhibition named 'Exquisiteness of the Untamed' displays a body of work, which reflects sanjay's own understanding of nature and wildlife. The paintings depict untamed animals in their regular activities and natural behavior in their own terrain.  He has used strong, sharp and bold brushstrokes and bright natural colours to reach to his desired visuals.


Art Gate Gallery
Solo show 1st Nov to7th Nov 2018

                                                                                                                                              

Sunday, 28 October 2018

PIN POSTER : 13th Jehangir Art Gallery

Jehangir Art Gallery is an art gallery in Mumbai. It was founded by Sir Cowasji Jehangir at the urging of K. K. Hebbar and Homi Bhabha. It was built in 1952. Managed by the Committee of Management, the entire cost of this mansion was donated by Cowasji Jehangir

Friday, 26 October 2018

Rare Poem by Pankaja Jk 2010

आमच मात्र ....

सर्व धर्म सम भाव,
गरिबाला खायला वडा पाव 
आमच मात्र सर्व धर्म समभाव .

गरिबीची भीती आम्हा नाही 
आत्महत्य्ने जनतेचे तसे नुकसान नाही,

अहो, अश्या गोष्टींचा आमच्या गावी नाही ठाव,
आमच फक्त एकच ....सर्व धर्म समभाव ....

आतुर माता प्रवासी लेकाच्या चिंतेत,
शेतकऱ्याची काळी आई उगवी न शेत, 
पोट लागले पाठीशी म्हणून गेलो  परदेशी 
महागाई वाढली आता येऊ कसा परतुनी?
अशी ही तुटती घरे आणि व्याकूळ मने,

अरे, अश्या गोष्टींचं आम्हाला काय राव,
आमचं एकच उद्धिष्ट...सर्व धर्म ....

मारतात त्यांना मारू द्या
जगतात त्यांना लाडू द्या 
आमच्या इच्चा पुरती साठी 
लोकांच्या जीवनाची राख- रांगोळी होऊ द्या 

आम्ही नाही कोणास मारले
आमचे हात बघा नाही माखले
मग हा  दोष आम्ही कशा पाई घ्यावा, लेकहो,
आमचा आहे एकच द्य्ह्यास,
सर्व धर्म समभाव हो!

भारतात आहेत जाती हजार 
सर्वांनाच काही न काही त्रास
आम्ही त्यांना बघतो एकाच दृष्टीकोनातून
सगळयांनसाठीच आसवे आमची गेली सुकून, 
मतदानासाठी किती येतील ह्यात आम्ही चिंतातूर,

सर्वांनी यावं हा आपलाच देश, हे आपलंच गाव
इथे कोणी ना परकं, इथे सर्व समान,
कारण, इथे....सर्व धर्म समभाव...

पंकजा. JK
2010

Friday, 19 October 2018

PIN POSTER : 1st Nov 2018 Art Gate Gallery

Art Gate Gallery               
115, Jamshedji Tata Road, 1st Floor, Above Satyam Collection, Next to Eros Cinema, Churchgate, Mumbai, India 400020

Sunday, 7 October 2018

Exhibition Date : 13th to 19th November 2018 Time: 11am to 7pm Jehangir Art Gallery Auditorium Hall

· 

INVITATION:13th Nov-2018, 4pm.
HONEYCOMB
MUMBAI +DELHI + KOLKATA + GOA + RATANAGIRI
GROUP SHOW
You are invited for the grand opening of HONYCOMB, A group show by 9 Artists at Jehangir Art Gallery,
Tathi Premchand I Raj Bhandare I Santosh Kalbande I Nilesh Shilkar I Vinita Dasgupta I
Srabani Sarkar I Kumar Ranjan I Tushar Potdar I Vishal Pawar
13th November 2018 : Exhibition open at 4pm on
Exhibition Date : 13th to 19th November 2018 Time: 11am to 7pm
Jehangir Art Gallery Auditorium Hall
161B, Mahatma Gandhi Road, Kala Ghoda, Fort, Mumbai, Maharashtra 400001, India.

Datura — Shahid Datawala's second solo exhibition at TARQ.

It is with great pleasure that I write to you about our next exhibition Datura — Shahid Datawala's second solo exhibition at TARQ.

