Summer Art Show-a month long art party

Description:

Srila Chatterjee of Baro Market and Sahil Arora of Method come together for the first time for a  collaborative curation for over 50 Indian artists, showcasing a diverse range of styles, mediums, and artistic expressions. Their shared vision to break down barriers and make art accessible to all is reflected in this unique exhibition. 

A special "Collector's Corner" at the show will offer affordably priced works by prominent artists. With original and certified pieces priced between Rs 3,000 and Rs 3 lakhs, the exhibition provides a unique opportunity for art enthusiasts to discover, invest and collect remarkable works.

Coming to Delhi for the first time, this exhibition promises to be a highlight of the city's art calendar. It features an impressive array of works, including Venkat Shyam's Gond art, Sanjay Chitara's Mata ni Pachedi, and Banoo Batliboi's book sculpture art. Through a storytelling approach, the exhibition takes visitors on a journey through the richness and diversity of Indian art, from folk to contemporary.

Highlights of the show:

National Award winner Anwar Chitrakar- Multi-talented artist, skilled at both Bengal Pattachitra and Kalighat art. His work combines the old and the new across materials, forms and themes, and he often uses traditional art forms to engage with contemporary sociopolitical issues.

Banoo Batliboi- A self-taught paper artist. She works with old, often abandoned books, re-imagining them into amazing paper sculptures that she brings to life using precision folding (rather than cutting or sticking).

Ayesha Broacha - An artist, photographer, a mother and sports enthusiast. Her everyday experiences are infused into her quirky art, and the roles and experiences of women play a central role in the themes she explores.  She works with gouache, graphite and water colours, to create art that is real, humorous, poignant and beautifully relatable.

Gitanjali Das  -A rare female artist in Oriya Pattachitra, and a student of the master artist Arjun Maharana. Gitanjali paints on silk fabric and on palm leaves, telling stories of gods and goddesses, forests and nature, in exquisitely intricate detail. Painted with fine brushes that are almost nib-like, and natural pigments made from ground minerals, each exceptional artwork can take several months to complete, and is both a testament to the artist’s skill and a true labour of love.

Hiral Bhagat - An Ahmedabad based calligraphy artist who works with the script of her

mother tongue, Gujarati. Her art practice involves extensive analysis of literary works

to explore text content, rhythm, length, and their implications for visual expression.

Sanjay Chitara & Sons-Mata Ni Pachedi (literally, “behind the Mother Goddess”) depicting stories of the Mother Goddess, were used as mobile shrines by the nomadic Vaghari community of Gujarat who were not allowed into temples. While staying true to the core form, he has also introduced new colours, styles, stories and formats that help evolve it, and his fine detailing is a hallmark of his craft. 

Vikalp Mishra - An artist, designer and educator based in Kanpur. Over the years, his creativity has crisscrossed disciplines, from fashion design to store displays, graphic design and more. His art practice extends across a range of mediums. This collection of watercolours explores the idea of beauty beyond its conventional bounds, urging us to look deeper and see better.

Hardev Chauhan's work explores the societal impact of agriculture, capturing the delicate balance between the natural world and human intervention through painting on subjects like cotton, cloth, wheat, maize, and groundnut.

Aman Kumar’s acrylic paintings draw inspiration from his grandmother’s weaving craft, using layered textures and colour harmonies to evoke the tactile quality of textiles and explore everyday scenes with emotional depth and social insight.

Deepshika Khaitan’s symbolic compositions, rendered in pen, ink, acrylic, and gold leaf, reflect the layered architecture and lived histories of contemporary city life, drawing from Western art influences to evoke a quiet sense of hope and divinity.

