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Sunday, 14 February 2016
(Un)Common Concerns
Grocery bags
filled with calculations- mostly subtractions, clothes designs on onion,
ATM Slips, text messages that keep bumping into a salaried person's
cellphone, or a wallet and common food like Wada-Paaw... constitute a
language of the everyday that Chandrakant Ganacharya has seen in the
city and elsewhere. It finds it's due place in his work, and boils down
to hunger, struggle, and the powers that form the lure and lore of this
everyday.
Artist : Chandrakant S Ganacharya |
Beneath the overtly middle-class concerns readable in
Chandrakant's work, there are layers of meaning common not only to a
class, or not only to humans. Everyday stuggles can be a reality for a
turtle, a frog, a lizard, an octopus, or a jellyfish.The artist places
these animal and insects, graphically under the onion that has been
sitting on a throne - thanks to hoarders and their political bosses.
Chandrakant's
installations are eloquent about absence, though each of them looks
visually abundant. Each ATM slip digs deeper in your bank balance. The
text messages bluntly say : you have (only this much of) money or you
will need a loan to fulfill your dream.
Recent work by Chandrakant S Ganacharya |
The artist further
explores these absences by mock recollection and re-enactment.The
redundant coins with denominations like 20, 10, five, two and one paise
are now executed in terracotta. They were once there, three decades ago,
knows every Indian in his fourties, as the work makes the viewer think
about a civilization as old as Mohenjodaro or Lothal. Another
re-enactment, of the verbal wisdom about hunger, a full meal or acute
lack of it , comes to the viewer as speech bubbles, made out of rusted
steel dishes of various shapes and sizes. Proverbs, sayings and thoughts
in various languages of the subcontinent are literally dished out.
Recent work by Chandrakant S Ganacharya |
Chandrakant's
graphic representations, as one in the work titled " Krishna Chhaya"
evoke literal clues to black money. However, the artist has a silent
mode. he makes us look silently at the row made of gold-plated peanuts
and pins... ants, obviously... or is it us?
The concerns in Chandrakant's work may look common as they reach us. But once we ponder over them, they are not common.
# MONEY * FOOD @ LIFE,
Jehangir Hirji Art Gallery,
1st floor, Fort, Mumbai,
Jehangir Hirji Art Gallery,
1st floor, Fort, Mumbai,
Inauguration at 5 pm to 6 pm
on 15 th Feb 2016,
on 15 th Feb 2016,
Chandrakant Ganacharya
Mumbai
Mumbai
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