This exhibition continues to highlight Datawala’s preoccupations with light, nature and the everyday. Featuring images taken over the last several months in Mumbai and Paris, this series looks at flowers and plants not only as objects, but almost as separate characters in a story.

Please find attached the invite and press release for the show. It would be wonderful to have you join us for the preview which will be at TARQ on Thursday, October 11, 6.30 pm onward.

In case you need further information including images, please do not hesitate to get in touch with me. Looking forward to hearing from you soon, and if you're in town, I hope to see you at the preview!

Warm Regards,     
Lipika

Monday, 9 April 2018

Jehangir Nicholson Gallery, CSMVS on the 19th of April, 2018.



We are delighted to invite you to the preview of Songs from the Blood of the Weary (Dialogues of Peace), at the Jehangir Nicholson Gallery, CSMVS on the 19th of April, 2018. The exhibition features the work of Rekha Rodwittiya, and was originally created as part of an exhibition to commemorate fifty years of the United Nations in 1995. This is the first time the ‘painted room’ will be displayed at the JNAF, after it was acquired by Mr. Nicholson just a year after it was presented in Geneva. It represents one of the earliest installations by an Indian artist and is accompanied by 12 works from roughly the same period drawn from the collection of the artist and Sakshi Gallery.

Do join us on the 19th of April at 6 pm at the Jehangir Nicholson Gallery. Rekha Rodwittiya will release the catalogue, specially prepared to accompany the exhibition. Tea will be served at 5.30 pm.

Monday, 2 April 2018

PIN POSTER : PUNE


Maharashtra Cultural Centre
Sudarshan Hall Near Ahilyadevi Girls High School Above bank of Maharashtra Shaniwar Peth Branch 421/ 422 Shaniwar Peth, 
Pune-411030, Maharashtra, India

Virago ... solo show by Pradnya Khandgaonkar



Virago



वह तीर थी,
तलवार थी,
भालों और तोपों का वार थी,
फुफकार थी,
हुंकार थी,
शत्रु का संहार थी..
- Tribute to Rani Durgawati

Pradnya’s works are addressing the strength of women: man-like, a female warrior. ‘Heroine’ is the English word for Hindi वीरांगना (vīrāṅganā) or rather, a ‘Virago’. However, with time the meaning of Virago shifted towards negativity as fighting battles, wearing men's clothing, or receiving the tonsure was not considered as women’s prerogative. So, virago is used disparagingly, to imply that a woman was not as excellent or heroic, but was instead violating cultural norms.

खूब लड़ी मर्दानी, वह तो झाँसी वाली रानी थी


(Queen of Jhansi fought like Virago)

Yet, we appreciate Queen of Jhansi Rani Laxmibai, Gondwana Queen Durgavati, AwadhBegamHazarat Mahal, SavitribaiPhule, Sarojini Naidu, Indira Gandhi and so many.


Pradnya Khandgaonkar



It is surprising that Pradnya asked me to write for her catalogue. As a man, I find it challenging to think like a woman as her works provoke layered feminine angst. Although, by nature, men are masculine and has physical strength, with technical advancement it is the intellect that is considered real strength. In spite of it, there are millions of women abused by men who are still influenced with their false ego. It is in the hope of humanity that these tortured women survive and very often emerge stronger than men. As Pradnya says, “I feel women have strong personalities and should be portrayed as a blend of power and care.” The sheer ability to care for others is the source of power and greatness that needs to be recognised and depicted.


recent work by  Pradnya Khandgaonkar
In Pradnya’s paintings, the women sometimes wear naqaab, army uniform or they are nude, holding symbolic routine issues like abuse, fear, war, peace, erotism, love and our planet. The violence and abuse has a subtle and restrained quality in her works. Her rendering has a very delicate and detailed quality that evokes a quizzical experience in the viewer’s mind. The visuals are calm and meditative without direct propaganda but keeping the silent boldness of the rebelliousness towards the social oppression. It is obvious from the works that the artist looks at the subjects’ contexts analytically and turns to swim out of the vortex. Her ‘women’ give an unshakeable positive motivation to aspire and admire.

Rajesh Pullarwar
Artist / Curator