About Baro Market

Founded by Srila Chatterjee, https://baromarket.in/  is all about crafts, culture, community and a commitment to conscious living. https://baromarket.in/, founded in May 2019, was a natural progression fuelled by Srila’s undying passion for Indian art, design and craft.  It is a platform that showcases the work of over 60 designers, artists and craftsmen from all over India.  The collections are specially curated, bespoke and totally unique.  Sensibly priced and ethically sourced, https://baromarket.in/   has an eclectic range of products that include apparel, art, home décor, stationery, toys, beauty, wellness, edibles and much more.  An inspiring space for anyone with a heightened sense of aesthetics and creativity, all products at https://baromarket.in/  are exclusive and sourced from homegrown brands and grassroots craftsmen.  Now retailing online, https://baromarket.in/ aims to celebrate beauty, design and all things original, exquisite and locally made every day.  #GoVocalForLocal #ConsciousLiving

About Method

“The Revolution introduced me to art, and in turn art introduced me to the revolution!”

–  Albert Einstein

It’s unclear as to whether Einstein was talking about a political or scientific revolution, but it is evident that art and breaking away are intermingled at the core.

Method is an introspective and “extrospective” approach to art and the world in which it currently exists. By acknowledging that limitlessness is an inherent characteristic of creativity,

we fall beyond the domain of predetermined outcomes not only as artists but as a community.

In doing so, we transpose and expand with the movement of art. This cultivates collaboration and experimentation for the purpose of expression as well as discovery.

Method has galleries in Mumbai & New Delhi.

Date: 24th May – 22nd June, 2025

Time: 12pm – 8pm

Venue: Method, Basement, D-59, Defence Colony, Delhi

“INCREDIBLE LIFE STYLE OF INDIAN BABUMOSHAI” Solo Show of Paintings by Pintu Paul at Jehangir Art Gallery

Characterised by "gentle" characteristics and western education the rise of Bhadralok in the 19th century reflected changes in the nature of Bengali identity and subjectively. The colonial experience led to concern of Bengal elite to define for themselves a social class that would delineate their nobility and shape a new code of acceptance.

Artist - Pintu Paul

The "Babu" were associated with this new class of Bengalis eager to adopt Western manners and learn that they formed the bulk the workforce needed the cosmopolitan enclave of Calcutta Babumoshai enjoyed a style of life in common and was conscious of Its existence as a class organised to further its ends. The prototype Babu was one whose attire was a variety of English and Indian, claiming to be taught English and flaunting his status in society.

The title "Babumoshai was added as a prefix or suffix to a person's name to recognize (wealthy) Indians who had provided service and assistance to the British in establishing their commercial and political base in India. Raja Nabakrishna Deb of Sobhabazar Rajbari was first known 'Babu' from Calcutta. The rise of Bengali Babu(or Babumoshai) as a social class was mainly due to trade and Enterprise in British colonial Bengal.

BABUMOSHAI IN LONG DRIVE

Post 1857, we witnessed a change in the way these Babus were represented in popular domains. The young Bengali babu was presented as a cartoon character, a ridiculous fusion of East and West, wearing a Dhoti, coat and hat, wearing a monocle, carrying an umbrella and smoking a cigar. I tried to depict their lifestyle in this exhibition.

Kapil, Kapil, Kapil Alaskar

Born in Kolhapur, India, in 1991, Kapil is a young master artist whose work explores the intersections of identity, memory, and human experience through pencil, charcoal, acrylic, and oil color. His series, STIMULATION, delves into the raw truth of egotism, drawing inspiration from the intricate sculptures of the Khidrapur temple in Shirol Taluka, near his village. Kapil believes nudity is in the mind of the beholder, and through the nude human form adorned with animal masks, he probes the depths of sensuality, sexuality, and the evocative essence of the female. These masks, embodying animal behaviors veiled by human faces, reveal primal instincts beneath our exteriors. His process is intuitive yet deliberate, beginning with expressive sketches that evolve into vibrant, textured paintings pulsing with lines, colors, rhythm, and desire. Each artwork is a discovery, a question, and an invitation to see the body as a profound source of connection. Rooted in Indian cultural heritage, Kapil’s art builds bridges between perspectives, celebrating the sensual as a universal language.

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Summer Tips 25, an exhibition of works by 11 Artist. curated by Abhijeet Gondkar.

