“…Through my work I like to
question, for instance, a human ability to handle ugliness; and why it
shouldn’t? To what extent a human being could digest ugliness?”…
An upcoming talent from Mumbai, Deven Bane has a
free flowing, gushing energetic creativity that he projects through his
sarcastic and critical yet thoughtful visual and wordy comments that he makes
in his mutilated figures; the higher version of Doodling. For Deven Bane, Doodling
turns into art and his art represents current global society. Let’s review his
energetic start of career through his interview.
JK.: Doodling basically projects care free attitude,
what inspired you to develop it as a serious art?
D.B.:
Earlier I did only portraits. Though the overall body of work was ugly and
in that sense beautiful at the same time to me, I did call them heads, as they
ended up with two vertically parallel strokes to give a feeling of neck or a
tilted face. But I felt some blankness in them as they did not actually
resemble any human being; I just thought those should. And they were just mere
doodlings, I thought maybe I could give it a try, working with softwares and
converting this absurd game of finding faces in doodles and using them on
photographs of any person. And the result was quite wonderful , so
I kept on making them, doodling just happened and it became
prominent when I started working on magazine covers , I thought I might
get sued for working on their copyrights, so at first attempt
I just ignored them or rather just deleted them from my work, but
in that process I thought I could just use these titles or may be convert
them into comments ,or use them as my own subjects, the subjects which
just strike me randomly.
JK.:
Do
you personally feel your creations are buoyant/ cheerful?
D.B.:
To a certain extent yes, they are; but it all depends on the type of
image I am working on at a particular of time and whatever I work on them.
They are all taken from my past experiences or the conversations
which I had or read or just from the mere cracking of jokes that I
remember while chatting with my friends just instances that come to my mind at
that point of time. I present them or sometimes play with them or sometimes
the result is absurd with no connections whatsoever.
JK.:
Do they have any message or are they
just visual treats?
D.B.:
Yes they do have, because when I digitally or sometimes manually
manipulate these portraits, the portraits of men and women who are already well
powered or famed, I try to create an action which definitely is not adorable or
attractive. And yes, through my work I like to question, for instance, a human
ability to handle ugliness; and why it shouldn’t? To what extent a human
being could digest ugliness? Why does only beauty survive and what is the
real beauty? Why such polished faces are hammered for many years and so
on…These things just come to my mind while working, also I am still
working on them. I think doodling sometimes does give a childish and uncanny or
a humorous touch to the work.
JK.: Which personalities have influenced you?
D.B.:
Many…Souza was the first and the biggest influence. Initially
I was not able to understand his works but definitely was amazed by
looking at his body of work, so I just read whatever I could find
about him in books or on internet, then I also liked the works of
Duchamp, Frank Auerbach, Glenn Brown,Chad Wyss, Rosemary Cronin. I have
this stubborn approach for searching artists on net
when I come and stop at a certain phase of my work . Whenever I
feel that my works are taking a slight turn in visual sense, I do read about
them or do some R&D if I find them interesting, but whatever is the
result I continue my process. Such R&D just makes me aware of my
contemporaries or gives me a direction ahead.
JK.:
Do you like any of your contemporaries?
D.B.:
Yes, there are many like, Sudarshan Shetty, Manjunath Kamath, Atul
Dodhiya, Yashwant Deshmukh, Nasreen Mohmmedi,Nikhil Chopra, Rashid Rana, Valson
Koorma Koleri, Ritesh Meshram , Sreyas karle, Prajakta Potnis,Tushar Jog and
even most recent artist almost of my age if u would ask , I like few
works of Ubik, Vikas Holle, Pratap Morey and Bhuvanesh Gowda and
many more.
JK.: Tell us about your creative process.
D.B.:
I work on canvas, lenticular prints,
magazine ads and their cuttings. It all starts by taking an image and then working
accordingly using their scripts and compositions. I try to create some
kind of link of my past experiences and actions, I try to memorize them which
might be even foolish sometimes, or some kind of jokes shared at any instances.
I match them with the image or sometimes overlap them on the picture or even tease
or make funny comments on it. I try to destroy the basic pattern, once I feel that
the image had enough of it I stop and try to have a look on the next day
.the next day even might add something to the work I also try to play with the
scripts or the writings that are there on it, I just shuffle the alphabets;
sometimes they are absurd or even sometimes a comment.
JK.:
Have you ever had any compliment or
critical remark on your work?
D.B.:
Yes, I met and showed my works to a few artists. And some said
that the works were quite women centric, or it should have some political
or racial stand , I can’t just say that how it would turn out next or to
what extent it will go , but yes I am still working .
JK.: Which genre of films or book do you prefer?
D.B.:
I like to watch all kinds of films and same is with books. Books with lots of
experiences in it and also non- fiction types are a fun to
read.
JK.: Any big
bang plans in near future?
D.B.:
Still working…just getting to know few things every day.
JK.: Do you believe in becoming guiding star after
50 years?
D.B.:
I’ll b happy if I live that much, I am 27 now, and then I will be 77. Just
awesome!
JK.:
One liner- Your approach towards
life.
D.B.: Just trying my best to be outstanding
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Thanks for comment JK