 

The predominantly artist audience, gallery members and collectors intermingled with the artworks. Tathi Premchand is well known for the prolific social and cultural research that informs his art, most notably for his works which explores the destruction of green spaces.  The exhibition begins indoors, under the eaves of the gallery where visitors can view pdf montage, simultaneously broadcast stories told by the exhibition’s nine interviewees. Snippets of individual histories intermingle with one another and then, windswept, fade into the very landscape of Viraj Naik’s etchings. In Vasudev Shetye’s Yin Yang two female figures stand  apart from each other looking at the viewer. The viewer’s gaze travels first to the left, where a traditional Goan woman stands in a pretty red dress, a hand fan, wearing a small crucifix pendant on a chain. The figure that stands next to her is masked, unsightly with sharp teeth, wearing an armature that is soiled and dirty from use. The figure on the left is a well groomed person who embodies etiquette and sophistication while the figure on the right is a rebel.

The narrative, never didactic, evolves as you focus on a particular work. Past merges with the present through Nilesh Shilkar’s deft handling of expressionist color and sculptural forms. He is an abstract artist whose merge of form and content is a tour de force.  Ratnadeep Adivrekar’s Cross-stitch (F12 = -F21) Opposites are two perspectives of the same situation. Warhol’s Batman Dracula pits the Caped Crusader against the vampiric Transylvanian count of legend, the millionaire vigilante who seems to fear nothing but bats against the immortal. If Prashant Salvi can recall the animal in a person, he can also bring out the “humanity” of animals. In addition to his own, touching nature study, in an uncharacteristic fluency. It is rare to see a modern painter of animals unconcerned with their symbolism and marveling instead in their sheer physical presence. Questioned about the erotic potential of his subject matter, he responds that “the paintings that really excite me have an erotic element irrespective of subject matter.” As with earlier work, we are flying, floating, or dreaming through hyperconsciousness or maybe all of these at once. References to explosions, ecstasy, are well established elements of Kapil Alaskar’s vocabulary, as is his ability to deliver this iconography with masterful, exquisite clarity. The surface of the painting is a statement in itself– his signature The process of creation holds as much value as the result.

Transcending the early influence of European Abstract Expressionism, KT Shivaprasad explores the relationships between reality and illusion Shivaprasad painted a series of female nudes and later, portraits of villagers in natural environs, which soon became more abstract than figurative .inspired by   the great British modernist Lucien Freud his work has won national and international acclaim. Even in the most unexpected encounters with the beautiful, however, there coexists some component of déjà vu or strange familiarity. To call that experience universal or transcendent performs a ritual act of devotion. It protects the preciousness of one’s beauty experience in a shell of coherence. I think there are strong arguments for beauty’s historical and cultural breadth based in our neural and biologically evolved relation to the world, but arguments for artistic practices built on that foundation often flatten the peculiar and specific details that give artworks their life. The universalizing description also overlooks the work’s character as a rhetorical object, subject to unanticipated uses within the culture. It draws people toward clichés and reductive stereotypes that are then rationalized as truths and archetypes. The exhibition concludes on 26th May you can view the works on Nippon Gallery’s website thereafter.

Nippon Gallery
30/32, 2nd Floor, Deval Chambers, Nanabhai Lane,
Flora Fountain Fort, Mumbai -400001 Maharashtra – India – Plant Earth
Tuesday – Saturday,
3.00 pm – 7.00 pm

“Form & Flow” A Group Exhibition of Paintings and Sculptures by 4 well-known artists in Jehangir Art Gallery

 Jehangir Art Gallery, Kala Ghoda, Mumbai, is hosting a group show “Form and Flow” featuring 4 painters and 2 sculptors from the south. This show is being conducted from 20th May 2025 to 26th May 2025 in the Auditorium Hall of Jehangir Art Gallery. This exhibition engages the visitors with the diversity of styles, themes and mediums and highlights the power of contemporary art to provoke thought and evoke emotion. 

Painter Radha Parthasarathy, is a professor at Government College of Fine Arts, Kumbakonam. Her set of paintings called the “Drifting Hues” series, symbolises the flow of life through an aerial view of the shore landscape with boats dispersed to portray life. For her, the boats depict the uncertainty of life. She correlates it with the way her life flows – completely uncertain yet beautiful. There is a sense of calmness that makes the deep silence resonate from within. The aerial view helps us admire the beauty of life from afar with different colours.

Mr. Satheesh Kumar Mani is a sculptor and a professor at Government College of Fine Arts, Kumbakonam. As a person who was always fascinated by various sportive events like Jallikattu, Football and Handball – his works serve as an expression of the inbuilt inclination towards these sports and mythological stories and the butterflies represent the immense happiness he feels for the same. 

 Mr. Thirunavukkarasu, is a painter who aims to depict women engaging in dance, classical arts, music as nature cityscape. This abstract expression showcases his deeply routed love for the Indian Culture and also are deeply evocative. Sculptor B. R. Ravi, is the principle of Government College of Fine Arts, 

Kumbakonam. The theme of his sculptures circles around nature and various components of it. 

His works done in copper sheets, captures and celebrates the subtle nuances of nature Painter Velmurugan expresses the theme of depicting cows with moon. He claims to be influenced heavily by the work of Jackson Pollock and Mark Brandford and works with Textures as a tactile expression to bring his works to life. The feel of these textural elements transcends him to a state of emotional connection with his paintings and also to the viewers. 

 Mr. Muthu Krishnan is a surfacing artist in the animation industry. His works revolves around his personal admiration towards animals, birds, women and agriculture – which he represents using traditional aesthetics as a fantasy for his visual world. With not just 1 or 2 but 6 different themes, this show promises to be a visual treat for all the viewers and also serves as a great experience to interact and learn more about each and every work.

Press Release From: From 20th to 26th May 2025

 “Form & Flow” A Group Exhibition of Paintings & Sculptures By well-known artists 

Radha Parthasarathy / Satheesh Kumar Mani, 

Muthukrishnan, Thirunavukkarasu

 P. , Ravi B. R., Velmurugan V. 

VENUE Jehangir Art Gallery 161-B, M.G. Road KKala Ghoda, Mumbai 400001 Timing: 11am to 7pm Contact: +91 9884247182, +91 8754572315, +91 9443193095

“Within” Solo Show by Contemporary Artist Maitrry P. Shah

Maitrry P Shah, an award-winning and internationally recognized contemporary Indian artist, has captivated audiences with her expressive and imaginative paintings. With a deeply contemporary style, she has carved a niche for herself in the art world. Born on April 11, 1987, in Ahmedabad, Gujarat,

Artist: Maitrry P Shah

Maitrry discovered her passion for painting at a young age, immersing herself in the beauty of nature. As she delved into the world of art and artists through books, her parents provided unwavering support and encouragement, fueling her determination to create her own world with colors and brushes.

Maitrry's artistic journey began during her studies, as she started creating paintings and participating in various art competitions. At the tender age of 12, she received her first international accolade, the "Silver Medal," in the 10th Kanagawa Biennial World Art Competition held in Kanagawa Prefecture, Japan in 1999. This early recognition cemented her passion for art and marked the beginning of a remarkable journey that continues to this day.In 2013, Maitrry's journey took her to the United States, where she visited esteemed art galleries such as the National Gallery of Art in Washington, MoMA in New York, and the Elder Gallery of Contemporary Art in Charlotte. Inspired by these experiences, she began showcasing her artwork through 3 solo and 43 group exhibitions in leading art galleries all over India and abroad.

She presented her work in art galleries at Gandhinagar, Bangalore, Jaipur, Bhilwara-Rajasthan, Vadodara, Ahmedabad, Noida, Gurgaon, Manipal, Pune, Mumbai, Delhi, Kolkata, Mauritius, Warsaw-Poland etc, her works are in collection of many reputed art collectors and art institutions of national and international reputation on a global level. 

Her paintings found their place in numerous national and international art exhibitions, earning her three international awards, including ten gold medals, two silver medals, and one silver crown in national competitions, as well as six state-level awards and certifications. Maitrry got an honorable doctorate Degree in Fine arts from IEMS University. 

Maitrry is renowned for her expressive paintings, which she creates using various mediums such as oil, acrylic, oil pastels, and mixed media. Her artistic style is deeply contemporary, and her work resonates with human emotions, particularly those of women. Love, happiness, despair, and sadness are among the emotions vividly portrayed in her artwork, which is often described as soul-touching.

“Within” 

Solo Show by Contemporary Artist Maitrry P. Shah  20th to 25th May 2025,11am to 7pm

VENUE: Nehru Centre Art Gallery

Dr. Annie Besant Road, Worli, Mumbai 400 018

Contact: +91 98254 42287

PDF - DISPLAY show Ask for Password 20t to 25 May -25

Artists

Vanita Gupta / Ratnadeep Adivrekar / Viraj Naik / Hrushikesh Biswal

Tathi Premchand / Mitali Das / Prashant Salvi / Kapil Alaskar

K. T. Shivaprasad / Nilesh Shilkar / Vasudev Shetye

Curated by Abhijeet Gondkar @

More details: 9820 510 599

Email: nipponbombay@gmail.com

www.nippongallery.com

Nippon

30/32, 2nd Floor, Deval Chambers,

Nana Bhai Lane, Flora Fountain,

Fort, Mumbai- 400 001

 

Pin Poster: Art Vista Galllery

 

Artvista Gallery

5, Ground Floor, Deval Chambers,

Nanabhai Lane, Flora Fountain, Fort, Mumbai.

9594103078 /  9594103077

Email : artvistagallery09@gmail.com

www.artvista.co.in

PIN POSTER: MANDAPO

The MANDAPO is inviting 

BOND BY HOPE

An Exhibition of Prints by

Chinnarao Degala /Atharva Sagavekar / G Rahul 

Exhibition on view till 15 May to 14 June 2025 .

Monday to Saturday 11 am

to 7pm. andapocollab@gmai.com

6,2 ND FLOOR,SANE BUILDING, 30/32,(DEVAL CHAMBERS),NANABHAI LANE,HUTAMA CHOWK(FLORA FOUNTAIN),FORT,MUMBAI - 400001

 

‘Thread Story’ – A Unique Visual Language Woven from Fabric and Thread

Artist: Alka Rode

Bringing a distinct artistic experience to viewers and art lovers alike, artist Alka Rode presents ‘Thread Story’ – a unique exhibition of fabric-based compositions. A graphic designer and artist based in Pune, Alka has moved beyond conventional mediums to create a unique visual language using pieces of fabric and running stitches. Her work stands apart in both concept and form. The central strength of this exhibition lies in the clarity and depth of its theme. The essence of womanhood is at the heart of her work — portrayed in diverse forms, from divine to contemporary. These interpretations are visually captivating.

The exhibition also includes abstract compositions, where the careful selection of fabric, textures, and color combinations reflect her design sensibility and experience. By connecting fragments with running stitches, she has created an expressive series where each artwork becomes a composition, a conversation, or a story. These threads carry meaning and seem to establish a dialogue with the viewer. Her thoughtful use of design principles and bold yet balanced arrangements make this exhibition both visually striking and thought-provoking.

The exhibition is not only aesthetically rich but also significant as an exploration of new paths in visual expression. Art lovers and media are warmly invited to experience it. Alka is a professional artist with a focus on creating narrative artworks. She has formal education in G.D. Art, Art Teacher Diploma, and an M.A. in Fine Arts. She also runs her own art gallery. Notably, she is also active as an Urban Sketcher.

This show will be inaugurated on 13th May 2025 at 4pm by  distinguished Design Educator and Calligrapher Hon. Dr. Santosh Kshirsagar former Dean of J.J. institute of Applied of Art, Mumbai

Press Release

From: 13th to 19th May 2025 “THREAD STORIES”

Second Edition -Solo Show of artworks by eminent artist Alka Rode

VENUE

Jehangir Art Gallery,161-B, M. G. Road

Kala Ghoda, Mumbai 400 001 /Timing: 11am to 7pmContact: +91 8888663088, +91 9011081215

www.alkarode.in